本文選題：意識(shí)流 + 心理分析��； 參考：《貴州大學(xué)》2009年碩士論文

【摘要】： 意識(shí)是人類(lèi)靈魂的深層結(jié)構(gòu)。弗洛伊德將人類(lèi)意識(shí)分為意識(shí)和潛意識(shí)。因此意識(shí)和潛意識(shí)就可以看做是人類(lèi)靈魂的最深處。十九世紀(jì)后期弗洛伊德的意識(shí)理論開(kāi)始盛行。詹姆斯.喬伊斯和施蟄存都對(duì)弗洛伊德的意識(shí)學(xué)說(shuō)非常感興趣,并且將這一學(xué)說(shuō)應(yīng)用到他們的意識(shí)流小說(shuō)創(chuàng)作中。 詹姆士·喬伊斯是世界上最著名的作家之一。他的寫(xiě)作風(fēng)格和他的意識(shí)流作品都使他成為英語(yǔ)作家中的巔峰人物。他的內(nèi)心獨(dú)白、自由聯(lián)想、蒙太奇和不同的敘事方法為意識(shí)流小說(shuō)的書(shū)寫(xiě)確立了典范。《尤利西斯》可被稱(chēng)為喬伊斯意識(shí)流小說(shuō)的經(jīng)典之作,且從問(wèn)世以來(lái)就有眾多學(xué)者對(duì)它進(jìn)行研究。盡管《尤利西斯》是一部難懂的作品,但是人們對(duì)它的興趣卻與日俱增。喬伊斯寫(xiě)《尤利西斯》不久以后,在中國(guó)也掀起了一陣意識(shí)流寫(xiě)作之風(fēng)。在眾多意識(shí)流作家之中,施蟄存值得一提。他使用意識(shí)流技巧創(chuàng)作了許多短篇小說(shuō)。在其意識(shí)流小說(shuō)中,同樣也用到了如內(nèi)心獨(dú)白、自由聯(lián)想以及蒙太奇等意識(shí)流技巧。兩位作家使用相同的意識(shí)流技巧都是為了表現(xiàn)人類(lèi)意識(shí)的流動(dòng)。 然而,由于中西方文化差異,《尤利西斯》和施蟄存意識(shí)流小說(shuō)在意識(shí)流技巧運(yùn)用上有所不同。本論文旨在分析作家不同的寫(xiě)作目和迥異的社會(huì)背景展現(xiàn)《尤利西斯》和施蟄存意識(shí)流小說(shuō)中意識(shí)流技巧的不同運(yùn)用。本論文將討論三個(gè)部分：內(nèi)心獨(dú)白,自由聯(lián)想和敘事方法。分析之后得出如下結(jié)論：《尤利西斯》所表現(xiàn)的人類(lèi)意識(shí)更加非理性、更加不符合邏輯而且包羅萬(wàn)象；而施蟄存意識(shí)流小說(shuō)中的人類(lèi)意識(shí)則較為理性、邏輯性強(qiáng)且主要集中在人類(lèi)的性意識(shí)。 本篇論文將從五個(gè)部分來(lái)討論《尤利西斯》和施蟄存意識(shí)流小說(shuō)中的意識(shí)流寫(xiě)作技巧。 介紹首先包括對(duì)《尤利西斯》和施蟄存的意識(shí)流小說(shuō)以及他們作者的簡(jiǎn)介,國(guó)內(nèi)外的研究現(xiàn)狀。其次是本篇文章的假設(shè)問(wèn)題和研究方法。最后是本篇文章的寫(xiě)作意義和貢獻(xiàn)。 第一章主要談?wù)撛凇队壤魉埂泛褪┫U存意識(shí)流小說(shuō)中內(nèi)心獨(dú)白如何表現(xiàn)人類(lèi)意識(shí)。本章將從兩個(gè)方面討論內(nèi)心獨(dú)白。直接內(nèi)心獨(dú)自和間接內(nèi)心獨(dú)白,以及條理性內(nèi)心獨(dú)白和自由型內(nèi)心獨(dú)白。 第二章討論在《尤利西斯》和施蟄存意識(shí)流小說(shuō)中的人類(lèi)意識(shí)如何進(jìn)行自由聯(lián)想。自由聯(lián)想也是意識(shí)流小說(shuō)的重要表現(xiàn)技法之一。本章將首先討論《尤利西斯》和施蟄存意識(shí)流小說(shuō)中自由聯(lián)想的幅度有何不同。然后討論在聯(lián)想中的象征和夢(mèng)的不同表達(dá)方式。最后將討論自由聯(lián)想如何體現(xiàn)人物的性格和身份。 第三章研究《尤利西斯》和施蟄存意識(shí)流小說(shuō)怎樣通過(guò)不同的敘事方法來(lái)展現(xiàn)人類(lèi)的意識(shí)。首先從敘事角度來(lái)討論二者有何區(qū)別。然后就蒙太奇的運(yùn)用進(jìn)行辨析。最后就文體結(jié)構(gòu)的兩個(gè)方面——文體互參和文本互參進(jìn)行討論。 結(jié)語(yǔ)首先將從比較文學(xué)的角度總結(jié)這篇論文的研究狀況。跨文化研究已經(jīng)是比較文學(xué)發(fā)展的新階段。因此研究?jī)蓚�(gè)意識(shí)流文本必然會(huì)討論到其背后的中西文化差異。
[Abstract]:Consciousness is the deep structure of the human soul. Freud divides human consciousness into consciousness and subconscious. Therefore, consciousness and subconscious can be regarded as the deepest of the human soul. In the late nineteenth Century, Freud's theory of consciousness began to prevail. James Joyce and Shi Zhe cun were all interested in Freud's theory of consciousness, and And apply this theory to their stream of consciousness novels.
James Joyce is one of the most famous writers in the world. His writing style and his stream of consciousness works have made him the top figure in the English writers. His inner monologue, free association, montage and different narrative methods set a standard for the writing of the stream of consciousness novels. < Ulysses > can be called Joyce's stream of consciousness. The classic works of the novel have been studied by many scholars since the advent of the world. Although < Ulysses > is an unintelligible work, people have increased interest in it. Joyce wrote < Ulysses > in China, a stream of stream of consciousness has also been set off. He used the stream of consciousness techniques to create many short stories. In his stream of consciousness novels, he used the same stream of consciousness such as the inner monologue, free association and montage. The two writers used the same stream of consciousness techniques to show the flow of human consciousness.
