本文選題：道家美學(xué) + 葉維廉　； 參考：《黑龍江大學(xué)》2010年碩士論文

【摘要】： 葉維廉(1937-)是著名的美籍華裔詩(shī)人、翻譯家和學(xué)者,他在比較詩(shī)學(xué)的研究上卓有建樹(shù),其著名的“文化模子”理論曾在比較文學(xué)界產(chǎn)生強(qiáng)烈的反響。葉維廉的文學(xué)研究并不著力于建構(gòu)文學(xué)理論體系,而是著重撰寫(xiě)具體問(wèn)題研究的散論文章,這多與其注重比較文學(xué)批評(píng)實(shí)踐和反文化決定論的治學(xué)立場(chǎng)有關(guān)。盡管如此,縱觀葉維廉的文學(xué)研究歷程,揣摩其文學(xué)研究文章,卻不難尋出一個(gè)跡線甚至體系,即,道家美學(xué)思想或直接或間接的貫穿于其文學(xué)研究之中,對(duì)其文學(xué)研究產(chǎn)生了根源性的影響。本文即試圖通過(guò)闡述道家美學(xué)在葉維廉文學(xué)研究中出場(chǎng)的淵源、所處的地位、具有的含義、實(shí)踐的表現(xiàn)以及當(dāng)下的意義與局限,全方位證明道家美學(xué)在葉維廉文學(xué)研究中的這種根源性影響。 本文主要分五部分(包括余論)對(duì)道家美學(xué)之于葉維廉文學(xué)研究的影響問(wèn)題作全面論述。第一部分通過(guò)對(duì)葉維廉生命體驗(yàn)與學(xué)術(shù)歷程的梳理,揭示道家美學(xué)在其文學(xué)研究中出場(chǎng)并產(chǎn)生影響的動(dòng)機(jī)與淵源；第二部分從正面闡述葉維廉對(duì)道家美學(xué)意涵的現(xiàn)代闡釋；第三部分揭示道家美學(xué)理論在葉維廉文學(xué)理論與批評(píng)實(shí)踐中的具體表現(xiàn)；第四部分重點(diǎn)討論道家美學(xué)之于葉維廉文學(xué)研究的影響在當(dāng)下的意義與局限；余論部分通過(guò)把葉維廉以道家美學(xué)為干的文學(xué)研究置于世界尤其是西方的視野中來(lái)檢驗(yàn)其影響力,希圖對(duì)其有更全面、清醒的認(rèn)識(shí)�？傊�,本文希望通過(guò)對(duì)道家美學(xué)之于葉維廉文學(xué)研究影響問(wèn)題的全面縷述,對(duì)葉維廉的比較文學(xué)研究有一個(gè)更全面、整體的認(rèn)識(shí)與把握。
[Abstract]:Ye Weilian (1937-) is a famous Chinese American poet, translator and scholar. He has made great achievements in the research of comparative poetics. His famous "cultural mold" theory has produced a strong repercussion in the comparative literature circle. Ye Weilian's literary study does not focus on the construction of the literary theory system, but focuses on the writing of the study of specific problems. However, it is not difficult to find a trace or even a system of literary research in Ye Weilian's literary study, that is, the Taoist aesthetic thought or directly or indirectly through its literary research and literature research. This is the root cause of the influence of Taoist aesthetics in the study of Ye Weilian's literature. This article attempts to prove the origin of Taoism in the study of Ye Weilian's literature by explaining the origin of the appearance of Taoist aesthetics in the study of literature, the position, the meaning, the performance of the practice and the significance and limitations of the present.
This article is mainly divided into five parts (including Yu theory) to make a comprehensive discussion on the influence of Taoist aesthetics to the study of Ye William's literature. The first part, through the combing of Ye Weilian's life experience and academic history, reveals the motive and origin of the influence of Taoist aesthetics in his literary study and the second part from the front. The third part reveals the concrete manifestation of the Taoist aesthetic theory in Ye Weilian's literary theory and critical practice; the fourth part focuses on the significance and limitations of the influence of Taoist aesthetics on the study of Ye William's literature in the present. In the field of the world, especially in the western field of vision to test its influence, I hope to have a more comprehensive and sober understanding of it. In a word, this article hopes to have a comprehensive and holistic understanding of Ye Weilian's comparative literature through a comprehensive and comprehensive description of the influence of the Taoist aesthetics to the literary study of Ye William.

【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：I0-03

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本文編號(hào)：1820039