本文選題：作者意圖 + 審美主義　； 參考：《社會科學戰(zhàn)線》2017年06期

【摘要】：當代西方文論經(jīng)歷了俄國形式主義、新批評、結構主義、解構主義等理論思潮的發(fā)展之后,作者意圖問題被審美形式研究、語言符號研究、語義敘事研究等研究范式所拋棄,作者意圖逐漸游離乃至遠離文學文本批評,最終導致的是意圖論與反意圖論的嚴重的理論錯位。在理論發(fā)展的當下語境中,反意圖論的提出與倡導并不能完全救弊意圖論研究所留下的各種理論空場及其實踐迷誤。無論是意圖論還是反意圖論,都難以在理論與實踐的層面上實現(xiàn)有效的批評闡釋。作者意圖研究的理論反思需要重新回到意圖與闡釋的普遍常識性的理解上來,要面對文學作品的意義來源問題的多元性和創(chuàng)造性解釋的各種挑戰(zhàn)。作為當代人文學科發(fā)展重要思想載體的文學批評,完全回歸作者意圖充滿各種理論的調整和可能性,但不是走向那種所謂"純粹的"文學批評和審美判斷,純粹審美主義面臨形式和歷史之間的闡釋裂隙所帶來的絕對化和專業(yè)化的理論弊端,是當代理論批評需要警惕和反思的理論傾向。
[Abstract]:After the development of Russian formalism, new criticism, structuralism and deconstruction in contemporary western literary theory, the author's intention has been abandoned by the research paradigms of aesthetic form, linguistic symbols and semantic narration. The author's intention gradually drifts away from literary text criticism, which ultimately leads to the serious theoretical dislocation between intention theory and anti-meaning graph theory. In the present context of theoretical development, the proposition and advocacy of contractionary graph theory can not completely save all kinds of theoretical gaps and practical errors left by the theory of intention theory. It is difficult to realize effective criticism and interpretation in theory and practice, whether it is intention theory or anti-meaning graph theory. The theoretical reflection of the author's intention study needs to return to the universal common sense understanding of intention and interpretation and to face the diversity of the meaning source of literary works and the various challenges of creative interpretation. Literary criticism, as an important ideological carrier in the development of contemporary humanities, completely returns to the author's intention to be full of adjustments and possibilities of various theories, but not to the so-called "pure" literary criticism and aesthetic judgment. Pure aestheticism is faced with the theoretical malpractice of absoluteness and specialization brought by the crack of interpretation between form and history, which is the theoretical tendency of contemporary theoretical criticism that needs vigilance and reflection.
【作者單位】： 華南師范大學文學院;
【基金】：國家社會科學基金重大招標項目(15ZDB023) 廣東省社會科學規(guī)劃項目(GD15CZW02)
【分類號】：I06

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本文編號：2004047