本文選題：審美理想 + 美��； 參考：《廣西師范學(xué)院》2017年碩士論文

【摘要】：康德美學(xué)思想中的審美理想是一個比較豐富的概念,表達了對人的本質(zhì)力量的肯定。審美理想以美的獨立形態(tài)展示人的主人意識,自由精神和道德的追求。美在質(zhì)、量、關(guān)系和模態(tài)四大范疇中的判定中,呈現(xiàn)的無概念、普遍性、合目的性以及必然性,不僅確立了美的先天立法原則,同時也樹立了對藝術(shù)美判定的重要標準。首先,在審美理想的構(gòu)成中,想象力是人進行藝術(shù)創(chuàng)造的先天能力;其次,審美標志和精神的結(jié)合實現(xiàn)了人從感性經(jīng)驗飛躍到理性,從此岸走向彼岸,人的情感不僅是感性的經(jīng)驗,更是可以表達超感性的形式。再次,康德在藝術(shù)領(lǐng)域?qū)μ觳诺耐瞥绫憩F(xiàn)了他對自然最高的崇敬,也表現(xiàn)了藝術(shù)的優(yōu)越�？档聦ψ匀幻赖姆▌t確立、人本身外在表現(xiàn)和內(nèi)在生命所具有的不同特點的討論,體現(xiàn)了美感和崇高感所對應(yīng)的自由和道德的內(nèi)容,這也是審美理想的主要內(nèi)容。最后,人經(jīng)歷了從表象走向精神的磨礪過程,在審美中通過藝術(shù)創(chuàng)造彌合了感性和理性兩個領(lǐng)域中存在的多個“二律背反”,調(diào)和了矛盾。雖然是康德主觀唯心主義的見解,但對現(xiàn)代美學(xué)和后現(xiàn)代美學(xué)都有很大的影響。本文始終立足于康德美學(xué)思想,對康德美學(xué)思想中審美理想的展開討論,一方面在于對審美理想的把握能夠幫助我們理清和理解康德美學(xué)的結(jié)構(gòu)以及思想,我們可以從審美理想的解讀中,找到善的基礎(chǔ)并走向美的創(chuàng)造,最終以藝術(shù)美為依托,在道德中統(tǒng)一美善,實現(xiàn)在康德美學(xué)思想中解讀審美理想的核心目的;另一方面,自我審美藝術(shù)修養(yǎng)意識的覺醒以及重視,可以從對藝術(shù)美的創(chuàng)造和欣賞中發(fā)現(xiàn)契機和途徑,提高自我的自由意志和自律精神,將美與善自覺結(jié)合到我們的內(nèi)在生命中。我們對審美理想命題的論述,要解決的實際問題就是現(xiàn)實生活帶給自己的焦慮和煩惱。當我們面對社會中的不能適應(yīng)時,善美的結(jié)合將會通過審美理想幫助我們,調(diào)節(jié)主體內(nèi)在和外在兩個方面,從而恢復(fù)自我平衡,找到一種平衡自我與社會的方法。對審美理想命題的解讀實則具有對人本身和生活有益的價值和意義。
[Abstract]:The aesthetic ideal in Kant's aesthetic thought is a relatively rich concept that expresses the affirmation of the essential strength of the human being. The aesthetic ideal shows the master consciousness of the human, the free spirit and the pursuit of morality in the independent form of beauty. In the judgment of the four categories of quality, quantity, relations and modality, the beauty of beauty is no concept, universality and purposeful nature. And the inevitability not only established the innate legislative principles of beauty, but also set up an important standard for judging the beauty of art. First, in the composition of the aesthetic ideal, imagination is the innate ability of people to make artistic creation; secondly, the combination of aesthetic symbols and spirit has realized man's leap from perceptual experience to reason, from this shore to the other side of the world. Emotion is not only emotional experience, but also an expression of the form of hyper sensibility. Again, Kant's admiration for genius in the field of art shows his highest reverence for nature, as well as the superiority of art. Kant's principle of natural beauty is established, and the discussion of the different features of human beings in expression and inherent life embodies aesthetic feeling. The content of freedom and morality corresponding to the sense of sublimity is the main content of the aesthetic ideal. In the end, people experience the process of sharpening from the appearance to the spirit, and through the artistic creation in the aesthetic and the two fields of perceptual and rational between the "two laws of the back" and the contradiction. It has a great influence on both modern aesthetics and post-modern aesthetics. This article is based on Kant's aesthetic thought and discusses the aesthetic ideal in Kant's aesthetic thought. On the one hand, the grasp of aesthetic ideal can help us clarify and understand Kantian's structure and thought, and we can interpret the aesthetic ideal. On the other hand, the awakening and the attention of the consciousness of self aesthetic artistic accomplishment can find the opportunity and way to improve the creation and appreciation of the beauty of art and art. My free will and self-discipline combine beauty and good consciousness into our inner life. The practical problem we have to solve is the anxiety and trouble that the real life brings to us. When we are unable to adapt to the society, the combination of good and beauty will help us through the aesthetic ideal. The internal and external two aspects of the subject can restore the self balance and find a way to balance the self and the society. The interpretation of the aesthetic ideal is of value and significance to the people and life.
【學(xué)位授予單位】：廣西師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I01

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本文編號：1915751