本文選題：視覺文化 + 現(xiàn)實��； 參考：《東北師范大學(xué)》2010年碩士論文

【摘要】： 這是一個視覺統(tǒng)帥世界的時代。 1913年,視覺文化這個概念正式被提出,直到1980年左右,學(xué)術(shù)界認同了這個概念。在視覺文化時代中,圖像取代文字主導(dǎo)文化霸權(quán),視覺從未在一個時期得到過如此高的地位,視覺也從未如此的繁忙過。 視覺文化的研究主要集中在視覺性上,伴隨科技的發(fā)展,大眾傳媒和數(shù)碼技術(shù)的出現(xiàn),由視覺形象構(gòu)建的現(xiàn)實出現(xiàn)了虛擬的意味,現(xiàn)實的意義開始消解,現(xiàn)實不再真實,形象與它的所指之間出現(xiàn)了斷裂,兩者之間的關(guān)系發(fā)生了變化。這不可避免的觸及到了一個視覺文化的悖論。這個悖論影響到了社會中的種種現(xiàn)實表征,人們更是受到文化更迭的影響,無論是行為準(zhǔn)則還是審美標(biāo)準(zhǔn)或是思考方式都發(fā)生了轉(zhuǎn)變,環(huán)境把文化帶來的影響投射給了在它境內(nèi)的一切存在。 設(shè)計是一種視覺文化現(xiàn)象,這個時代充斥著設(shè)計,“非設(shè)計,不生活”已儼然成為時代的口號。因此從設(shè)計的角度來解析形象和現(xiàn)實之間的悖論問題,有著及其重要的現(xiàn)實意義。 本文從視覺文化的源起出發(fā),介紹了圖像的轉(zhuǎn)向,視覺文化的悖論在社會具體表征中的具體表現(xiàn)。重點部分是視覺文化時代的設(shè)計,設(shè)計這種功利性的社會活動在圖像時代遭遇的問題,并對此進行闡述。在之前的論證后反思視覺文化時代中當(dāng)代設(shè)計中所存在的矛盾,聯(lián)系中國的傳統(tǒng)哲學(xué)思想進行論證,并瞻望未來,為未來設(shè)計提出堅實的理論支撐。
[Abstract]:This is an era of vision commander-in-chief of the world.
In the 1913, the concept of visual culture was formally proposed. Until about 1980, the concept was recognized by the academic community. In the age of visual culture, the image replaced the literal hegemony, and the vision never had such a high position in a period of time, and the vision had never been so busy.
The research of visual culture is mainly focused on the visual nature, with the development of science and technology, the emergence of mass media and digital technology, the reality of the visual image has appeared the virtual meaning, the realistic meaning begins to disappear, the reality is no longer true, the image and its finger appear broken, the relationship between the two has changed. This can not be changed. The paradox of avoidance touches the paradox of a visual culture. This paradox affects the realistic representation of society. People are influenced by cultural change, whether it is the code of conduct, the aesthetic standard or the way of thinking, and the environment brings the influence of culture to all the existence in its territory.
Design is a visual cultural phenomenon, the era is full of design, "non design, not life" has become the slogan of the times. Therefore, it is of important practical significance to analyze the paradox between image and reality from the perspective of design.
This article, starting from the origin of visual culture, introduces the direction of image and the concrete manifestation of the paradox of visual culture in the concrete representation of the society. The key part is the design of the age of visual culture, the problems encountered in the design of this utilitarian social activity in the age of image, and the explanation of the visual culture after the previous argument. The contradictions existing in the contemporary design of the middle and contemporary generations are linked up with the traditional Chinese philosophical thinking, and look forward to the future, which will provide solid theoretical support for the future design.

【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J06

【共引文獻】

相關(guān)期刊論文 前10條

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2 陳文忠;;文學(xué)是人學(xué),文論即人論[J];安徽師范大學(xué)學(xué)報(人文社會科學(xué)版);2012年01期

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本文編號：1881872