本文關(guān)鍵詞： 時(shí)間性 因果性 故事 敘述 語(yǔ)言　出處：《華東師范大學(xué)》2015年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：文學(xué)敘事情節(jié)中的時(shí)間性與因果性,歷來(lái)是敘事學(xué)關(guān)注的焦點(diǎn)。縱觀迄今為止的相關(guān)研究成果,大多分別就時(shí)間性與因果性各自的特征與作用展開(kāi)闡述,卻尚未出現(xiàn)針對(duì)二者相互關(guān)系所展開(kāi)的比較全面、系統(tǒng)的考察。本文將以此為契機(jī),在認(rèn)真梳理中西學(xué)界關(guān)于時(shí)間性與因果性的代表觀點(diǎn)的基礎(chǔ)上,進(jìn)一步闡釋時(shí)間性與因果性在文學(xué)敘事情節(jié)中既外在對(duì)立、又內(nèi)在統(tǒng)一的辯證關(guān)系,并揭示這一關(guān)系對(duì)當(dāng)代敘事文化提供的啟示意義。在文學(xué)敘事情節(jié)中,時(shí)間性與因果性的關(guān)系,主要體現(xiàn)為兩個(gè)學(xué)理層面一一外在的對(duì)立與內(nèi)在的統(tǒng)一。就前者而言,時(shí)間性的實(shí)質(zhì)是在場(chǎng),它意味著視點(diǎn)對(duì)場(chǎng)內(nèi)事物的積極觀看與體驗(yàn),因果性的實(shí)質(zhì)是離場(chǎng),它意味著視點(diǎn)將場(chǎng)內(nèi)的觀看成果語(yǔ)言化并獲得反思,兩者呈現(xiàn)出對(duì)立的一面。就后者而言,時(shí)間性與因果性在文學(xué)敘事情節(jié)建構(gòu)中均各有所得與所失,每一方的所失又都能被另一方的所得積極彌補(bǔ)：一方面,作者的在場(chǎng)觀看必然因存在著盲點(diǎn)而無(wú)法獲取對(duì)事物的全面感知,這是敘事情節(jié)中的時(shí)間性之失,唯有離場(chǎng)才能在反思中看清全場(chǎng),“語(yǔ)言論轉(zhuǎn)向”揭示出語(yǔ)言的不及物特征及其作為意義系統(tǒng)的存在,作為語(yǔ)言化的產(chǎn)物,因果性對(duì)場(chǎng)內(nèi)事物加以組織與澄清；另一方面,“語(yǔ)言論轉(zhuǎn)向”又帶出了助長(zhǎng)敘述技巧膨脹的消極面,而使“講故事”所受到的關(guān)注壓倒了“故事”本身,這是敘事情節(jié)中的因果性之失,但敘述是一種相對(duì)性的行為,它始終是對(duì)故事某一角度、某一部分的講述,仍須以尊重故事本身為解釋學(xué)前提,因此離場(chǎng)的作者又需要重新積極入場(chǎng)感受,通過(guò)場(chǎng)內(nèi)時(shí)間性的場(chǎng)面感來(lái)平衡故事與敘述的比重。理解時(shí)間性與因果性的上述辯證關(guān)系,有助于我們?cè)诶碚撋仙罨瘜?duì)文學(xué)敘事情節(jié)的理解,也有助于我們?cè)趧?chuàng)作實(shí)踐中建立更為合理的敘事觀念。
[Abstract]:The time and causality in the narrative plot of literature has always been the focus of narratology. However, there has not been a relatively comprehensive and systematic investigation of the relationship between the two. This paper will take this as an opportunity to carefully comb the representative views of time and causality in Chinese and Western academic circles. It further explains the dialectical relationship between temporal and causality in literary narrative plot, which is both external opposition and internal unity, and reveals the enlightening significance of this relationship to contemporary narrative culture. The relationship between temporality and causality is mainly embodied in the external opposition and internal unity of two theoretical levels. In the former, the essence of temporality is presence. It means the positive viewing and experience of the field of view, the essence of causality is to leave the field, it means that the view of the viewing results of the field of language and reflection, the two show the opposite side, as far as the latter is concerned. Time and causality have their own gains and losses in the construction of literary narrative plot, and the loss of each side can be positively compensated by the other party's income: on the one hand. Because of the blind spot, the author can not obtain the overall perception of things. This is the loss of time in the narrative plot. Only when he leaves the scene can he see the whole audience clearly in the reflection. Linguistic turn reveals the intransitive features of language and its existence as a system of meaning. As a product of language causality organizes and clarifies things in the field. On the other hand, "linguistic turn" also brings out the negative side that encourages the expansion of narrative skills, and makes the attention of "storytelling" overwhelm the "story" itself, which is the causal loss in the narrative plot. But narration is a kind of relativistic behavior, it is always a certain angle of the story, a part of the narration, still must respect the story itself as the hermeneutics premise, therefore leaves the scene author needs to re-actively enter the feeling. It is helpful for us to deepen our understanding of the narrative plot in theory by balancing the proportion of story and narration through the sense of scene in the field and understanding the dialectical relationship between temporal and causality. It also helps us to establish a more rational narrative concept in our creative practice.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：I106

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

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本文編號(hào)：1472489