發(fā)布時(shí)間：2018-04-01 12:18

  本文選題：成語(yǔ)　切入點(diǎn)：成語(yǔ)翻譯　出處：《上海外國(guó)語(yǔ)大學(xué)》2017年碩士論文

【摘要】：中國(guó)當(dāng)代著名作家莫言的文學(xué)作品包含著大量的中國(guó)文化因素,其小說(shuō)中大量使用成語(yǔ),莫言還結(jié)合了自己的創(chuàng)作特色,打破常規(guī),將成語(yǔ)靈活地運(yùn)用到寫(xiě)作中。中俄語(yǔ)言、文化的差異構(gòu)成了莫言小說(shuō)中成語(yǔ)翻譯的障礙。本文主要探討俄羅斯?jié)h學(xué)家葉果羅夫(И.А.Егоров)翻譯的莫言小說(shuō)——《酒國(guó)》和《豐乳肥臀》中成語(yǔ)的翻譯問(wèn)題。本文梳理了中國(guó)與俄羅斯有關(guān)成語(yǔ)翻譯的研究概況。整理了國(guó)內(nèi)關(guān)于莫言小說(shuō)的研究情況,介紹了莫言小說(shuō)在國(guó)外的傳播與接收情況。接著,本文對(duì)漢俄成語(yǔ)進(jìn)行了對(duì)比研究。通過(guò)對(duì)漢俄成語(yǔ)定義的對(duì)比,論證了漢俄成語(yǔ)都具有整體性、固定性、習(xí)用性、不可譯性的特點(diǎn)�？偨Y(jié)了漢俄成語(yǔ)的來(lái)源包括歷史事件、自然環(huán)境、神話故事、文學(xué)作品、寓言故事、宗教信仰、風(fēng)俗習(xí)慣、社會(huì)生活、外來(lái)詞等。通過(guò)對(duì)漢俄成語(yǔ)的分類對(duì)比,總結(jié)出漢語(yǔ)成語(yǔ)可以從內(nèi)部語(yǔ)法關(guān)系分類,也可以根據(jù)字面義、引申義的聯(lián)系程度進(jìn)行分類。俄語(yǔ)成語(yǔ)可以根據(jù)其字面義與引申義之間的聯(lián)系程度分為:融合性成語(yǔ)、接合性成語(yǔ)、組合性成語(yǔ)。通過(guò)對(duì)莫言小說(shuō)中成語(yǔ)修辭功能的研究發(fā)現(xiàn),成語(yǔ)有摹繪、比喻、夸張等大量修辭功能。此外,莫言小說(shuō)成語(yǔ)還具有打破常規(guī)的特殊用法,包括根據(jù)具體語(yǔ)境對(duì)成語(yǔ)進(jìn)行部分改動(dòng)、取成語(yǔ)字面義、改變成語(yǔ)結(jié)構(gòu)、用通俗的語(yǔ)言間接引用成語(yǔ)、成語(yǔ)的超常規(guī)搭配。通過(guò)前文對(duì)漢俄成語(yǔ)的對(duì)比以及對(duì)莫言小說(shuō)中成語(yǔ)修辭的分析總結(jié),本文歸納出莫言小說(shuō)成語(yǔ)俄譯的翻譯障礙主要為文化層面的翻譯障礙、修辭層面的翻譯障礙以及語(yǔ)義層面的翻譯障礙。對(duì)于這些翻譯障礙,功能對(duì)等理論有著很好的指導(dǎo)作用�；诠δ軐�(duì)等理論,本文結(jié)合莫言小說(shuō)成語(yǔ)在文化、修辭、語(yǔ)義方面的誤譯例子進(jìn)行歸納分析。通過(guò)對(duì)例子的分析,總結(jié)出成語(yǔ)翻譯的方法:直譯法、借譯法、意譯法、直譯加注法以及省略法。還總結(jié)了莫言小說(shuō)成語(yǔ)俄譯時(shí)需要遵從的翻譯原則,包括:忠實(shí)連貫原則、成語(yǔ)修辭性適當(dāng)傳達(dá)原則、引申義優(yōu)先原則。
[Abstract]:The literary works of Mo Yan, a famous contemporary Chinese writer, contain a large number of Chinese cultural factors. He also combines his own creative characteristics, breaks the convention and flexibly applies idioms to his writing. Cultural differences constitute an obstacle to the translation of idioms in Mo Yan's novels. This paper mainly discusses the translation of the idioms in Mo Yan's novels "Wine country" and "Breast Fat" by Russian sinologist Ye Guorov. A survey of studies on idiom translation between China and Russia. This paper introduces the dissemination and reception of Mo Yan's novels abroad. Then, this paper makes a comparative study of Chinese and Russian idioms. Through the comparison of the definitions of Chinese and Russian idioms, it proves that Chinese and Russian idioms have the characteristics of integrity, fixation and usage. Summarizing the sources of Chinese and Russian idioms, including historical events, natural environment, mythological stories, literary works, fables, religious beliefs, customs, social life, By comparing and classifying Chinese and Russian idioms, it is concluded that Chinese idioms can be classified from their internal grammatical relations or according to their literal meanings. Russian idioms can be classified into four categories according to the degree of connection between their literal meanings and their meanings: fusion idioms, conjunctive idioms, combinative idioms, etc. Through the study of the rhetorical functions of idioms in Mo Yan's novels, it is found that the Russian idioms can be divided into three categories: the syncretic idioms, the conjunctive idioms, and the combinative idioms. The idioms have a lot of rhetorical functions, such as drawing, metaphor, exaggeration and so on. In addition, the idioms in Mo Yan's novels also have the special usage of breaking the convention, including making some changes to the idioms according to the specific context, taking the literal meaning of the idioms, and changing the idiom's structure. Through the comparison of Chinese and Russian idioms and the analysis of the rhetoric of idioms in Mo Yan's novels, This paper concludes that the obstacles to translation of Mo Yan's novels' idioms are cultural, rhetorical and semantic. Based on the functional equivalence theory, this paper summarizes and analyzes the examples of cultural, rhetorical and semantic misinterpretation of the idioms in Mo Yan's novels. The methods of idiom translation are summarized as follows: literal translation, loan translation, free translation, literal annotation and ellipsis. It also summarizes the translation principles to be followed in translating Mo Yan's novels' idioms into Russian, including the principle of faithfulness and coherence. The principle of proper communication of idioms rhetorically, and the principle of preference of meaning.
【學(xué)位授予單位】：上海外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：H35;I046

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