本文選題：以美育代宗教 + 美學命題　； 參考：《文藝爭鳴》2017年09期

【摘要】：正一世界已經(jīng)進入了"無神的時代"。值此之際,能夠敏銳地捕捉到這一時代脈搏,同時又能夠敏銳地意識到審美與藝術(shù)在這個時代的特定價值與作用,意識到人類的靈魂旅程已經(jīng)必須在宗教之外來完成,無疑正是百年來中外思想大家的共同的過人之處,當然,這也就是審美救贖的提出,然而,對于審美救贖的回答,卻難免言人人殊,各有答案。尤其在中國,以審美去救贖"天崩地裂"的虛無之路,堪稱蔡元培在中國所開創(chuàng)的第一個與世界同步的美學大討論。他所提出的"以美育代宗教",也是中
[Abstract]:The first world has entered an era of "no God". On the occasion of this, it is able to catch the pulse of this time acutely, and be able to acutely realize the specific value and function of aesthetics and art in this era, and realize that the journey of the human soul has to be completed in the outside of religion. It is no doubt that it is a hundred years of Chinese and foreign thoughts. Of course, this is, of course, the idea of aesthetic redemption. However, the answer to the aesthetic redemption is unavoidable, but there are answers. Especially in China, the way of redeeming the "heaven and earth" in China is the first aesthetic discussion that Cai Yuanpei created in China. The religion of the generation is "also in the middle of the world."
【作者單位】： 南京大學新聞傳播學院;
【分類號】：J01

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1 宮承波;“以美育代宗教”的歷史文化價值及其當代意義[J];文史哲;2000年05期

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