本文選題：民俗旅游 + 影視化　； 參考：《西北民族大學學報(哲學社會科學版)》2017年02期

【摘要】：近年來,民俗旅游作為一種新穎的旅游方式和更高層次的文化旅游,逐漸被大家所關注,而影視作為最直觀最便捷地展現(xiàn)文化的窗口之一,必將作為傳播民俗文化的一種手段,因而民俗旅游影視化將是民俗旅游發(fā)展的方向之一,這點從不斷涌現(xiàn)出的民俗影視基地、民俗影視作品中可見一斑。在民俗旅游影視化的過程中,文化本真性的保留極為重要。從客觀主義本真性和存在主義本真性的角度,分析在民俗旅游影視化的過程中,只有保留住民俗文化的存在主義本真性,才能使民俗文化煥發(fā)生機,傳承萬世。
[Abstract]:In recent years, folklore tourism, as a new way of tourism and a higher level of cultural tourism, has gradually been concerned by everyone. As one of the most intuitive and convenient window to show culture, film and television will certainly be a means of spreading folk culture. Therefore, folklore tourism film and television will be one of the development directions of folklore tourism, which can be seen from the continuous emergence of folklore film and television base, folklore film and television works. In the process of folklore tourism film and television, the preservation of cultural authenticity is extremely important. From the point of view of objectivism and existentialism, this paper analyzes that in the process of folklore tourism film and television, only by retaining the existentialism nature of folk culture can folklore culture radiate vitality and inherit the whole world.
【作者單位】： 武漢大學經(jīng)濟與管理學院;
【分類號】：K892;F592.7;J05

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