發(fā)布時間：2018-07-04 11:45

  本文選題：世界圖像 + 圖像意識��； 參考：《中國美術(shù)學(xué)院》2009年碩士論文

【摘要】： 人類的視覺圖像史就是一部用眼睛不斷探知外部世界,不斷追求形似再現(xiàn)的心理學(xué)發(fā)展史。而受近代西方哲學(xué)中所謂的“笛卡爾傳統(tǒng)”,即通過科學(xué)的手段探求確實可靠知識的、不帶偏見的、理性的、不受觀察者的情感和主觀左右的調(diào)查事物的方法,圖像史逐漸演進為一部技術(shù)史。所以如果說藝術(shù)史的中心任務(wù)是研究視覺圖像,那么“圖像”的真實性問題所關(guān)注的就是視覺再現(xiàn)與機械技術(shù)的關(guān)系。但是,鑒于視覺文化研究的交叉學(xué)科性質(zhì),決定了其視角和結(jié)論的多元化。就圖像演變的動因而言,應(yīng)是多方因素的合力效應(yīng)。當(dāng)今時代是一個“世界被編碼為圖像”的“圖像時代”(傳媒界亦稱之為“讀圖時代”),本文在這樣的語境下,從視覺文化研究的角度,以現(xiàn)象學(xué)意義的“圖像意識”入手,通過對“圖像時代”以攝影和數(shù)字化虛擬圖像為主的圖像形式的特征分析及其演變的線性介紹,結(jié)合工業(yè)社會意識形態(tài)下人的“單向度”表征,和消費時代“奇觀社會”的單一維度,輔以社會學(xué)、心理學(xué)、語言符號學(xué)范疇的概念加以論證,分析了圖像的“真實”終將遮蔽并消耗、替代現(xiàn)實的“真實”這一現(xiàn)象,引發(fā)對攝影及數(shù)碼擬像裝扮的“真實”性的質(zhì)疑和反思。
[Abstract]:The history of human visual image is a history of psychological development, which is constantly exploring the external world with the eyes, and constantly pursuing the development of psychological development like the "Descartes tradition" in modern western philosophy, that is, to seek true and reliable knowledge by scientific means, without prejudice and reason, and not to be influenced by the emotion and subjective right and left and right of the observer. The history of image history has gradually evolved into a history of technology. So if the central task of art history is to study visual images, the question of the authenticity of "image" is concerned with the relationship between visual reproduction and mechanical technology. However, in view of the nature of the cross discipline of visual culture research, the visual angle and conclusion are determined. As far as the motivation of the evolution of the image is concerned, it should be the resultant force effect of the multiparty factors. The present era is a "image age" (the world is encoded as image "), which is also called the" reading age "by the media. In this context, from the perspective of visual culture, the" image consciousness "of phenomenological meaning is started, through the visual culture research. The characteristic analysis and the linear introduction of the image form in the "image age" based on photography and digitized virtual images, and the linear introduction of its evolution, are demonstrated in combination with the "unidirectional" characterization of the industrial social ideology, and the single dimension of the "spectacle society" in the consumption age, and the concept of sociology, psychology and linguistic semiotics. The phenomenon that the "authenticity" of the image will eventually be covered and consumed, instead of the reality of "reality", has led to the question and Reflection on the "authenticity" of photography and digital image disguise.
【學(xué)位授予單位】：中國美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2009
【分類號】：J02

【參考文獻】

相關(guān)期刊論文 前1條

1 支宇;類像[J];外國文學(xué);2005年05期

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本文編號：2095977