本文選題：契訶夫 + 魯迅��； 參考：《大連外國(guó)語(yǔ)大學(xué)》2013年碩士論文

【摘要】：本論文借用敘事空間理論，，從全新的視角對(duì)契訶夫與魯迅小說(shuō)進(jìn)行比較研究。當(dāng)前，敘事空間理論成為學(xué)界的熱點(diǎn)話題，引起了國(guó)內(nèi)外眾多學(xué)者的極大熱情與關(guān)注。空間研究在敘事學(xué)理論中越來(lái)越凸顯出其重要的價(jià)值和作用。敘事空間在小說(shuō)中往往扮演極其重要的角色，它不但是主人公和人物所處的場(chǎng)所，也可以展現(xiàn)人物動(dòng)態(tài)的移動(dòng)及推動(dòng)小說(shuō)時(shí)間的發(fā)展。俄羅斯敘事學(xué)理論家及語(yǔ)言學(xué)家不僅從時(shí)間緯度上抽出空間，而且對(duì)空間制定出嚴(yán)密的分類體系。本文通過(guò)俄羅斯文學(xué)理論家戈列切娃的敘事空間理論，運(yùn)用比較文學(xué)的研究方法，深入地剖析了契訶夫與魯迅小說(shuō)的異同。這兩位中俄現(xiàn)實(shí)主義文學(xué)大師在人生命運(yùn)、文學(xué)創(chuàng)作風(fēng)格以及文學(xué)題材的擇取方面都有著驚人的相似之處。他們的創(chuàng)作經(jīng)常取材于平淡無(wú)奇的日常生活，從凡人瑣事中反映出尖銳的現(xiàn)實(shí)問(wèn)題及社會(huì)矛盾，對(duì)社會(huì)的黑暗進(jìn)行猛烈地抨擊，這在以往的研究中，中俄學(xué)者都進(jìn)行了詳細(xì)地論證。而本文利用敘事空間理論，重新解讀契訶夫與魯迅小說(shuō)中的空間建構(gòu)問(wèn)題，深入剖析兩位文學(xué)大師空間敘事方面的異同，借以提供有價(jià)值的研究資料。 本論文由四部分組成。第一章為緒論，其中闡釋空間概念及敘事學(xué)起源的問(wèn)題，論述中俄兩個(gè)國(guó)家在敘事空間理論上的異同，詮釋契訶夫與魯迅小說(shuō)比較研究的起因和現(xiàn)狀，并且明確地指出本論文的創(chuàng)新點(diǎn)。第二章運(yùn)用直接空間及間接空間的理論，并通過(guò)大量小說(shuō)中的例子加以佐證，深入地剖析了契訶夫與魯迅小說(shuō)空間環(huán)境的描寫、靜態(tài)及動(dòng)態(tài)敘事空間的建構(gòu)。第三章運(yùn)用宏觀空間和微觀空間的理論，采用大量小說(shuō)中的例子加以佐證，詳細(xì)論述了兩位作家小說(shuō)敘事空間的結(jié)構(gòu)安排，及其在作品中的作用。第四章為結(jié)論歸納出前幾章得出的結(jié)果，具體地說(shuō)明契訶夫與魯迅小說(shuō)中的敘事空間的異同，并且強(qiáng)調(diào)本論的創(chuàng)新性。 俄羅斯敘事空間理論在中國(guó)文學(xué)界很少有人了解，而本論文則通過(guò)俄羅斯的敘事空間理論探究和分析了契訶夫與魯迅小說(shuō)中的空間塑造問(wèn)題，從全新的視角對(duì)契訶夫與魯迅的小說(shuō)進(jìn)行了較為詳細(xì)的比較研究。這一研究，無(wú)論是在中國(guó)，還是在俄羅斯都是全新的嘗試，以期通過(guò)本論文的研究對(duì)比較文學(xué)開拓新的研究領(lǐng)域起到一定的作用。
[Abstract]:This paper uses narrative space theory to compare Chekhov's and Lu Xun's novels from a new perspective. At present, narrative space theory has become a hot topic in academic circles, which has aroused great enthusiasm and concern of many scholars at home and abroad. Spatial study has more and more important value and function in narratology theory. Narrative space often plays an extremely important role in novels. It is not only the place where the protagonists and characters are located, but also the dynamic movement of characters and the development of novel time. Russian narratology theorists and linguists not only draw out space from time and latitude, but also formulate a strict classification system of space. Based on the narrative space theory of Russian literary theorist Goreceva and the research method of comparative literature, this paper deeply analyzes the similarities and differences between Chekhov and Lu Xun's novels. These two Chinese and Russian realistic literary masters have striking similarities in life fate, literary creation style and choice of literary subject matter. Their creations are often based on ordinary daily life, reflecting acute practical problems and social contradictions from the trifles of mortals, and lashing out at the darkness of society, which has been studied in the past. Chinese and Russian scholars have carried out detailed argumentation. By using the theory of narrative space, this paper reinterprets the spatial construction in Chekhov's and Lu Xun's novels, deeply analyzes the similarities and differences in space narration between the two literary masters, in order to provide valuable research materials. This thesis is composed of four parts. The first chapter is the introduction, which explains the concept of space and the origin of narratology, discusses the similarities and differences between China and Russia in the theory of narrative space, explains the causes and current situation of the comparative study of Chekhov and Lu Xun novels. And points out the innovation of this paper. The second chapter uses the theory of direct space and indirect space, and through a large number of examples in the novel to prove, in-depth analysis of Chekhov and Lu Xun novel space environment description, static and dynamic narrative space construction. The third chapter uses the theory of macro space and micro space, using a large number of examples in the novel to prove the structure of the narrative space of the two writers, and its role in the works. Chapter four summarizes the results of the previous chapters, explains the similarities and differences of narrative space between Chekhov and Lu Xun, and emphasizes the originality of this theory. Russian narrative space theory is seldom understood in Chinese literary circles. This paper explores and analyzes the space shaping in Chekhov's and Lu Xun's novels through Russian narrative space theory, and makes a detailed comparative study of Chekhov and Lu Xun's novels from a new angle of view. This study, whether in China or in Russia, is a new attempt to open up a new field of comparative literature through the study of this paper.
【學(xué)位授予單位】：大連外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I106.4-03

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相關(guān)期刊論文 前4條

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本文編號(hào)：1999913