發(fā)布時(shí)間：2019-03-29 11:29

【摘要】：喜劇小品是廣大群眾喜聞樂(lè)見(jiàn)的一種藝術(shù)形式，其言語(yǔ)幽默給觀眾留下深刻的印象，引起人們的研究興趣。目前喜劇小品言語(yǔ)幽默的研究文獻(xiàn),多是分析總結(jié)其在語(yǔ)音、詞匯、修辭格等方面的特點(diǎn)；或是引用喜劇小品中的言語(yǔ)幽默話語(yǔ)為已有的語(yǔ)用學(xué)研究結(jié)論提供實(shí)例。本研究將喜劇小品中的幽默表述視為一種特殊的言語(yǔ)幽默現(xiàn)象，企圖在描寫(xiě)語(yǔ)用事實(shí)的基礎(chǔ)之上，總結(jié)歸納喜劇小品言語(yǔ)幽默在語(yǔ)用方面一些突出的表現(xiàn)手法。 本文選取中央電視臺(tái)春節(jié)聯(lián)歡晚會(huì)上的喜劇小品作為語(yǔ)料，通過(guò)對(duì)其言語(yǔ)幽默的分析研究，從發(fā)話人和聽(tīng)話人角度出發(fā)，，歸納出其在語(yǔ)用方面一些突出的表現(xiàn)手法，如發(fā)話人刻意貶損自己和他人、發(fā)話人刻意贊譽(yù)自己和他人、發(fā)話人刻意傲慢待人、交際雙方有意無(wú)意形成的語(yǔ)義偏差、巧設(shè)語(yǔ)境制造幽默言語(yǔ)等等，并且對(duì)以上情況進(jìn)行盡可能詳實(shí)的描寫(xiě)分析。例如，從交際雙方視角剖析會(huì)話語(yǔ)義偏差的緣由，將造成語(yǔ)義偏差的主要情況歸結(jié)為受話人刻意曲解發(fā)話人的話語(yǔ)、受話人誤解發(fā)話人的話語(yǔ)、受話人刻意否認(rèn)發(fā)話人話語(yǔ)內(nèi)容的真實(shí)性等。同時(shí)，通過(guò)分析喜劇小品言語(yǔ)幽默的語(yǔ)境特點(diǎn)，即語(yǔ)境的動(dòng)態(tài)性和共知性、交際雙方語(yǔ)境的不一致性、發(fā)話人前后語(yǔ)境的不一致性等，說(shuō)明了語(yǔ)境對(duì)喜劇小品言語(yǔ)幽默的制約作用。
[Abstract]:The comedy sketch is an art form that the masses are happy to see, and its verbal humor has left a deep impression on the audience, which has aroused the interest of the people. At present, the research literature of the speech humor of the comedy sketch is the characteristic of the analysis and summary in the aspects of speech, vocabulary, and the like; or by referring to the humorous utterances in the comedy sketch as an example for the existing pragmatic research conclusions. In this study, the humor expression in the comedy sketch is regarded as a special kind of verbal humor, and it is an attempt to summarize the pragmatic aspects of the comedy sketch and the humor in the pragmatic aspects based on the description of the pragmatic fact. In this paper, the author selects the comedy sketch on the Spring Festival of CCTV as a corpus, and through the analysis of his speech and humor, the author sums up some prominent means of expression in the pragmatic aspects from the perspective of the speaker and the listener, such as the speaker's intention to derogate from himself and to him. The person or the caller is deliberately praised by the caller and others, the speaker is deliberately arrogant, the two sides have the intention to form a semantic deviation, a special context to make a sense of humor, and so on, and the above situation is described as far as possible. In this paper, for example, the origin of the semantic deviation of the session is analyzed from the perspective of the two sides of the communication. At the same time, by analyzing the contextual characteristics of the humor of the comedy sketch, that is, the dynamic and co-existence of the context, the inconsistency between the context of the two parties, the inconsistency of the context of the speaker and the context, the author explains the restriction of the context to the verbal humor of the comedy sketch.
【學(xué)位授予單位】：新疆師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H136

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