本文選題：圖像轉向 + 聽覺文化　； 參考：《江西師范大學學報(哲學社會科學版)》2017年03期

【摘要】：圖像文化的風生水起是一個全球化文化現(xiàn)象,中國學者也不失時機地在理論上作出了積極回應。不少當代學者都密切關注過視覺文化且多有精彩論述。在相關問題上的反思與評判方面,呼喚"聽覺文化"覺醒以對抗"視覺文化"侵襲的理念尤為值得關注。以傅修延為代表的中國學者在"聽覺文化"領域的深耕與廣拓,可謂卓有成效且成績斐然,例如其《中國敘事學》從"轉換研究范式""更新既有觀念"等方法入手,"回望中國敘事歷史自身的傳統(tǒng)",超越西方經典與后經典敘事之"影響迷霧",以融貫中西、守正創(chuàng)新的胸懷,試圖在視聽嚴重失衡的背景下重構中國敘事學的當代形態(tài),在對"重聽""音景""聆察"等概念與范疇的創(chuàng)造性闡發(fā)過程中,為重建"視聽平衡"的中國敘事學、彌補聽覺之維的缺失做出了有益的探索。
[Abstract]:The emergence of image culture is a global cultural phenomenon, and Chinese scholars have also made a positive response in theory. Many contemporary scholars have paid close attention to visual culture and have many wonderful discussions. On the reflection and evaluation of related issues, the concept of "auditory culture" is called to combat the concept of "visual culture" invasion. It is particularly worthy of attention. The Chinese scholars, represented by Fu Xiuyan, have been fruitful and fruitful in the field of "auditory culture". For example, the Chinese narratology, from the "transformation research paradigm", "renewing the existing concept", "looks back on the tradition of Chinese narrative history" and transcends the western classics and the post classic narration. In order to reconstruct the "audio-visual balance" of Chinese narratology and make up for the lack of auditory dimension, it has made a useful exploration in the process of reconstructing the "audio-visual balance" of Chinese narratology in the process of reconstructing the concept and category of "hearing" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "listening to" "hearing" and other concepts and categories.

【作者單位】： 中國社會科學院文學研究所;
【分類號】：I0

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