【摘要】：隱喻通常被用來作為一種修辭手法。在隱喻研究的發(fā)展過程中，現(xiàn)在研究表明它是一種認(rèn)知機(jī)制。根據(jù)Lakoff的概念隱喻理論，隱喻是人們認(rèn)知機(jī)制的一種基本方式——一種跨領(lǐng)域的映射。這種映射是系統(tǒng)性的，，概括性的和不確定性的。本文主要就中國古典詩歌和現(xiàn)代詩歌中的愛情進(jìn)行對比研究。通過研究，筆者試圖回答以下三個問題：1、在中國古典詩歌和現(xiàn)代詩歌中愛情隱喻有哪些相同點(diǎn)和不同點(diǎn)？2、他們從認(rèn)知機(jī)制角度分析是如何相同或不同的？3、為什么在古詩和現(xiàn)代詩中會有這樣的相同點(diǎn)和不同點(diǎn)？本文將通過愛情隱喻的研究，對詩歌隱喻進(jìn)行分析。所選擇的不同類型的詩作均包含愛情隱喻，表達(dá)出不同作者的真情實(shí)感。通過分析，本文將試圖闡釋隨著時間的推移，愛情隱喻受到文化認(rèn)知模型，經(jīng)驗感受和經(jīng)濟(jì)方式等因素的影響也在不斷的發(fā)生著變化， 本文分為5個部分。第一章簡要介紹研究背景，論文視角的獨(dú)創(chuàng)性和全文的結(jié)構(gòu)。第二章文獻(xiàn)綜述介紹隱喻研究的發(fā)展、定義以及分類，并著重介紹了國內(nèi)外認(rèn)知視角下的愛情隱喻研究。第三章提出本文的研究問題，明確本文中出現(xiàn)的詩歌選擇方法，分析方法和展示方法。第四章從認(rèn)知機(jī)制的角度，包括意向圖示和概念隱喻等，對中國古典詩歌和現(xiàn)代詩歌中出現(xiàn)的愛情隱喻進(jìn)行對比研究，并且從文化認(rèn)知模型，經(jīng)驗經(jīng)歷和經(jīng)濟(jì)發(fā)展方式等角度討論出現(xiàn)這些相同點(diǎn)和不同點(diǎn)的原因。第五章總結(jié)論文研究結(jié)果和論文的局限性，以及為未來的研究者提出的一些建議。
[Abstract]:Metaphor is often used as a rhetorical device. In the course of the development of metaphor research, it has been shown that it is a cognitive mechanism. According to Lakoff's Conceptual metaphor Theory, metaphor is a basic way of cognitive mechanism-a cross-domain mapping. This mapping is systematic, general and uncertain. This paper focuses on the comparative study of love in Chinese classical poetry and modern poetry. Through research, The author tries to answer the following three questions: 1. What are the similarities and differences between love metaphors in Chinese classical poetry and modern poetry? 2. They analyze from the perspective of cognitive mechanism how the same or different love metaphors are, why in ancient poetry and in modern poetry Will there be such similarities and differences in modern poetry? Through the study of love metaphor, this paper analyzes the metaphor of poetry. The different types of poems selected contain love metaphors and express the true feelings of different authors. Through the analysis, this paper will try to explain that over time, the love metaphor is influenced by the cultural cognitive model, the experience feeling and the economic way and so on. The thesis is divided into five parts. The first chapter briefly introduces the research background, the originality of the thesis and the structure of the thesis. The second chapter introduces the development, definition and classification of metaphor research, and focuses on the study of love metaphor from the perspective of cognition at home and abroad. The third chapter puts forward the research problems of this paper, and clarifies the methods of poetry selection, analysis and presentation. The fourth chapter makes a comparative study of the love metaphors in Chinese classical poetry and modern poetry from the perspective of cognitive mechanism, including intention diagrams and conceptual metaphors, and from the cultural cognitive model. The reasons for these similarities and differences are discussed from the perspective of experience and economic development. The fifth chapter summarizes the research results and limitations of the paper, as well as some suggestions for future researchers.
【學(xué)位授予單位】：沈陽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：H15;I207.2

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 文旭;葉狂;;轉(zhuǎn)喻的類型及其認(rèn)知理據(jù)[J];解放軍外國語學(xué)院學(xué)報;2006年06期

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