【摘要】：隨著民族自信心的不斷增強(qiáng),中國民藝發(fā)展態(tài)勢(shì)如火如荼。其中當(dāng)然不乏優(yōu)秀的創(chuàng)新之作,但盲目創(chuàng)新、畸形開發(fā)的偽傳統(tǒng)、偽民藝作品也非少數(shù)。究其根源,除了功利因素外,更多的是不明就里所致�；诖�,本文試通過對(duì)民間藝術(shù)創(chuàng)作立場(chǎng)的梳理,以期對(duì)民間藝術(shù)尤其是傳統(tǒng)民藝的創(chuàng)新發(fā)展提供思路。
[Abstract]:With the continuous enhancement of national self-confidence, the development trend of Chinese folk art is in full swing. Of course, there is no lack of excellent innovative works, but blind innovation, abnormal development of the pseudo-tradition, pseudo-folk works are not a few. In addition to utilitarian factors, the root causes are more unknown. Based on this, this paper tries to sort out the position of folk art creation, in order to provide ideas for the innovation and development of folk art, especially traditional folk art.
【作者單位】： 河南大學(xué)設(shè)計(jì)學(xué)院;
【基金】：2016年度河南省高等學(xué)校精品視頻公開課立項(xiàng)項(xiàng)目教高[2016]898號(hào)
【分類號(hào)】：J0
，

本文編號(hào)：2502020