【摘要】：記者作家的登場及其作品的大行其道,不但是20世紀(jì)以來最重要的文學(xué)景觀之一,而且是一種全球化現(xiàn)象,它是大眾文化與媒介要素媾和的產(chǎn)物,但對它的研究、闡釋則遠(yuǎn)為不足。而在媒介話語權(quán)力日漸強化的今天,這種研究的價值自不待言。文章從馬歇爾·麥克盧漢讀出"自己的經(jīng)驗"以及斯圖爾特·霍爾的"三種解碼立場"的視角出發(fā),對記者作家這一文學(xué)現(xiàn)象加以描述和闡釋,認(rèn)為記者作家現(xiàn)象的出現(xiàn)是兩種動因的結(jié)果:一是記者自身的內(nèi)在動力,即"逃脫新聞速死命運"的努力;二是純文學(xué)與讀者閱讀心理的錯位為其提供了有力的生長空間。
[Abstract]:The emergence of journalists and their works is not only one of the most important literary landscapes since the 20th century, but also a phenomenon of globalization. It is the product of peace between mass culture and media elements, but the study of it. Explanation is far from enough. But in the media discourse power strengthens day by day, this kind of research value is unmistakable. From the perspective of Marshall McLuhan's reading "his own experience" and Stewart Hall's "three decode positions", this paper describes and interprets the literary phenomenon of the journalist writer. It is believed that the emergence of the phenomenon of journalist writers is the result of two kinds of motives: the first is the internal motive force of the reporter himself, that is, the effort to escape the fate of the rapid death of the news; Second, the dislocation of pure literature and reader's reading psychology provides it with powerful growth space.
【作者單位】： 黑龍江大學(xué)新聞傳播學(xué)院;
【分類號】：I04
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本文編號：2428433