【摘要】： 張愛玲是中國(guó)文學(xué)史上的一位杰出女性作家,她以嫻熟的小說(shuō)技巧和獨(dú)到的文風(fēng)樹立了自己在文壇上的地位,并吸引了讀者的廣泛關(guān)注。然而,張愛玲并不僅僅是一位“傳奇”的作家,她在翻譯領(lǐng)域作出的貢獻(xiàn)同樣不容小覷,對(duì)此學(xué)術(shù)界卻鮮有提及。最重要的是,張愛玲作為一位女性譯者,在翻譯過程中,表現(xiàn)出了明顯的女性主義傾向。 西方女性主義翻譯理論主要從女性主義的立場(chǎng)出發(fā),主張運(yùn)用語(yǔ)言積極地干預(yù)意義的創(chuàng)造,在翻譯中盡量“使女性在語(yǔ)言中顯現(xiàn),從而讓世人看見和聽見女人”；其代表人物弗洛圖總結(jié)了西方女性主義譯者常用的語(yǔ)言策略：增補(bǔ)、加寫前言或腳注和“劫持”。 本文試以西方女性主義翻譯理論作為理論背景來(lái)研究張愛玲的四部譯作——《怨女》、《秧歌》、《睡谷故事》和《老人與�！�,通過對(duì)譯文和原文的細(xì)讀與比較,分析張愛玲的女性主義思想在創(chuàng)作及譯作中的體現(xiàn),以及她在譯作中具體采用了哪些西方女性主義翻譯策略以表現(xiàn)自己的女性主義思想。并在此基礎(chǔ)上發(fā)掘張愛玲譯作中特有的女性主義的東方色彩。 本文首先對(duì)張愛玲的翻譯作品進(jìn)行了綜述,凸顯出迄今為止張愛玲翻譯研究的不足,說(shuō)明此研究的必要性。并且對(duì)本文的理論背景——西方女性主義翻譯理論進(jìn)行了必要的介紹。本文第一章主要闡述了張愛玲的女性主義思想在創(chuàng)作與譯作中的交互體現(xiàn)。在特殊的家庭和教育背景影響下,張愛玲逐漸形成了鮮明的女性主義思想,并且在創(chuàng)作中通過對(duì)男女形象的不同塑造明確地表達(dá)了這種女性主義思想。同時(shí),在自己的譯作中她也借鑒使用了女性主義的創(chuàng)作策略,進(jìn)一步強(qiáng)化了自己的女性主義思想。第二章具體介紹了張愛玲在譯作中對(duì)于西方女性主義翻譯策略的應(yīng)用,通過對(duì)譯文和原文的比較分析證明了張愛玲靈活地改造和使用了三種常見的西方女性主義語(yǔ)言策略(加寫前言、增補(bǔ)和“劫持”策略)。第三章在對(duì)比西方女性主義翻譯策略的基礎(chǔ)上,總結(jié)了張愛玲譯作中特有的女性主義的東方色彩,主要表現(xiàn)為利用詞語(yǔ)的隱喻意義暗示自己的女性主義思想,通過男女形象對(duì)比來(lái)凸顯女性,從而摧毀儒家文化中男權(quán)制度的基石,以及在不斷追求與男權(quán)話語(yǔ)的協(xié)調(diào)和對(duì)話的過程中表達(dá)對(duì)于建立兩性和諧關(guān)系的期望。并且,總結(jié)了差異產(chǎn)生的三方面原因：中西方意識(shí)形態(tài)、翻譯觀和文化背景的不同。本文最后總結(jié)了全文的主要內(nèi)容,并且得出結(jié)論：張愛玲是一位優(yōu)秀的女性主義譯者,她的女性主義思想有許多值得研究和借鑒的地方。
[Abstract]:Zhang Ailing is an outstanding female writer in the history of Chinese literature. She has established her position in the literary world with her skilful novel skills and unique style of writing, and has attracted extensive attention from readers. However, Zhang Ailing is not just a "legendary" writer. Her contribution in translation is not to be underestimated, but it is seldom mentioned in academic circles. The most important thing is that Zhang Ailing, as a female translator, shows an obvious feminist tendency in the process of translation. Western feminist translation theory mainly from the standpoint of feminism, advocates the use of language to actively interfere with the creation of meaning, in translation as far as possible "make women appear in the language, so that the world can see and hear women"; His representative, Frodo, sums up the linguistic strategies commonly used by Western feminist translators: supplement, add foreword or footnote and hijack. Based on the western feminist translation theory, this paper attempts to study the four translations of Zhang Ailing by means of detailed reading and comparison of the translated text and the original text, such as "resentful woman", "Yangko", "the Story of Sleeping Valley" and "the Old Man and the Sea". This paper analyzes the embodiment of Zhang Ailing's feminist thought in her creation and translation, as well as what Western feminist translation strategies she has adopted in her translation to express her feminist thoughts. On this basis, it explores the oriental color of feminism in Zhang Ailing's translation. In this paper, Zhang Ailing's translation works are reviewed, which highlights the shortcomings of the research on Zhang Ailing's translation so far, and explains the necessity of this study. It also introduces the western feminist translation theory, which is the theoretical background of this thesis. The first chapter mainly elaborates Zhang Ailing's feminist thought in the creation and the translation interaction embodiment. Under the influence of special family and education background, Zhang Ailing gradually formed a distinct feminist thought, and in his creation, he clearly expressed this feminist thought by shaping the different images of men and women. At the same time, in her translation, she also used feminist creative strategies to further strengthen her feminist thought. Chapter two introduces Zhang Ailing's application of western feminist translation strategies in his translation. Through the comparative analysis of the translated text and the original text, it is proved that Zhang Ailing has flexibly adapted and used three common western feminist language strategies (including foreword, supplement and hijack). On the basis of comparing the translation strategies of western feminism, chapter three summarizes the oriental color of feminism in Zhang Ailing's translation, which is mainly manifested in the use of the metaphorical meaning of words to imply his feminist thoughts. By comparing the images of men and women to highlight women, thus destroying the foundation stone of the patriarchal system in Confucian culture, and expressing the expectation of establishing a harmonious relationship between men and women in the process of constant pursuit of coordination and dialogue with male discourse. In addition, three reasons for the difference are summarized: the differences in ideology, translation view and cultural background between China and the West. In the end, the thesis summarizes the main contents of the thesis and concludes that Zhang Ailing is an excellent feminist translator, and her feminist thoughts are worth studying and drawing lessons from.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：I206.6;I046

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