范壽康藝術美學思想探析
發(fā)布時間:2018-11-05 18:37
【摘要】:范壽康是20世紀早期我國現(xiàn)代藝術美學思想的重要開拓者人之一,但一直以來缺乏系統(tǒng)的整理和深入的研究。本文以范壽康的藝術美學思想為研究對象,主要探析其藝術美學思想的文化淵源、基本內涵、重要特色,以及對當代藝術理論建設和相關實踐的啟迪。緒論梳理了范壽康藝術美學思想的研究現(xiàn)狀。提出了本文擬著重解決的問題、研究的主要內容、研究的目的和意義,以及研究的基本方法。第一章探討了范壽康藝術美學思想形成的中西文化淵源。著重梳理了范壽康對于儒家文化中“仁”的吸收以及對康德美學中“無利害性”的借鑒。第二章研析了范壽康藝術美學思想的基本內涵。梳理總結了范氏關于藝術與生命、藝術與人格、藝術與解脫等問題的基本見解。第三章歸納提煉了范壽康藝術美學思想的重要特點。集中聚焦了其崇尚美的情感和回歸生命本真這兩個突出的方面。第四章總結了范壽康藝術美學思想的當代啟思。重點探析了其重視生命情感傳達和情智合一的藝術美學觀對當今藝術實踐的啟迪。
[Abstract]:Fan Shoukang is one of the most important pioneers of modern art aesthetics in the early 20th century, but he lacks systematic arrangement and deep research. This article takes Fan Shoukang's artistic aesthetics thought as the research object, mainly analyzes the cultural origin, the basic connotation, the important characteristic of his artistic aesthetics thought, as well as the enlightenment to the contemporary art theory construction and the related practice. Introduction combs Fan Shoukang's art aesthetics thought research present situation. The problems, the main contents, the purpose and significance of the research, and the basic methods of the research are put forward in this paper. The first chapter discusses the origin of Chinese and Western culture of Fan Shoukang's artistic aesthetics. Fan Shoukang's absorption of "benevolence" in Confucian culture and his reference to "no interest" in Kant's aesthetics are emphatically combed. The second chapter analyzes the basic connotation of Fan Shoukang's artistic aesthetics. This paper summarizes Fan's basic views on art and life, art and personality, art and liberation. The third chapter summarizes the important characteristics of Fan Shoukang's artistic aesthetics. It focuses on two outstanding aspects: the emotion of advocating beauty and returning to the true life. The fourth chapter summarizes Fan Shoukang's artistic aesthetics. This paper focuses on the enlightenment of his aesthetic view of art, which attaches importance to the communication of life emotion and the unity of emotion and intelligence, to the art practice today.
【學位授予單位】:浙江理工大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J01
本文編號:2313003
[Abstract]:Fan Shoukang is one of the most important pioneers of modern art aesthetics in the early 20th century, but he lacks systematic arrangement and deep research. This article takes Fan Shoukang's artistic aesthetics thought as the research object, mainly analyzes the cultural origin, the basic connotation, the important characteristic of his artistic aesthetics thought, as well as the enlightenment to the contemporary art theory construction and the related practice. Introduction combs Fan Shoukang's art aesthetics thought research present situation. The problems, the main contents, the purpose and significance of the research, and the basic methods of the research are put forward in this paper. The first chapter discusses the origin of Chinese and Western culture of Fan Shoukang's artistic aesthetics. Fan Shoukang's absorption of "benevolence" in Confucian culture and his reference to "no interest" in Kant's aesthetics are emphatically combed. The second chapter analyzes the basic connotation of Fan Shoukang's artistic aesthetics. This paper summarizes Fan's basic views on art and life, art and personality, art and liberation. The third chapter summarizes the important characteristics of Fan Shoukang's artistic aesthetics. It focuses on two outstanding aspects: the emotion of advocating beauty and returning to the true life. The fourth chapter summarizes Fan Shoukang's artistic aesthetics. This paper focuses on the enlightenment of his aesthetic view of art, which attaches importance to the communication of life emotion and the unity of emotion and intelligence, to the art practice today.
【學位授予單位】:浙江理工大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J01
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