本文選題：書(shū)寫(xiě)方式 + 中國(guó)文化��； 參考：《魯迅研究月刊》2017年05期

【摘要】：正為期兩周的"書(shū)寫(xiě)的藝術(shù)——魯迅手稿精品展"(2017.4.28-5.10)已于5月10日在北京魯迅博物館落下帷幕。展期雖短,影響力卻很大。有的學(xué)者千里迢迢從外地趕來(lái),有的學(xué)者因沒(méi)有趕上這個(gè)展覽而遺憾不已。魯迅是一位"寫(xiě)者",而且?guī)缀跻簧加妹P書(shū)寫(xiě)。他的書(shū)寫(xiě)藝術(shù)既具中國(guó)傳統(tǒng)書(shū)寫(xiě)方式的典型性,又有新時(shí)代的風(fēng)尚,堪稱中國(guó)文化從傳統(tǒng)到現(xiàn)代轉(zhuǎn)型期的標(biāo)本。為配合新版《魯迅手稿全集》的立項(xiàng),北京魯迅博物館
[Abstract]:The two-week "Fine Art of Writing-Lu Xun manuscript Exhibition" ended on May 10 at the Lu Xun Museum in Beijing. Short as the extension is, it has great influence. Some scholars come all the way from other places, others regret that they did not catch up with the exhibition. Lu Xun is a "writer" and writes with a brush almost all his life. His writing art not only has the typicality of Chinese traditional writing style, but also has the fashion of the new era, it can be called the specimen of Chinese culture from traditional to modern transition period. In order to tie in with the new edition of Lu Xun manuscripts complete works, Beijing Lu Xun Museum
【作者單位】： 北京魯迅博物館(北京新文化運(yùn)動(dòng)紀(jì)念館)文物資料保管部;
【分類號(hào)】：I210;J124
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本文編號(hào)：1874167