本文選題：嚴歌苓 + 敘事倫理�。� 參考：《安徽大學(xué)》2013年碩士論文

【摘要】：被稱為“翻手為蒼涼,覆手為繁華”的嚴歌苓是華人文壇里獨具個性又卓有成就的女作家。從1989年的成名作《雌性的草地》到2012年的《陸犯焉識》,十多年間她創(chuàng)作的小說數(shù)量頗多、題材豐富,特別是近幾年來受到海內(nèi)外研究者的關(guān)注。由于作家有著不同國家的生活閱歷,同時又受到不同文化觀念的熏陶,因此她的作品跨越了國界和文化等多重阻隔,從思想、社會、文化等方面表現(xiàn)出相當(dāng)深刻的內(nèi)涵。閱讀她的大量作品后,筆者發(fā)現(xiàn)無論是“文革”、“移民”,還是其他題材,人性和生命感受往往是嚴歌苓小說的關(guān)注點,而這些又是現(xiàn)代小說敘事倫理所關(guān)涉的主要問題,因此,筆者擬用敘事倫理的批評方法去探究嚴歌苓小說敘事倫理的特征。 按照敘事倫理的兩個層面,本篇論文分為緒論、正文、結(jié)語三個部分。緒論部分是對“敘事”、“倫理”、“敘事倫理”等概念的界定,筆者選取介紹中西方學(xué)者對“敘事倫理”這一概念的研究成果并簡單梳理了嚴歌苓作品的研究現(xiàn)狀。 正文部分根據(jù)“敘事倫理”的研究方法分為三章。第一章對嚴歌苓的小說創(chuàng)作歷程進行簡單概括,通過介紹她“移民前”中國的成長記憶和“移民后”美國的生活經(jīng)歷,探尋出其小說敘事倫理的轉(zhuǎn)變。第二章從嚴歌苓小說的故事倫理層面,按照敘事倫理的精神內(nèi)涵將其分為兩節(jié)。第一節(jié)以人性為底蘊的“文革敘事”,選取《雌性的草地》、《白蛇》兩部有關(guān)“文革”題材的作品為研究對象,說明嚴歌苓“文革敘事”的獨特性——她以冷靜、客觀的態(tài)度面對人性中的善與惡,在向讀者揭露人性邪惡的同時也展現(xiàn)出人性的希望,讓人“憂傷而不絕望”。第二節(jié)個體生命的生存敘事,選取嚴歌苓近年來的創(chuàng)作文本《第九個寡婦》、《小姨多鶴》、《陸犯焉識》為研究對象,說明嚴歌苓的小說具有道德模糊性的特征,并且作家特別關(guān)注主人公個體的生命感受,她筆下的生命即使是充滿苦難和艱辛,也總能保持著寬容仁愛之心默默承受起一切。第三章從嚴歌苓小說的敘述倫理層面展開,按照小說文本的敘事形式分為四節(jié)。第一節(jié)多重敘述視角的變換,第二節(jié)從個體生命感受出發(fā)的“去歷史化”敘述,第三節(jié)雙層時空敘事,第四節(jié)獨特的敘述語言,通過以上四個方面對嚴歌苓小說在敘事形式上的探索進行分析,說明其小說的敘事形式為倫理指向提供了更有利的依據(jù)。 結(jié)語部分是對嚴歌苓小說敘事倫理獨特價值的總結(jié)。整篇論文筆者以敘事倫理的兩個層面作為切入點展開文本分析、闡釋,既研究了嚴歌苓小說敘事倫理的精神內(nèi)涵,又剖析了其中的美學(xué)特質(zhì)與詩學(xué)方法,進而探究出嚴歌苓小說所呈現(xiàn)的敘事倫理特征。
[Abstract]:Known as "turning hands for desolation, hand for prosperity" Yan Geling is a unique and accomplished female writer in the Chinese literary world. From 1989 to 2012, she wrote a lot of novels, especially in recent years, she has attracted the attention of researchers at home and abroad. Because the writer has the experience of life in different countries and is influenced by different cultural concepts, her works transcend national boundaries and culture, and show profound connotation from the aspects of thought, society, culture and so on. After reading a large number of her works, the author finds that whether it is the Cultural Revolution, "immigrants" or other subjects, human nature and life feelings are often the focus of Yan Geling's novels, and these are the main issues involved in the narrative ethics of modern novels. Therefore, the author intends to explore the characteristics of narrative ethics in Yan Geling's novels with the critical method of narrative ethics. According to the two levels of narrative ethics, this paper is divided into three parts: introduction, text and conclusion. The introduction part is the definition of the concepts of "narrative", "ethics", "narrative ethics" and so on. The author introduces the research achievements of Chinese and western scholars on the concept of "narrative ethics" and briefly combs the research status of Yan Geling's works. The text is divided into three chapters according to the research methods of narrative Ethics. The first chapter makes a brief summary of Yan Geling's novel creation, through introducing her "before emigration" Chinese growth memory and "after emigration" American life experience, explore her novel narrative ethics change. The second chapter divides Yan Geling's novels into two sections according to the spiritual connotation of narrative ethics. In the first section, the narrative of the Cultural Revolution, which is based on human nature, selects "female grassland" and "White Snake" as the research object to illustrate the uniqueness of Yan Geling's "narrative of the Cultural Revolution"-she is calm. The objective attitude faces the good and evil in human nature, while exposing the evil of human nature to readers, it also shows the hope of human nature, which makes people "sad but not desperate". In the second section, the author chooses Yan Geling's works in recent years, such as "the Ninth Widow", "Little Aunt Duohe", "Lu Zhun Yan" as the object of study, which shows that Yan Geling's novels have the characteristics of moral fuzziness. And the writer pays special attention to the life feelings of the protagonist. Her life, even if it is full of suffering and hardship, can always keep the tolerant and benevolent heart and accept everything in silence. The third chapter starts from the narrative ethics level of Yan Geling's novels, and is divided into four sections according to the narrative form of the novel text. The first section is about the change of narrative angle of view, the second section is about "dehistorization" from the perspective of individual life, the third section is about double layer space and time narrative, and the fourth section is the unique narrative language. By analyzing the narrative form of Yan Geling's novels in the above four aspects, it is shown that the narrative form of Yan Geling's novels provides a more favorable basis for ethical direction. The conclusion is a summary of the unique value of narrative ethics in Yan Geling's novels. The author takes the two levels of narrative ethics as the breakthrough point of text analysis, explains, not only studies the spiritual connotation of narrative ethics in Yan Geling's novels, but also analyzes the aesthetic characteristics and poetic methods. Then explore the narrative ethical characteristics of Yan Geling's novels.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I712.074

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本文編號：2060207