【摘要】： 王國(guó)維既是20世紀(jì)中西美學(xué)關(guān)系史的開山祖,又是中國(guó)現(xiàn)代美學(xué)的奠基人。叔本華是19世紀(jì)德國(guó)著名的唯意志論者,也是一位影響深遠(yuǎn)的悲觀主義哲學(xué)家。痛苦可以說是人生的主題之一,叔本華的唯意志哲學(xué)把生命意志當(dāng)作世界的本原,把痛苦當(dāng)作人生的所有內(nèi)容,因此哲學(xué)研究就以探尋解脫之路作為自己的任務(wù)了。而王國(guó)維的學(xué)術(shù)研究的出發(fā)點(diǎn)更是為了探尋人類解脫痛苦的。王國(guó)維的哲學(xué)思想和美學(xué)思想直接來自叔本華,兩人學(xué)術(shù)上的聯(lián)系很緊密。本論文從人生解脫說的角度出發(fā),采取個(gè)案研究和中西比較的方法,分別對(duì)王國(guó)維和叔本華的人生解脫說進(jìn)行闡釋,并探尋二人學(xué)術(shù)思想的聯(lián)系和區(qū)別,以中西文化交流與融合為參照系,重點(diǎn)找出造成兩人關(guān)于人生解脫問題上某些思想不同的深層原因,深化人生解脫說研究,為現(xiàn)代詩(shī)性主體的建構(gòu)拓寬理論視野和提供某種思想依據(jù)。通過對(duì)王國(guó)維和叔本華人生解脫說的深入分析和比較之后,文末對(duì)兩者的人生解脫說的局限性和積極意義進(jìn)行了總結(jié)性論說。叔本華和王國(guó)維都非常重視藝術(shù)的解脫作用,這就構(gòu)建起了溝通藝術(shù)與人生的橋梁。叔本華和王國(guó)維以其不同的審美化解脫方式為迷惘的現(xiàn)代人提供了審美詩(shī)意化棲居的借鑒,有利于現(xiàn)代人審美詩(shī)意化棲居的實(shí)現(xiàn)。
[Abstract]:Wang Guowei is not only the founder of the history of Chinese and Western aesthetics in the 20th century, but also the founder of Chinese modern aesthetics. Schopenhauer is a famous Germany idealist in the 19 th century, and also an influential philosopher of pessimism. Suffering can be said to be one of the themes of life. Schopenhauer's will philosophy regards life will as the origin of the world and pain as all the contents of life. The starting point of Wang Guowei's academic research is to explore the relief of human suffering. Wang Guowei's philosophical thought and aesthetic thought come directly from Schopenhauer, the two people's academic connection is very close. From the perspective of the theory of life liberation, this paper takes the method of case study and comparison between China and the West to explain the theory of life liberation between Kingdom and Schopenhauer, and to explore the connection and difference of their academic thoughts. Taking the cultural exchange and fusion between China and the West as the reference system, this paper focuses on finding out the deep reasons for the difference in some thoughts between the two people on the issue of life liberation, and deepening the research on the theory of life liberation. To broaden the theoretical field of vision and provide some ideological basis for the construction of modern poetic subject. Through the deep analysis and comparison of the kingdom and Schopenhauer's theory of life liberation, the paper concludes the limitations and positive significance of the two theories. Both Schopenhauer and Wang Guowei attach great importance to the extrication of art, which builds a bridge between art and life. Schopenhauer and Wang Guowei, with their different ways of aesthetic relief, provide reference for the lost modern people to live in aesthetic poetry, which is beneficial to the realization of modern people's aesthetic poetic dwelling.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：I01

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