【摘要】：泉鏡花是有著旺盛創(chuàng)造力和幻想力的作家。說(shuō)他有旺盛的創(chuàng)造力，是因?yàn)樗侨毡緸閿?shù)不多的橫跨明治、大正、昭和三個(gè)時(shí)代而一直活躍在文壇的作家之一。他一生發(fā)表長(zhǎng)短篇小說(shuō)及戲劇作品三百余篇，以巖波書(shū)店出版的全集為例，就有28卷之多�！渡胶Ｔu(píng)判記》是泉鏡花56歲時(shí)的作品。東京時(shí)事新報(bào)自1929年7月開(kāi)始連載到同年11月連載完畢。但作品問(wèn)世之后卻一直沒(méi)有發(fā)行單行本，并一度被看作是泉鏡花的失敗作。這部集民俗、童謠、民話、天馬行空的想象以及鏡花諸多要素為一體的作品，也作為作者晚年唯一一部長(zhǎng)篇小說(shuō)的作品，事實(shí)上可說(shuō)是能反映作者寫(xiě)作生涯的心境的集大成之作了。 本論文以泉鏡花《山海評(píng)判記》中兩位女主人公李枝和姬沼綾羽為中心，首先分析李枝代表的去往他界的女性特點(diǎn)，繼而分析姬沼綾羽為代表的自他界而來(lái)的女性的特點(diǎn)。另外還擬借助作品中的暗喻分析兩位女主人公的命運(yùn)以及與男主人公矢野誓之間的關(guān)系。 從內(nèi)容來(lái)說(shuō)，，本論文首先從小說(shuō)中看似一段逸話的軍官女兒的故事著手，將軍官女兒的命運(yùn)與之后的女主人公李枝的命運(yùn)相參照，筆者認(rèn)為，軍官女兒的故事絕非作者的閑來(lái)一筆，而是女主公最終命運(yùn)的一場(chǎng)預(yù)演，也可以說(shuō)是女主人公命運(yùn)的一個(gè)暗示。筆者試圖結(jié)合本小說(shuō)另一個(gè)重要背景“白山信仰”一起分析得出結(jié)論。之后對(duì)姬沼綾羽本人進(jìn)行分析。論文的最后部分，將集中分析矢野誓和李枝、姬沼綾羽之間的關(guān)系。筆者認(rèn)為矢野誓對(duì)李枝是一種結(jié)合了“亡母憧憬”與“不倫之戀”的復(fù)雜感情，而對(duì)姬沼綾羽的感情糾葛中則映射了泉鏡花的觀念中，男性對(duì)女性“神性”的仰慕與恐懼。
[Abstract]:Spring Mirror is a writer with great creativity and imagination. He is said to be very creative because he is one of the few writers in Japan who have been active in the literary world across the three eras of Meiji, Taisho and Showa. He published more than 300 long and short novels and plays in his life. Taking the complete works published by Yanbo Bookstore as an example, there are as many as 28 volumes. "the judgment of the Mountains and Seas" is the work of Quan Jinghua at the age of 56. The Tokyo Journal of Journals was serialized from July 1929 to November of the same year. However, the book has not been published since its inception, and was once regarded as a failure of Springs Mirror. This collection of folklore, nursery rhymes, folk dialect, the imagination of the sky and the many elements of the mirror are also regarded as the author's only novel in his old age. In fact, it can be said that the author's writing career can reflect the mood of the masterpiece. This thesis centers on Li Zhi and Ji Biao Yu, two heroines in "judgment of Mountain and Sea". Firstly, it analyzes the female characteristics represented by Li Zhi to other fields, and then analyzes the characteristics of women who come from other realm represented by Ji Bianya feather. In addition, it also analyzes the fate of the two heroines and the relationship between them and the protagonist's oaths. In terms of content, this thesis begins with the story of the daughter of an officer who seems to be in the novel, referring to the fate of the daughter of the officer and the fate of the heroine Li Zhi. The story of the daughter of the officer is not the author's idle stroke, but a preview of the final fate of the master, or a hint of the fate of the heroine. The author tries to draw a conclusion by analyzing Baishan belief, another important background of this novel. After the analysis of Agaricus biogas Aya himself. In the last part of the paper, the relationship between Yano oaths and plum branches, ji bioga plumage is analyzed. The author thinks that Yano's oath to Li Zhi is a kind of complex emotion which combines "longing for the dead mother" and "the love of unkindness", while the emotional entanglement of the Jigimanya feather reflects the idea of the spring mirror flower, the admiration and fear of the female's "divinity" by the male.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I313.074

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