本文選題：新詩 + 象征詩學(xué)�。� 參考：《華中師范大學(xué)》2017年碩士論文

【摘要】：梁宗岱象征主義詩學(xué),作為中國現(xiàn)代詩學(xué)的重要組成部分,對(duì)中國新詩的發(fā)展具有一定的理論指導(dǎo)意義。他于戰(zhàn)亂紛飛的年代,立足新詩的實(shí)際和詩歌傳統(tǒng),冷靜思考中國新詩的未來,顯得難能可貴。梁宗岱學(xué)貫中西,一方面為中國詩學(xué)界整體上引進(jìn)了西方象征主義,另一方面又結(jié)合中國的文學(xué)傳統(tǒng),完成了象征詩學(xué)的中國化改造。象征,在中國古已有之。我們需要在中西詩學(xué)的對(duì)比中,結(jié)合中國特有的現(xiàn)實(shí)語境,重新理解梁宗岱眼中的象征主義。他圍繞著詩歌的本體,探求詩歌的形式,建構(gòu)了自己的象征主義詩學(xué)論。他關(guān)于“象征”、“音樂”、“契合”、“宇宙意識(shí)”等的解讀,最大化豐富了當(dāng)時(shí)漢語詩歌寫作的審美。具體來看,為了提升詩歌的審美,他從詩歌形式上不斷化煉詩歌的內(nèi)容,豐富了詩藝。音樂性,是他對(duì)詩歌形式效果的最佳說明。好的詩歌形式是作為詩歌內(nèi)容的一部分存在的。它和詩歌的題材、觀念等同等重要,并一起鑄就了詩歌豐富、博大的宇宙精神意識(shí)。作為詩人,要不斷加深自我的藝術(shù)修養(yǎng),熱烈生活、豐富實(shí)踐、砥礪靈魂。如此,才能在象征的層面上與自然萬物相契合。不僅如此,他早期豐富的詩歌創(chuàng)作經(jīng)歷和精深的詩歌翻譯功力,在一定程度上,加深了他對(duì)象征主義詩學(xué)的理解。三者構(gòu)成的互文性,也為我們研究其象征詩學(xué)提供了新思路。新時(shí)期,面對(duì)繁復(fù)的詩歌現(xiàn)象,我們重新解讀梁宗岱的象征主義詩學(xué),既要正視其詩學(xué)操作性不足的現(xiàn)實(shí),更要看清其詩學(xué)的超前性和現(xiàn)代性。他對(duì)于詩歌形式的理解,對(duì)于傳統(tǒng)負(fù)責(zé)審慎的態(tài)度,成為了今后詩歌發(fā)展的寶貴經(jīng)驗(yàn)。
[Abstract]:Liang Zongdai symbolism poetics, as an important part of Chinese modern poetics, has certain theoretical guiding significance for the development of Chinese new poetry. In the turbulent times of war, he thought calmly about the future of Chinese new poetry based on the reality and tradition of new poetry. On the one hand, Liang Zongdai introduced the western symbolism into the Chinese poetry field as a whole, on the other hand, combined with the Chinese literary tradition, he completed the transformation of symbolic poetics in China. Symbolism existed in ancient China. We need to re-understand symbolism in Liang Zongdai's eyes in the comparison of Chinese and Western poetics and the specific realistic context of China. He explored the form of poetry around the essence of poetry and constructed his own poetics of symbolism. His interpretation of "symbol", "Music", "fit" and "Universal consciousness" maximized the aesthetics of Chinese poetry writing at that time. Specifically, in order to enhance the aesthetic of poetry, he constantly refined the content of poetry from the form of poetry, enriched the poetic art. Musicality is his best illustration of the formal effects of poetry. Good forms of poetry exist as part of the content of poetry. It is as important as the themes and ideas of poetry, and together to create a rich and extensive spiritual consciousness of the universe. As a poet, we should deepen our artistic accomplishment, live warmly, enrich practice and strengthen our soul. In this way, in the symbolic level and the nature of all things in harmony. Not only that, his rich poetry writing experience and profound poetic translation skills, to a certain extent, deepen his understanding of symbolism poetics. The intertextuality of the three forms provides a new way for us to study its symbolic poetics. In the new era, in the face of the complicated poetic phenomenon, we should reinterpret Liang Zongdai's symbolism poetics, not only to face up to the reality that its poetics is not operable enough, but also to see clearly its advance and modernity. His understanding of the form of poetry and his cautious attitude towards tradition have become valuable experiences in the development of poetry in the future.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I052

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