本文選題：萊蒙托夫　切入點：詩歌含義　出處：《東北林業(yè)大學》2014年碩士論文

【摘要】：詩歌是最早產(chǎn)生的文學體裁之一,是人類的文學之母。詩是一種詞語凝練、結(jié)構(gòu)跳躍、富有節(jié)奏和韻律、高度集中地反應生活和表達思想感情的文學體裁。自有詩歌以來,人類就對這一特殊的語言現(xiàn)象及言語產(chǎn)物的構(gòu)成要素、結(jié)構(gòu)、功能及其生成規(guī)律展開了不懈的研究。而詩歌含義是是詩人構(gòu)思作品的本源,也是詩歌創(chuàng)作的終點。對于詩歌含義的研究有利于更深入地了解詩人的寫作意圖和詩歌的深層含義。相對于其他俄羅斯經(jīng)典作家而言,十九世紀俄羅斯詩人萊蒙托夫的抒情詩更具象征性、暗示功能,詩意又具有多意性,為我們對其詩歌含義的研究留有更大的探索空間。本文借助于詩歌含義生成模式中的陌生化、等價和平行對照原則三個理論,來討論萊蒙托夫詩歌含義的生成。 本研究第一部分為緒論部分。主要介紹了課題的研究背景、研究目的和意義、研究方法和內(nèi)容以及創(chuàng)新之處;第二部分介紹了詩歌含義的界定及萊蒙托夫的作品評述；第三部分介紹陌生化的相關(guān)理論及手法,并從語言的陌生化、敘述視角的陌生化和主題的陌生化角度對萊蒙托夫的詩歌進行具體的分析,來探究其詩歌的深層含義；第四部分主要研究萊蒙托夫詩歌含義生成模式的等價原則,本部分首先闡述了等價原則的相關(guān)理論以及等價原則的主要內(nèi)容,并借助這一原理對萊蒙托夫的詩歌進行分析；第五部分借助詩歌含義生成的平行對照理論并以此原則為理論對照分析萊蒙托夫詩歌含義的生成。首先介紹了平行對照在文本中的具體表現(xiàn)及其實質(zhì),之后從詞匯的平行對照和句型的平行對照兩個方面對萊蒙托夫的詩歌進行具體分析。 在一首詩歌作品中陌生化原則、等價原則和平行對照三原則對其詩歌含義的產(chǎn)生作用是相輔相成的,但是為了論述的完整性和條理性,筆者將他們分開來論述,這也是本文的創(chuàng)新之處。
[Abstract]:Poetry is one of the earliest literary genres and the mother of human literature. Poetry is a literary genre with condensed words, leaping structure, rhythm and rhythm, and highly concentrated reflection of life and expression of thoughts and feelings. Human beings have made unremitting research on this special linguistic phenomenon and the elements, structures, functions and rules of formation of the speech products. The meaning of poetry is the origin of the poet's conception. It is also the end of poetry creation. The study of the meaning of poetry is conducive to a deeper understanding of the poet's intention in writing and the deep meaning of poetry. The lyric poems of Lemontov, a Russian poet in the nineteenth century, are more symbolic, implicative, and poetic. This paper discusses the generation of Lemontov's poetic meaning with the help of the three theories of defamiliarization equivalence and parallel contrast. The first part of this study is the introduction part. It mainly introduces the research background, the research purpose and significance, the research method and the content as well as the innovation, the second part introduces the definition of poetry meaning and the review of Lemontov's works. The third part introduces the relevant theories and techniques of defamiliarization, and analyzes Lemontov's poetry from the defamiliarization of language, narrative angle of view and theme of defamiliarization, in order to explore the deep meaning of Lemontov's poetry. The fourth part mainly studies the equivalence principle of Lemontov's poetry meaning generation pattern. This part first expounds the relevant theory of the equivalence principle and the main content of the equivalence principle, and analyzes Lemontov's poetry with this principle; The fifth part analyzes the generation of Lemontov's poetry meaning with the help of the parallel contrast theory of poetry meaning generation and the principle. Firstly, it introduces the concrete expression and essence of parallel contrast in the text. Then it analyzes Lemontov's poems from two aspects of lexical parallel contrast and sentence pattern parallel contrast. In a poem, the principle of strangeness, the principle of equivalence and the principle of parallel contrast complement each other to produce the meaning of poetry. This is also the innovation of this paper.
【學位授予單位】：東北林業(yè)大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：I512.072

【參考文獻】

相關(guān)期刊論文 前9條

1 馮毓云;藝術(shù)即陌生化——論俄國形式主義陌生化的審美價值[J];北方論叢;2004年01期

2 顧蘊璞;普希金與萊蒙托夫[J];俄羅斯文藝;1999年02期

3 熊海英;;艾略特詩歌中的陌生化技法[J];湖南社會科學;2010年01期

4 黃玫，，余振;萊蒙托夫詩歌《帆》賞析[J];俄語學習;1996年04期

5 傅明根;奇異的愛情——讀萊蒙托夫《祖國》[J];黔東南民族師范高等�？茖W校學報;2002年05期

6 李阿雪;;淺論俄國形式主義及陌生化理論[J];青年文學家;2012年03期

7 任曉萍;;詩歌創(chuàng)作中語言的“陌生化”藝術(shù)[J];時代文學(上);2010年04期

8 倪宇超;張志軍;;萊蒙托夫抒情詩語義空間中的“幸福”概念[J];綏化學院學報;2009年02期

9 蔣寅;語象·物象·意象·意境[J];文學評論;2002年03期

本文編號：1677367