本文選題：莫里森　切入點(diǎn)：《爵士樂》　出處：《中南民族大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：托妮·莫里森作為美國文學(xué)史上第一位獲得諾貝爾文學(xué)獎(jiǎng)的黑人女作家，一直致力于保存和弘揚(yáng)黑人文化，始終以表現(xiàn)和探索黑人的歷史、命運(yùn)和精神世界為已任�！毒羰繕贰肥撬牡诹孔髌罚撟髌飞鷦�(dòng)地再現(xiàn)了美國現(xiàn)實(shí)的一個(gè)極為重要的方面，而這個(gè)極為重要的方面就是美國社會(huì)的黑人群體。本論文的寫作目的及意義在于通過對(duì)文本語言特征及文體特征的分析來展現(xiàn)美國黑人生動(dòng)的生活畫面，特別是美國黑人群體文化身份認(rèn)同及身份建構(gòu)的艱辛發(fā)展歷程。 本論文以詞匯偏離、語義偏離、語法偏離、書寫偏離等偏離現(xiàn)象作為切入點(diǎn)，深刻的討論了黑人個(gè)體及族群對(duì)于獲得自身文化身份認(rèn)同及建構(gòu)文化身份的強(qiáng)烈渴望，隱喻出了他們的生存困境并展示了他們自身對(duì)擁有民族文化身份的無限向往。筆者所采用的是定性分析的研究方法，語料均選自《爵士樂》。該書人物關(guān)系復(fù)雜，情節(jié)曲折離奇，語言表現(xiàn)力極強(qiáng)。通過對(duì)小說中的敘事話語、人物對(duì)話及內(nèi)心獨(dú)白進(jìn)行分析，對(duì)黑人所使用的詞匯，語法結(jié)構(gòu)以及話語形式的研究，我們不僅觀察到了黑人的語言特征及其獨(dú)特魅力，也更加注意到了語言外殼下所反映出的黑人生存現(xiàn)狀及他們對(duì)自身文化身份認(rèn)同與建構(gòu)的困惑。以《爵士樂》作為研究文本，，通過采用文體學(xué)的相關(guān)理論來分析該書中黑人文化身份認(rèn)同與建構(gòu)問題是可行的，也是有說服力的。 在白人主流文化的侵蝕下，黑人沒有地位，沒有話語權(quán)，更加無法建構(gòu)自身的文化身份。通過對(duì)《爵士樂》的研究，筆者發(fā)現(xiàn)：第一、文本中存在著大量的文體、語言偏離現(xiàn)象；第二、筆者提出了解決黑人文化身份認(rèn)同及建構(gòu)問題的二種可行性方案。黑人個(gè)體或族群要想獲得文化身份認(rèn)同，要想建構(gòu)自身身份，就必須一方面堅(jiān)持發(fā)展自己本民族的傳統(tǒng)文化，以爵士樂音樂所獨(dú)具的爵士精神為其精髓。另一方面，必須堅(jiān)持黑人社群的發(fā)展以及黑人自身的不斷追尋與抗?fàn)帯：谌松缛菏敲褡逦幕�、民族力量的源泉，脫離它也就脫離了和諧的親情和關(guān)愛，脫離了黑人文化的根基。
[Abstract]:Toni Morrison is the first black woman writer in American literary history, won the Nobel prize for literature, has been committed to the preservation and promotion of black culture, always show and explore the African American history, fate and spiritual world as jazz. > is her sixth novel, the works vividly depicts an American reality extremely the important aspects of this very important aspect is the American Society of the black community. The purpose and meaning of this thesis is that through the analysis of the language features and stylistic features to show us a vividpicture of African American people, especially the difficult development of African American community cultural identity and identity construction.
This thesis takes the lexical deviation, semantic deviation, grammatical deviation, writing deviation as a starting point, deeply discussed the black individuals and ethnic strong desire for their own cultural identity and the construction of cultural identity, metaphor of their survival plight and show their own infinite yearning for national and cultural identity the author is adopted. Qualitative research method, data are selected from the book "jazz. The complex relationship between the characters, the plot twists and turns, the language is expressive. Through the narrative discourse in the novels, the characters of words and inner monologue, the use of black vocabulary, grammar and discourse structure research, we not only observe the linguistic features of the blacks and the unique charm, but also pay more attention to the status of the black shell survival language reflects and their self culture The confusion of identity and construction is a feasible and persuasive way to analyze the black cultural identity and construction by using the theory of stylistics.
In the erosion of the white mainstream culture, black no position, no right to speak, to construct their own cultural identity. Through the research, the author found that the < > Jazz: first, there is a lot of text, language deviation; second, the author puts forward two feasible solution to understand black cultural identity and the construction of the problem. The black individuals or groups to obtain cultural identity, to construct their own identity, we must insist on the one hand the development of their national traditional culture with unique Jazz spirit as its essence. On the other hand, must adhere to the development of the black community and black's continuous pursuit and struggle. The black community of national culture, the source of national strength, from it out of harmonious affection and love from the roots of black culture.

【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I712.074

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