《天香》的藝術(shù)美與修辭
發(fā)布時(shí)間：2018-11-12 09:40
【摘要】：王安憶是中國當(dāng)代文壇享譽(yù)盛名的作家，三十多年的創(chuàng)作歷程中，她在不斷地豐富著自己作品內(nèi)容的同時(shí)也孜孜不倦地追求著創(chuàng)作的特色。從早期抒情色彩濃厚的描述性語言，發(fā)展到中期紛繁復(fù)雜的抽象化語言，再到近期含蓄蘊(yùn)藉、典雅中正的敘述性語言，經(jīng)歷了幾次多變的風(fēng)格之后，她似乎重新認(rèn)識到中國古典小說在藝術(shù)上取得的集大成就。《天香》這部小說就是她充分汲取了中國古典小說的審美傳統(tǒng)，用簡潔雅致、古典凝練的筆墨描繪的一幅古上海閨閣女子的傳奇故事。 本文從修辭學(xué)角度出發(fā)，運(yùn)用語言學(xué)、文藝學(xué)、修辭學(xué)、美學(xué)等相關(guān)學(xué)科的理論，，采取定量統(tǒng)計(jì)和定性分析相結(jié)合、文學(xué)批評和修辭分析相結(jié)合等研究方法，探討《天香》的藝術(shù)美和修辭的關(guān)系。 論文分為五大部分：緒論、《天香》的節(jié)律美、《天香》的古典美、《天香》的俗情美和結(jié)語。緒論簡介《天香》的思想內(nèi)容和研究現(xiàn)狀，概說本文的意義、研究的視角和方法等；第二部分主要從語音、詞語、語句和語段這四個(gè)層面分析《天香》的節(jié)律美及其修辭表現(xiàn)，考察作品語言形式與修辭的關(guān)系；第三部分主要從古典詩歌、繪畫、戲曲和小說對《天香》寫作技法運(yùn)用的影響入手，分析了作品內(nèi)容與修辭的關(guān)系；第四部分主要從作者的創(chuàng)作理念、小說文本的細(xì)節(jié)體現(xiàn)和小說思想的現(xiàn)當(dāng)代啟示等方面，考察了小說思想與修辭的關(guān)系；結(jié)語概要總結(jié)了全文，并對課題相關(guān)研究提出建議。 在《天香》中，王安憶始終堅(jiān)持著一個(gè)審美標(biāo)準(zhǔn)，那就是小說的藝術(shù)美與修辭有著密切的聯(lián)系。正是在這個(gè)標(biāo)準(zhǔn)的指導(dǎo)下，本文從微觀修辭和宏觀修辭兩個(gè)方面對《天香》進(jìn)行系統(tǒng)的歸納、分析和研究，從而對這部作品的藝術(shù)特色有一個(gè)整體的理解和把握。
[Abstract]:Wang Anyi is a famous writer in the contemporary Chinese literary world. In the course of more than 30 years of creation, she is constantly enriching the content of her works and pursuing the characteristics of creation. From the descriptive language of the early lyric color to the complicated abstract language in the middle of the period, to the narrative language, which is implicit and elegant in the near future, after several times of changing styles, She seems to have rediscovered the artistic achievements of Chinese classical novels. This novel is that she has fully absorbed the aesthetic tradition of Chinese classical novels and used simplicity and elegance. Classic condensed ink depicts a legendary story of an ancient Shanghai boudoir woman. From the perspective of rhetoric, using the theories of linguistics, literature and art, rhetoric, aesthetics and so on, this paper adopts the research methods of combining quantitative statistics with qualitative analysis, literary criticism and rhetoric analysis, etc. This paper probes into the relationship between artistic beauty and rhetoric in Tian Xiang. The thesis is divided into five parts: introduction, rhythmic beauty of Tian Xiang, classical beauty of Tian Xiang, and vulgar feeling beauty and conclusion of Tian Xiang. The introduction introduces the thought content and the research present situation of "Tianxiang", generalizes the meaning of this article, the angle of view and the method of the research, etc. The second part mainly analyzes the rhythmic beauty and rhetorical expression of Tianxiang from the four aspects of pronunciation, words, sentences and paragraphs, and investigates the relationship between the form of language and rhetoric. The third part analyzes the relationship between the content of the works and rhetoric from the influence of classical poetry, painting, drama and novels on the use of writing techniques in Tianxiang; The fourth part mainly from the author's creation idea, the novel text detail embodiment and the novel thought modern and contemporary enlightenment and so on, examines the novel thought and the rhetoric relations, the conclusion summarizes the full text, and puts forward the suggestion to the topic related research. In Tian Xiang, Wang Anyi always adheres to an aesthetic standard, that is, the artistic beauty of novels is closely related to rhetoric. It is under the guidance of this standard that this paper systematically induces, analyzes and studies Tianxiang from two aspects of micro rhetoric and macro rhetoric, so as to have an overall understanding and grasp of the artistic characteristics of this work.
【學(xué)位授予單位】：湖北師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：H15;I207.42
本文編號：2326745
[Abstract]:Wang Anyi is a famous writer in the contemporary Chinese literary world. In the course of more than 30 years of creation, she is constantly enriching the content of her works and pursuing the characteristics of creation. From the descriptive language of the early lyric color to the complicated abstract language in the middle of the period, to the narrative language, which is implicit and elegant in the near future, after several times of changing styles, She seems to have rediscovered the artistic achievements of Chinese classical novels. This novel is that she has fully absorbed the aesthetic tradition of Chinese classical novels and used simplicity and elegance. Classic condensed ink depicts a legendary story of an ancient Shanghai boudoir woman. From the perspective of rhetoric, using the theories of linguistics, literature and art, rhetoric, aesthetics and so on, this paper adopts the research methods of combining quantitative statistics with qualitative analysis, literary criticism and rhetoric analysis, etc. This paper probes into the relationship between artistic beauty and rhetoric in Tian Xiang. The thesis is divided into five parts: introduction, rhythmic beauty of Tian Xiang, classical beauty of Tian Xiang, and vulgar feeling beauty and conclusion of Tian Xiang. The introduction introduces the thought content and the research present situation of "Tianxiang", generalizes the meaning of this article, the angle of view and the method of the research, etc. The second part mainly analyzes the rhythmic beauty and rhetorical expression of Tianxiang from the four aspects of pronunciation, words, sentences and paragraphs, and investigates the relationship between the form of language and rhetoric. The third part analyzes the relationship between the content of the works and rhetoric from the influence of classical poetry, painting, drama and novels on the use of writing techniques in Tianxiang; The fourth part mainly from the author's creation idea, the novel text detail embodiment and the novel thought modern and contemporary enlightenment and so on, examines the novel thought and the rhetoric relations, the conclusion summarizes the full text, and puts forward the suggestion to the topic related research. In Tian Xiang, Wang Anyi always adheres to an aesthetic standard, that is, the artistic beauty of novels is closely related to rhetoric. It is under the guidance of this standard that this paper systematically induces, analyzes and studies Tianxiang from two aspects of micro rhetoric and macro rhetoric, so as to have an overall understanding and grasp of the artistic characteristics of this work.
【學(xué)位授予單位】：湖北師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：H15;I207.42
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