發(fā)布時(shí)間：2018-07-05 02:29

  本文選題：白蛇傳 + 蛇圖騰　； 參考：《山東工藝美術(shù)學(xué)院》2016年碩士論文

【摘要】：“白蛇傳”與“牛郎織女”、“孟姜女”、“梁山伯與祝英臺(tái)”合稱為“中國四大民間傳說”。起源于民間、流傳于民間的白蛇傳故事,優(yōu)美又神秘,其愛情文本和敘事立場(chǎng)深深植根于中國傳統(tǒng)文化,從故事形成到傳播形式都具有強(qiáng)烈的民間性,蘊(yùn)含深刻的民俗文化隱喻。八百多年來,經(jīng)過歷代文人的修改、潤色,它已成為我國民間文化中一顆燦爛奪目的明珠。在故事的傳播過程當(dāng)中,除了我們熟知的口頭傳統(tǒng),民間美術(shù)的豐富表達(dá)方式也為其增添了無窮生命力。文章共分這四個(gè)章節(jié),以剖析白蛇傳故事的產(chǎn)生、原型和流變?yōu)樗饕?分層揭示故事蘊(yùn)含的深層文化淵源,最后以民間藝術(shù)的豐富表現(xiàn)探究白蛇傳的民俗背景和文藝價(jià)值。文章首先闡述白蛇傳內(nèi)含的圖騰文化與民間信仰,共分為三個(gè)部分,分別對(duì)蛇圖騰產(chǎn)生的原因、蛇圖騰崇拜在中國文化史上經(jīng)歷的三個(gè)階段以及民間信仰中蛇的形象和作用進(jìn)行梳理、分析。第二章敘述白蛇傳故事在中華民族傳統(tǒng)文化的大語境中經(jīng)歷了怎樣的發(fā)育、流變,為第三章和第四章的論述提供背景支撐。文章第三章分析白蛇傳故事傳播的文化生態(tài),即對(duì)其“民間性”進(jìn)行深入探討。本章分為兩個(gè)部分進(jìn)行說明:第一部分剖析白蛇傳故事的母題和原型,這有利于從紛繁復(fù)雜的白蛇傳異文中找到故事“民間性”的根源所在;第二部分闡述白蛇傳故事與端陽節(jié)等民俗的內(nèi)在聯(lián)系,此為佐證故事“民間性”的外在表現(xiàn)。第四章作為文章重點(diǎn),從審美特征和文化心理等方面欣賞“白蛇傳”母題下的各形態(tài)的民間藝術(shù)表達(dá)。本章節(jié)選取了白蛇傳故事滲入最多的四種民間藝術(shù)體裁,即年畫、剪紙、皮影以及民間戲曲,并對(duì)其分別進(jìn)行藝術(shù)表現(xiàn)和文化隱喻的審美分析。近年來,學(xué)者們對(duì)“白蛇傳”的研究頗豐,但多集中在故事的演變流程、人物形象等層面的討論,少有人從民藝學(xué)的角度對(duì)它進(jìn)行審美分析。筆者正是以此為出發(fā)點(diǎn),嘗試從民藝學(xué)的視角重新解讀白蛇傳,希望通過對(duì)故事的多維度研究,找尋其歷史文化隱喻的終極價(jià)值指向,透視其在中國民間文化藝術(shù)的繼承和發(fā)散中所蘊(yùn)含的深層文化心理,以期對(duì)于白蛇傳故事的藝術(shù)構(gòu)架起到補(bǔ)充作用。
[Abstract]:"White Snake Biography" and "Niulang Weaving Girl", "Meng Jiangnv", "Liang Shanbo and Zhu Yingtai" are called "four Chinese folklore". The white snake story, which originated from the folk and spread in the folk, is beautiful and mysterious. Its love text and narrative stand are deeply rooted in the traditional Chinese culture. From the formation of the story to the form of communication, it has a strong folklore. It contains profound metaphors of folk culture. For more than 800 years, it has become a brilliant pearl in Chinese folk culture. In the process of spreading the story, in addition to our well-known oral tradition, the rich expression of folk art has added infinite vitality to it. The article is divided into four chapters to analyze the generation, prototype and evolution of the story of White Snake, to reveal the deep cultural origin of the story, and finally to explore the folk background and literary value of White Snake Biography with the rich performance of folk art. The article first expounds the totem culture and folk belief contained in the biographies of White Snake, which are divided into three parts, respectively, the causes of the snake totem. The three stages of snake totem worship in the history of Chinese culture and the image and function of snake in folk belief were analyzed. The second chapter describes how the story of White Snake develops in the context of Chinese traditional culture, and provides the background support for the third and fourth chapters. The third chapter analyzes the cultural ecology of the spread of the story of White Snake, that is, its folklore. This chapter is divided into two parts: the first part analyzes the motif and prototype of the story of White Snake Biography, which is helpful to find out the root of "folklore" of the story from the complicated and complicated novel of White Snake Biography; The second part expounds the inner relationship between the story of White Snake and the folk customs such as Duanyang Festival, which is the external manifestation of the story "folklore". The fourth chapter as the focus of the article, from the aesthetic characteristics and cultural psychology and other aspects of appreciation of "White Snake Biography" under the theme of various forms of folk art expression. In this chapter, four kinds of folk art styles, namely, New year painting, paper-cut, shadow and folk opera, are selected, and the aesthetic analysis of artistic expression and cultural metaphor is carried out respectively. In recent years, scholars have done a lot of research on White Snake, but most of them focus on the evolution of the story, the character image and other levels of discussion, few people from the point of view of folk art aesthetic analysis of it. It is from this point of view that the author tries to reinterpret White Snake Biography from the perspective of folk art, hoping to find out the ultimate value of historical and cultural metaphors through the multi-dimensional study of the story. The deep cultural psychology contained in the inheritance and divergence of Chinese folk culture and art is expected to play a supplementary role in the artistic framework of the story of White Snake Biography.
【學(xué)位授予單位】：山東工藝美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J0

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