本文關(guān)鍵詞： 《路》 絕望 希望 末日世界 救贖　出處：《中國(guó)礦業(yè)大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：當(dāng)代美國(guó)作家科馬克·麥卡錫的小說(shuō)《路》通過(guò)描繪一對(duì)無(wú)名的父子艱難求生于核災(zāi)難之后的世界,創(chuàng)造了一個(gè)語(yǔ)言死亡、歷史終結(jié)以及個(gè)體消逝的破碎的末日世界景象。這對(duì)父子在絕望中尋求希望,試圖走出一條希望的救贖之路。本文根據(jù)詹姆遜的后現(xiàn)代空間理論來(lái)解讀這部小說(shuō)。科技的高度發(fā)展直接促生了后現(xiàn)代空間。小說(shuō)中父子艱難行走其中的末日世界即是工業(yè)化和后現(xiàn)代資本主義不斷擴(kuò)張的產(chǎn)物。在這個(gè)末日世界,生態(tài)和人類文明被徹底粉碎,根植語(yǔ)言的語(yǔ)義基礎(chǔ)蕩然無(wú)存。能指與所指之間不再是一對(duì)一的關(guān)系,從而導(dǎo)致了語(yǔ)言的死亡。語(yǔ)言的消亡使幸存者被從人類歷史中割裂開(kāi)來(lái)而無(wú)法進(jìn)行自我定位。人們發(fā)現(xiàn)自身存在其中的世界已無(wú)歷史性可言。人類失去了與自身歷史的聯(lián)系而生活于永恒的現(xiàn)在,其現(xiàn)實(shí)體驗(yàn)便變成了追求當(dāng)前滿足的空間性體驗(yàn)。此外,由于無(wú)法進(jìn)行自我定位,人類感到迷失感而失去對(duì)外部世界的控制能力。父親等人的死亡預(yù)示著獨(dú)立的個(gè)體已經(jīng)無(wú)法在后現(xiàn)代空間中生存。根據(jù)詹姆遜的理論,認(rèn)知測(cè)繪是一種全面掌握后現(xiàn)代空間的方法。即個(gè)體對(duì)周圍的重新認(rèn)知并重建相互關(guān)系。認(rèn)知測(cè)繪是一種再現(xiàn)方式,是一種將個(gè)人和社會(huì)聯(lián)系起來(lái)的隱喻。面對(duì)殘酷的末日世界,父親積極適應(yīng)新的環(huán)境與挑戰(zhàn),通過(guò)語(yǔ)言和行動(dòng)向兒子傳遞希望與愛(ài)。而兒子擁有著一顆善良熱情的心,帶著父親傳遞的希望之火,與外部世界積極融合。最終遇到了他心中的好人并和他們一同繼續(xù)前行。兒子的末日之行顯示了一種新文明的雛形,代表著一種希望與救贖的力量�！堵贰氛凵淞他溈ㄥa對(duì)現(xiàn)實(shí)生活的關(guān)注,融入了對(duì)人類終極命運(yùn)的憂思以及拯救世界的探索,為工業(yè)社會(huì)的不斷發(fā)展敲響了警鐘。小說(shuō)中的父子同行之路正代表著一種希望與救贖的力量以及人類生存地圖的重構(gòu)。
[Abstract]:Contemporary American writer Mark McCarthy's novel the Road creates a linguistic death by depicting a world in which an unknown father and son struggle to survive the nuclear disaster. The end of history and the shattered apocalyptic world of the individual. The father and son seek hope in despair. This paper interprets the novel according to Jameson's postmodern space theory. The high development of science and technology directly promotes the post-modern space. In the novel, father and son walk hard in the apocalypse. The world is the product of the constant expansion of industrialization and post-modern capitalism, in this apocalyptic world. Ecology and human civilization have been completely shattered, and the semantic basis of the rooted language has disappeared. There is no longer a one-to-one relationship between the signifier and the signifier. This led to the death of language. The demise of language separated survivors from human history and could not identify themselves. People found that there was no history in the world in which they existed. The link between history and living in the eternal present. Its real experience has become the spatial experience of pursuing the current satisfaction. In addition, it is impossible to position itself. Human beings feel lost and lose control of the outside world. The death of fathers and others indicates that independent individuals can no longer survive in post-modern space, according to Jameson's theory. Cognitive mapping is a way to master the post-modern space in an all-round way. That is to say, individuals rerecognize their surroundings and reconstruct their mutual relations. Cognitive mapping is a way of reproduction. It is a metaphor that connects the individual and the society. In the face of the cruel apocalyptic world, father actively adapts to the new environment and challenges. Through words and actions to send hope and love to the son, and the son has a kind and warm heart, with the father's fire of hope. Active integration with the outside world. Finally meets the good people in his heart and goes on with them. The son's doomsday trip shows the embryonic form of a new civilization. It represents a power of hope and redemption. The Road reflects McCarthy's concern for real life, his concern for the ultimate destiny of mankind and the exploration of saving the world. The road between father and son in the novel represents the power of hope and redemption and the reconstruction of map of human existence.
【學(xué)位授予單位】：中國(guó)礦業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I712.074

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本文編號(hào)：1480067