本文選題：《額爾古納河右岸》　切入點(diǎn)：比喻　出處：《天津大學(xué)》2013年碩士論文

【摘要】：第七屆茅盾文學(xué)獎(jiǎng)獲獎(jiǎng)作品《額爾古納河右岸》是一部非常優(yōu)秀的文學(xué)作品，它一經(jīng)面世便受到讀者和評(píng)論家的一致好評(píng)，，同時(shí)也引起眾多學(xué)者的關(guān)注。目前，關(guān)于該作品的研究成果主要集中在中國(guó)現(xiàn)當(dāng)代文學(xué)、民俗學(xué)和文藝學(xué)等領(lǐng)域，鮮有語(yǔ)言學(xué)方面的考察。 《額爾古納河右岸》的語(yǔ)言頗具特色，尤其是文中大量的比喻修辭非常突出，比喻的運(yùn)用使得整部作品散發(fā)出濃郁的自然鄉(xiāng)土氣息，呈現(xiàn)出細(xì)膩優(yōu)美、意蘊(yùn)悠長(zhǎng)等特點(diǎn)。 論文從語(yǔ)言學(xué)角度考察《額爾古納河右岸》的比喻修辭，以分總的篇章結(jié)構(gòu)展開(kāi)論述。在正文部分，用第二章、第三章和第四章分別對(duì)比喻的類型、比喻的本體、比喻的喻體進(jìn)行研究，考察其分布規(guī)律及特點(diǎn)。研究結(jié)果表明作品中的比喻多為常規(guī)用法、比喻類型以明喻為主，體現(xiàn)出口語(yǔ)性強(qiáng)的特點(diǎn)。比喻本體和喻體都具有多樣性，本體中人物類本體最多，體現(xiàn)了作者“天人合一”的理念，本體呈現(xiàn)出典型性、具象性和簡(jiǎn)繁并重等特點(diǎn)；喻體中具有自然屬性的動(dòng)植物類和自然類喻體最多，呈現(xiàn)出典型性、柔美性、細(xì)膩性、鮮明性、象征性等特點(diǎn)。第五章從整體的角度觀照比喻，考察其在形式內(nèi)容和修辭功能兩方面的特點(diǎn)。在形式內(nèi)容方面，作者有意識(shí)地拉大本體和喻體之間的距離，達(dá)到了設(shè)喻新穎的效果；在修辭功能方面，作者利用比喻營(yíng)造畫(huà)面、塑造人物、揭示主題、呼應(yīng)情節(jié)，體現(xiàn)出視覺(jué)性、表情性、哲理性和暗示性等特點(diǎn)。 論文突破了一般性舉例的常規(guī)方法，運(yùn)用文本分析法、歸納法、定量統(tǒng)計(jì)與定性分析法、數(shù)據(jù)統(tǒng)計(jì)和信息標(biāo)注等手段對(duì)語(yǔ)料進(jìn)行加工。期望這項(xiàng)研究能填補(bǔ)《額爾古納河右岸》在語(yǔ)言學(xué)研究領(lǐng)域的一點(diǎn)空白，為今后其他學(xué)者對(duì)該作品的研究提供一些參考。
[Abstract]:The seventh Mao Dun Prize for Literature, "the right Bank of the Irguna River", is a very excellent literary work, which has been well received by readers and critics as soon as it is published, and has also attracted the attention of many scholars. At present, The research results of this work mainly focus on modern and contemporary Chinese literature, folklore and literature and art, etc. The language of Erguna River on the right Bank of the Erguna River is quite distinctive, especially the large number of figurative figures of speech in the text are very prominent. The use of metaphors makes the whole work exuded a strong natural and local flavor, showing the characteristics of exquisite and graceful, with long meaning and so on. This paper examines the figurative rhetoric of Erguna River right Bank from the linguistic point of view, and discusses it in terms of the overall textual structure. In the main part, the types of metaphors and the Noumenon of metaphors are discussed in Chapter two, Chapter three and Chapter four, respectively. The research results show that the figurative types are mainly metonymy, which is characterized by strong spoken language. Both figurative Noumenon and metaphorical style are diverse, the results show that the metaphorical metaphors in the works are usually used in a conventional way, and the metaphorical types are mainly metaphorical. Noumenon is the largest in the ontology, which embodies the author's idea of "the unity of nature and man". Noumenon presents the characteristics of typicality, representativeness and simplicity, etc. Among the vehicles, animals and plants and natural vehicles with natural attributes are the most typical, showing the typicality, and so on. The fifth chapter looks at the metaphor from the whole angle, and examines its characteristics in both formal content and rhetorical function. The author consciously widens the distance between the ontology and the vehicle and achieves the novel effect of the metaphor. In the aspect of rhetorical function, the author uses the metaphor to create a picture, to shape the character, to reveal the theme, to echo the plot, and to reflect the visual and expressive nature. Philosophical and suggestive characteristics. The paper breaks through the common methods of general examples, using text analysis, induction, quantitative statistics and qualitative analysis. It is hoped that this study can fill a gap in the field of linguistics and provide some references for other scholars to study this work in the future.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H15

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