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敘事學角度下愛麗絲·門羅與丁玲作品的陰性書寫比較

發(fā)布時間:2025-01-14 19:32
  愛麗絲·門羅是2013年諾貝爾文學獎的獲得者,也是加拿大著名短篇小說作家,丁玲是中國現(xiàn)代文學史上出類拔萃的女作家之一。作為著名的兩位女性主義作家,愛麗絲·門羅與丁玲在小說創(chuàng)作中有鮮明的陰性書寫特點,她們用陰性書寫的方式表達女性在男權社會中的無奈和壓抑。愛麗絲·門羅的短篇小說《姑娘和女人們的生活》以及丁玲的作品《莎菲女士的日記》都描寫了女性對男權社會的逃離,但運用了不同的陰性書寫方式,以往的研究對此鮮有關注。本文從敘事學原理出發(fā),對比愛麗絲·門羅和丁玲的代表作中的陰性書寫并對其異同進行了原因分析。通過分析研究,筆者發(fā)現(xiàn)在敘述視角方面,兩部小說都采用了內視角,但是《姑娘和女人們的生活》不僅關注敘述者的內心,也將視線投向歷史社會以及女性個人成長等問題,而《莎菲女士的日記》更多的關注敘述者自己的內心和情感;在敘述聲音方面,兩部小說都傾向于采用直接引語以增強說服力,但在書寫女性體驗與女性欲望時,兩部小說又有不同之處;在敘述結構方面,《姑娘和女人們的生活》采取非線性的敘述結構,而《莎菲女士的日記》則采用了線性復調式敘事結構。雖然同為女性主義作家,但是兩人所處的社會環(huán)境造成了不同的陰性書寫方式。愛麗絲...

【文章頁數(shù)】:59 頁

【學位級別】:碩士

【文章目錄】:
ACKNOWLEDGEMENTS
ABSTRACT
摘要
CHAPTER ONE INTRODUCTION
    1.1 The Purpose of the Research
    1.2 Significance of the Research
    1.3 Structure of the Thesis
CHAPTER TWO LITERATURE REVIEW
    2.1 Previous Studies on Lives of Girls and Women
    2.2 Previous Studies on Miss Sophie's Diary
    2.3 Research Question
CHAPTER THREE THEORETICAL FRAMEWORK
    3.1 Development of Narratology
    3.2 Main Concepts of Narratology
        3.2.1 Narrative Perspective
        3.2.2 Narrative Vioce
        3.2.3 Narrative Structure
    3.3 Studies Between Narratology and Ecriture Feminine
CHAPTER FOUR ECRITURE FEMININE IN LIVES OF GIRLS ANDWOMEN AND MISS SOPHIE'S DIARY
    4.1 Ecriture Feminine in Lives of Girls and Women
        4.1.1 Introduction to Lives of Girls and Women
        4.1.2 Ecriture Feminine of Lives of Girls and Women in Narrative Perspective
        4.1.3 Ecriture Feminine of Lives of Girls and Women in Narrative Voice
        4.1.4 Ecriture Feminine of Lives of Girls and Women in Narrative Structure
    4.2 Ecriture Feminine in Miss Sophie's Diary
        4.2.1 Introduction to Miss Sophie's Diary
        4.2.2 Ecriture Feminine of Miss Sophie's Diary in Narrative Perspective
        4.2.3 Ecriture Feminine of Miss Sophie s Diary in Narrative Voice
        4.2.4 Ecriture Feminine of Miss Sophie's Diary in Narrative Structure
CHAPTER FIVE THE DIFFERENCE OFECRITURE FEMININE BETWEENTWO NOVELS AND REASON ANALYSIS
    5.1 The Differences of Ecriture Feminine between Two Novels
        5.1.1 Comparison from Narrative Perspective
        5.1.2 Comparison from Narrative Voice
        5.1.3 Comparison from Narrative Structure
    5.2 Reasons Analysis
CHAPTER SIX CONCLUSION
WORKS CITED
APPENDIX



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