本文選題：辛西婭·奧芝克 + 《大圍巾》　； 參考：《湘潭大學》2013年碩士論文

【摘要】：辛西婭·奧芝克(Cynthia Ozick)是美國當代最為活躍的猶太裔作家之一，《大圍巾》為其贏得了歐·亨利短篇小說獎和美國最佳小說獎兩個獎項。該小說由短篇小說《大圍巾》和續(xù)篇中篇小說《羅莎》構(gòu)成，描述了大屠殺中一位猶太母親未能保護自己襁褓中的女兒的故事，以及這一創(chuàng)傷性事件對幸存者母親戰(zhàn)后生活的影響。伯里塔·弗里曼(Bronita Freima)稱贊該小說寫得強勁有力，動人心弦，文筆簡潔，影響巨大。 本文運用創(chuàng)傷性記憶理論分析《大圍巾》中羅莎對創(chuàng)傷性事件的回憶，揭示大屠殺對幸存者的身心所造成的創(chuàng)傷。在本文中，創(chuàng)傷性記憶主要是指由于親身經(jīng)歷和親眼看到涉及死亡，嚴重傷害和威脅的事件，令人感到恐慌，反感和無助，試圖在精神上或情感上擺脫這種困擾而不能。該小說中的創(chuàng)傷性記憶研究將為有過相似經(jīng)歷的幸存者們醫(yī)治創(chuàng)傷、正視歷史提供有益參考，為世界各族人民消除種族歧視、避免災(zāi)難重演提供歷史借鑒。 本文主要探討主人公羅莎創(chuàng)傷性記憶的表現(xiàn)方式、敘述行為和治愈途徑三個方面。第一章分析羅莎創(chuàng)傷性記憶的表現(xiàn)方式。羅莎因猶太人的身份被否認，因大屠殺的經(jīng)歷受困擾，因死亡的恐懼無法正視現(xiàn)實。奧芝克以創(chuàng)傷性記憶的表現(xiàn)方式突顯大屠殺給猶太人羅莎，尤其是作為一個他者女性和母親，，帶來的肉體和精神上的雙重創(chuàng)傷。第二章解析羅莎敘述創(chuàng)傷性記憶的行為方式。她在記憶中通過幻想表現(xiàn)出對理想生活的憧憬，通過講故事向周圍的人們講述自己的經(jīng)歷，通過感官再次體驗創(chuàng)傷性事件及其造成的傷害。第三章探析羅莎回憶過去、追溯他者的有效途徑。從回歸猶太人社區(qū)、恢復女性被壓抑的性欲到正視女兒的死亡，奧芝克力圖表明，少數(shù)族裔群體內(nèi)部的關(guān)懷和兩性之間的關(guān)愛可以為幸存者帶來正視過去的勇氣、重建自我的良方。 最后，本文指出，在《大圍巾》中奧芝克巧妙地將猶太人個體的命運和猶太民族的歷史有機地結(jié)合起來，并以猶太民族經(jīng)歷的歷史悲劇警示各民族人民，深刻反思人類共存的意義，積極探尋世界共融的策略。
[Abstract]:Cynthia Ozickis one of the most active contemporary Jewish writers in the United States. The novel, composed of the short novel the Big scarf and the sequel Rosa, tells the story of a Jewish mother who failed to protect her infant daughter in the Holocaust. And the impact of this traumatic event on the post-war lives of surviving mothers. Berita Freima, Bronita Freima, praised the novel for its powerful, moving, succinct and influential style. In this paper, the traumatic memory theory is used to analyze Rosa's recollection of traumatic events in "Big scarf", and to reveal the trauma caused by the Holocaust to the survivors' body and mind. In this paper, traumatic memory mainly refers to personal experience and seeing events involving death, serious injury and threat, causing people to feel panic, revulsion and helplessness, trying to get out of this mental or emotional problems and can not. The study of traumatic memory in the novel will provide a useful reference for survivors who have experienced similar experiences to heal their wounds, face up to history, eliminate racial discrimination and avoid the recurrence of disasters. This paper mainly discusses three aspects of the protagonist Rosa's traumatic memory, narrative behavior and cure. The first chapter analyzes the expression of Rosa's traumatic memory. Rosa was denied Jewish identity, troubled by the Holocaust, unable to face the reality due to fear of death. In a way of traumatic memory, Ozek highlights the physical and mental trauma that the Holocaust brought to Rosa, especially as a other woman and mother. The second chapter analyzes the behavior of Rosa's narration of traumatic memory. In her memory, she shows her vision of her ideal life through fantasy, tells her experiences to people around her by telling stories, and reexperiences traumatic events and their injuries through her senses. Chapter three explores Rosa's effective way of recalling the past and tracing back to the other. From returning to the Jewish community, restoring the repressed sexual desires of women to facing up to her daughter's death, Ochek tries to show that caring and caring for both sexes within ethnic minorities can give survivors the courage to face up to the past. The best way to rebuild yourself. Finally, this paper points out that in the "Big scarf", Ozick skillfully combines the fate of the Jewish individual with the history of the Jewish nation, and warns the people of all nationalities with the historical tragedy experienced by the Jewish people. Deeply reflect on the significance of human coexistence, actively explore the strategy of world integration.
【學位授予單位】：湘潭大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074

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