本文選題：《呼嘯山莊》 + 敘述時間�。� 參考：《閩南師范大學(xué)》2013年碩士論文

【摘要】：本論文主要通過對敘事時間策略的全面梳理，探討敘事時間策略對《呼嘯山莊》文本意蘊(yùn)造成的影響。敘事時間策略中的時序、時距和頻率三部分，本論文將分別進(jìn)行論述，最后總結(jié)出敘事時間策略對文本意蘊(yùn)生成的作用。 《呼嘯山莊》以倒敘引發(fā)了漫長的順敘，以怪異的場景入手，卻以親切和震撼結(jié)尾，使閱讀從獵奇開始，卻以悲涼的深思與敬畏掩卷，時序的選擇幫助了悲劇意蘊(yùn)的生成。在關(guān)鍵處省略、在血腥處加速、在心理沖突處減緩、在升華處停頓，《呼嘯山莊》的時距處理堪稱完美，它凸顯了對偉岸愛情的堅(jiān)守、對成長的期待、對人性的終極信任。概述性敘述使文本情節(jié)快速推進(jìn)，而重復(fù)敘述則形成了對愛情升華的關(guān)鍵之處的回旋式吟唱，使小說文本不以直接抒情的方式卻達(dá)到了抒情難以達(dá)到的詩一樣的效果。 各種時間策略是被綜合運(yùn)用的，如，，省略事件被高頻推測，在時間上無法展開的關(guān)鍵細(xì)節(jié)采用多角度感受，減緩的部分則進(jìn)行單一敘述，情節(jié)高潮處使用停頓等，使文本形成了一個和諧均勻的結(jié)構(gòu)。 被認(rèn)為是一部哥特小說、但又超越了普通意義上哥特小說的《呼嘯山莊》其實(shí)是以其內(nèi)里拋棄了它的哥特小說的特質(zhì)，獵奇的哥特式要素只是一個外殼。人們被奇異所吸引，卻發(fā)現(xiàn)最終呈現(xiàn)的是激越悲涼的詩篇。更為絕妙的是，它不只是通過故事本身達(dá)到的，更是由敘述時間策略等形式要素不聲不響地達(dá)到的，而且形式形成的詩的力量更容易直接作用于心靈。 本文在一定程度上填補(bǔ)在敘事時間綜合分析方面的空白。對《呼嘯山莊》敘事時間策略的全面研究，可以使我們發(fā)現(xiàn)文本意義的一個新的來源，這是解讀文本意義的又一個途徑。但因?yàn)椤逗魢[山莊》是一部長篇小說，所以上述結(jié)論的適用范圍僅限于長篇小說，而對短篇小說而言，是否具有同樣的普適性則不能一概而論。
[Abstract]:This paper mainly discusses the influence of narrative time strategy on Wuthering Heights text through a comprehensive analysis of narrative time strategy. The time sequence, time interval and frequency of narrative time strategy are discussed in this paper. Finally, the author summarizes the effect of narrative time strategy on the generation of text implication. [Wuthering Heights] triggered a long sequence of narration by flashback. Beginning with strange scenes, but ending with kindness and shock, reading begins with the pursuit of wonder, but with the sad contemplation and awe. The choice of time series helps the creation of tragic meaning. Omitted in the key, accelerated in the bloody place, slowed down in the psychological conflict, stopped at the sublimation, the time interval treatment of Wuthering Heights is perfect, it highlights the adherence to Weian love, the expectation of growth, the ultimate trust in human nature. The general narration makes the plot of the text advance rapidly, while the repeated narration forms a whirlwind chant to the key point of the sublimation of love. So that the text of the novel does not directly lyric but achieve the same lyrical effect as poetry. All kinds of time strategies are used in a comprehensive way, such as, ellipsis events are speculated by high frequency, The key details, which cannot be developed in time, are experienced from many angles, the slow part is narrated in a single way, the plot climax uses a pause, and so on, which makes the text form a harmonious and uniform structure. It is regarded as a Gothic novel. But it transcends the common Gothic novel Wuthering Heights, in fact, abandoned its Gothic novel in its characteristics, the Gothic elements of the hunt is only a shell. People are attracted by the strange, only to find that the final presentation is a stirring sad poem. What is even more wonderful is that it is not only achieved by the story itself, but also by the silent realization of formal elements such as narrative time strategies. Moreover, the force of poetry formed by form is easier to directly affect the soul. To some extent, this paper fills up the blank in the comprehensive analysis of narrative time. A comprehensive study of the narrative time strategy in Wuthering Heights can help us to find a new source of textual meaning, which is another way to interpret the meaning of text. However, Wuthering Heights is a novel, so the scope of application of the above conclusion is limited to novels, but for short stories, it is impossible to generalize whether it has the same universality.
【學(xué)位授予單位】：閩南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I561.074

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本文編號：2000822