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  本文關(guān)鍵詞：酷兒理論視域下溫特森論　出處：《齊齊哈爾大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 珍妮特·溫特森 同性戀 酷兒理論 性別身份

【摘要】：珍妮特·溫特森是英國當(dāng)代文壇一位才華橫溢的作家。她的語言優(yōu)美，寫作手法不拘一格。她的小說多以表現(xiàn)同性愛戀為主題，字里行間體現(xiàn)出她對性的認(rèn)識、對身份的追尋和對欲望的思考。其中，她最具代表性的作品是《橘子不是唯一的水果》、《給櫻桃以性別》和《寫在身體上》。 本文通過對這三部小說的細(xì)讀，結(jié)合溫特森的生平及創(chuàng)作實(shí)踐，運(yùn)用酷兒理論的批評方法，對溫特森的小說進(jìn)行全新的解讀。本文分為四個部分。第一部分是引言，，主要介紹溫特森的生平、創(chuàng)作經(jīng)歷及國內(nèi)外研究現(xiàn)狀。第二部分介紹酷兒理論的方法論，包括其理論淵源、理論框架和基本主張。第三部分和第四部分為本文的主體部分。首先通過小說中同性戀者的境遇揭示異性戀霸權(quán)的運(yùn)作方式，并用小說中的同性愛戀解構(gòu)了以生理性別、社會性別和性向的必然關(guān)系為基礎(chǔ)的異性戀規(guī)范機(jī)制，揭示了父權(quán)制社會下二元性向結(jié)構(gòu)的片面性，同時也表達(dá)了作家對同性戀者生存困境的憂慮。其次，本文從性別氣質(zhì)的規(guī)范化出發(fā)，通過分析小說中性別模糊的主人公形象，雙性氣質(zhì)融為一身的女性形象及追求英雄夢想而不得的男性形象，瓦解了傳統(tǒng)的男性氣質(zhì)和女性氣質(zhì)對性別身份的構(gòu)建，顛覆了人們對自然化的性別身份的認(rèn)識，也印證了性別氣質(zhì)實(shí)質(zhì)上是強(qiáng)制性異性戀管控性實(shí)踐的一種策略。綜上所述，論文詮釋了溫特森在小說中表達(dá)的性別思想，即通過批判父權(quán)制社會下固定的、自然化的性別秩序，號召被放逐的“他者”重新回歸，共同構(gòu)建新的性別主體，從而創(chuàng)造一種和諧友好、平等自由的新型性別秩序，讓每一個體都能獲得身心的自由。
[Abstract]:Janet Winterson is a brilliant writer in contemporary British literature. Her language is beautiful and her style of writing is unconventional. Her novels focus on the theme of love and love of the same sex, and her understanding of sex is reflected in the lines. The pursuit of identity and the thought of desire. Among them, her most representative works are "Orange is not the only fruit", "give cherries sex" and "write on the body". Based on the detailed reading of the three novels and combining with Winterson's life and creative practice, this paper applies the criticism method of Cool's theory. This paper is divided into four parts. The first part is the introduction, which mainly introduces Winterson's life. The second part introduces the methodology of queer theory, including its theoretical origin. Theoretical framework and basic propositions. The third and 4th parts are the main part of this paper. First of all, the situation of homosexuals in the novel reveals the operation of heterosexual hegemony. And the same sex love in the novel deconstructs the heterosexual normative mechanism based on the inevitable relationship among physiological sex, social gender and sexual orientation, and reveals the one-sidedness of the dualistic structure in the patriarchal society. At the same time, it also expresses the writer's worries about the plight of homosexuals. Secondly, this paper analyzes the image of the protagonist in the novel from the standardization of gender temperament. The combination of androgyny into a female image and the pursuit of heroic dreams of the male image of the disintegration of the traditional masculinity and femininity of the construction of gender identity. It subverts people's understanding of naturalized gender identity and proves that gender temperament is essentially a strategy of mandatory heterosexual control practice. The thesis interprets Winterson's gender thought expressed in the novel, that is, by criticizing the fixed and natural gender order in the patriarchal society, calling on the exiled "other" to return again and jointly construct a new gender subject. So as to create a harmonious and friendly, equal and free new gender order, so that each individual can obtain physical and mental freedom.
【學(xué)位授予單位】：齊齊哈爾大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：I561.074

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本文編號：1366231