本文選題：羅斯托 + 藝術(shù)因素��； 參考：《新美術(shù)》2017年03期

【摘要】：正草原文化在文化形態(tài)上是一個(gè)相對(duì)獨(dú)立的概念,而在地域板塊中它的范圍則橫亙亞歐大陸的草原地帶,并形成為草原絲綢之路的人文內(nèi)涵。由古代游牧民族創(chuàng)造出來(lái)的造型藝術(shù)在題材方面以動(dòng)物形象為主,而在材質(zhì)上則以金屬材質(zhì)為主,這種造型生動(dòng)、風(fēng)格獨(dú)特并體現(xiàn)了鮮明游牧文化特點(diǎn)的藝術(shù)樣式被稱(chēng)為"動(dòng)物風(fēng)格"。"動(dòng)物風(fēng)格"[Animal Style]一詞由蘇聯(lián)學(xué)者羅斯托沃柴
[Abstract]:The prairie culture is a relatively independent concept in terms of cultural form, while in the regional plate, its scope spans the grasslands of Eurasia and forms the humanistic connotation of the grassland Silk Road. The plastic arts created by the ancient nomadic people are based on animal images in terms of subject matter, while metal materials are the main materials. This kind of modeling is vivid. The unique style of art, which embodies the distinctive characteristics of nomadic culture, is called "animal style". Animal style [Animal Style] by Soviet scholar Rostovoch
【基金】：清華大學(xué)柒牌非物質(zhì)文化遺產(chǎn)研究與保護(hù)基金項(xiàng)目《草原風(fēng)尚:新疆哈薩克族金屬裝飾藝術(shù)》(2013立項(xiàng)第06號(hào)) 國(guó)家社會(huì)科學(xué)基金項(xiàng)目《草原絲綢之路造型藝術(shù)及其文化研究》(13CMZ054)
【分類(lèi)號(hào)】：J06
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本文編號(hào)：1963273