However, because of the cultural differences between China and the west, < Ulysses > and Shi Zhecun's stream of consciousness novels are different in the use of stream of consciousness techniques. This thesis aims to analyze the different use of writers' different writing and different social backgrounds to show the different use of stream of consciousness in Ulysses and Shi Zhecun's stream of consciousness novels. This thesis will discuss three parts: Inner monologue, free association and narrative method. After analysis, the following conclusions are drawn: < Ulysses > the human consciousness is more irrational, less logical and all inclusive; and the human consciousness in Shi Zhe cun's novels of consciousness is more rational, logical and focused on human sexual consciousness.
This paper will discuss the writing techniques of stream of consciousness in Ulysses and Shi Zhe cun's stream of consciousness novels from five parts.
The introduction first includes the stream of consciousness novels of "Ulysses >" and Shi Zhe cun, and their author's brief introduction, the present research status at home and abroad. The second is the hypothesis and research methods of this article. Finally, the writing significance and contribution of this article.
The first chapter mainly talks about how the inner monologue in "Ulysses >" and Shi zhiking stream of consciousness shows human consciousness. This chapter will discuss the inner monologue from two aspects. The direct inner and indirect inner monologue, the inner monologue and the free inner monologue.
The second chapter discusses the free association of human consciousness in "Ulysses >" and Shi Zhe cun's novels of consciousness. Free association is one of the important expression techniques of the stream of consciousness novel. This chapter will first discuss the difference between the range of free association in the novels of "Ulysses >" and Shi zemun's stream of consciousness. Different ways of expression of dreams. Finally, we will discuss how free association reflects the character and identity of characters.
The third chapter studies how the novels of Ulysses and Shi Zishi stream of consciousness show the human consciousness through different narrative methods. First, we discuss the differences between the two from the narrative point of view. Then, the use of montage is identified. Finally, the two aspects of the stylistic structure, the literary style mutual reference and the text mutual reference, are discussed.
The conclusion will first summarize the research status of this paper from the perspective of comparative literature. Intercultural studies have been a new stage of the development of comparative literature. Therefore, the study of the two stream of consciousness texts will inevitably discuss the cultural differences between China and the West behind them.
【學(xué)位授予單位】：貴州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類(lèi)號(hào)】：I0-03;I106.4

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本文編號(hào)：1996035