本文關(guān)鍵詞：性別（gender）視角的《三四郎》解讀　出處：《中國海洋大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 社會性別 互文性 女性書寫 個人主義 《三四郎》

【摘要】：隨著上世紀60年代女性主義批評方法進入日本文學(xué)研究者視野，從這個角度展開的夏目漱石研究也紛紛涌現(xiàn)。其中，《三四郎》一文因只采用三四郎為視點人物，女性的聲音被抹殺，所以飽受女性主義文學(xué)批評者的批判。但筆者認為,站在女性主義文學(xué)立場解讀《三四郎》這部作品不能只抓住“女性聲音是否被抹殺”這一點�！度睦伞菲鋵嵤峭ㄟ^與《諸神復(fù)活》、《源氏物語》等經(jīng)典作品之間一系列的互文與隱喻的關(guān)系而形成的多層次文本，作者在社會性別方面已經(jīng)擺脫了江戶時代男女性別觀念的束縛，新的男女觀念也成為了作者反對國家主義的出發(fā)點。 本論文以《三四郎》發(fā)表前的預(yù)告為切入點，從三大層面對此進行探討。首先從人物形象設(shè)置這一層面分析人物性格和姓名的設(shè)置，重點分析作品中對三四郎產(chǎn)生巨大影響的廣田先生，探討在廣田身上存在雙重性別的可能性。其次，從“言說”的層面解析《三四郎》中不同性別的人所使用的語言，討論在這部作品中語言是否能夠成為區(qū)分男性與女性的標(biāo)準。第三，，從“書寫”的層面進一步深入探討《三四郎》中所隱藏的“女性的聲音”。 文章具體包括緒論及正文兩大部分。緒論部分先對《三四郎》作品本身進行簡單介紹，重點解析夏目漱石在《三四郎》刊載之前所發(fā)表的預(yù)告部分，就先行研究當(dāng)中存在的盲點進行分析。提出筆者的觀點。 正文部分分為四個部分進行論述: 第一章從廣田的名字所代表的意義入手，結(jié)合《三四郎》與《諸神復(fù)活》相互關(guān)聯(lián)的部分，討論《三四郎》中廣田與《諸神復(fù)活》中列奧納多·達·芬奇之間的相似性，進而分析在廣田身上存在雙重性別的可能性。 第二章討論男性語言與女性語言，對美禰子語言方面的先行研究進行分析，指出現(xiàn)行研究中對美禰子語言判斷矛盾的方面；同時對比三四郎的語言形式與內(nèi)容，聯(lián)系明治初期的言文一致運動，認為在作品《三四郎》中，語言不能夠成為區(qū)分男性與女性的標(biāo)準。 第三章以討論女性“書寫”為主題，探討《三四郎》與《源氏物語·椎本卷》之間的互文性關(guān)系以及作者故意強調(diào)這種互文關(guān)系的用意。最終得出《三四郎》是夏目漱石在明治初期背景下思索“存在于男性身上的女性與存在于女性身上的男性的實驗之作”這樣的結(jié)論。 第四章深入分析夏目漱石超越性男女觀念形成的原因，聯(lián)系作品中出現(xiàn)的具有代表性的森有禮的葬禮一事，指出夏目漱石的男女觀念與其反對國家主義的思想有著相互影響的關(guān)聯(lián)。第二部分分析夏目漱石這種超越性的男女觀念對于解讀近現(xiàn)代其他作品有重要的借鑒意義。
[Abstract]:As of last century 60s feminist criticism into Japanese literature researchers perspective, Natsume Soseki studies from this perspective have also emerged. Among them, the < three or four > Lang by using only three or four Lang viewpoint characters, female voice has been denied, so the criticism of feminist literary critics. But the author thinks, station in the feminist literary interpretation of < three or four > position Lang this work can not only seize the "female voice is denied." this point is actually through three or four Lang > > and < < the resurrection of the gods, multi-level text intertextuality and formed a series of Metaphors between the tale of Genji > and other classic works, the author has get rid of the shackles of the concept of gender in the Edo era in gender, new men and women has become the starting point against nationalism.
In this paper, < three or four > Lang before publication notice as the starting point, discusses from three aspects. Firstly, from the characters to set the level of analysis and the name of the character set, focuses on the analysis of the works have great influence on the three or four man Mr. Hiroda, to explore the possibility of the existence of both sexes in the body of the Tian Guang. Secondly, use "from the people of different sex discourse level analysis of < three or four > Lang language, discussed in this work is able to become the language distinguish male and female. Third, from the" writing "level to further study the hidden < three or four Lang >" in the female voice. ".
This article includes the introduction and body of two parts. The first part makes a brief introduction to < three or four > Lang works, trailer part focuses on Natsume Soseki published in < three or four > before Lang published, there to study the blind spot is analyzed. The author's point of view.
The main body of the text is divided into four parts.
The first chapter starts from the meaning of the name Hirota, combined with < three or four > > and < Lang gods resurrection interrelated parts, discuss with three or four < < gods > Hirota Lang raised the similarity between > Leonardo Da Finch, and then analyzes the dual gender in the body of the Hirota.
The second chapter discusses the male and female language, to advance research Mineko language analysis, pointed out the contradictory aspects of judging Mineko language in the current study; at the same time, language form and content comparison of three or four Lang, Genbunitchi movement in the early Meiji era, as in the works of < three or four > Lang. Language can't be distinguish between men and women.
The third chapter to discuss the "female writing" as the theme of < three or four Lang "and" the tale of Genji and the relationship between the volume of vertebral intertextuality and the author deliberately emphasized the "intertextual relationship intention. Finally < three or four > Lang is Natsume Soseki in the early Meiji thoughts under the background of" exist in men and women are in women's male experiments as "this conclusion.
The fourth chapter deeply analyses the reasons of the formation of Natsume Soseki beyond the concept of sex, the representative works of contact Mori arinori's funeral, pointed out that the association has a mutual influence of Natsume Soseki's men and women and to oppose nationalism thought. The second part analyses Natsume Soseki the transcendence of men and women have important significance for the modern interpretation of other works.

【學(xué)位授予單位】：中國海洋大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：I313

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