本文選題：情感符號學(xué)　切入點：情感敘述學(xué)　出處：《西南民族大學(xué)學(xué)報(人文社科版)》2017年04期 　論文類型：期刊論文

【摘要】：情感是敘述文本的附加編碼。因為敘述文本有紀實性與虛構(gòu)性的區(qū)分,所以附著于其上的情感亦可分為現(xiàn)實情感和虛構(gòu)情感兩類,其區(qū)分要點在于情感敘述的對象有無物化的可能。情感反映的是符號化的主體與客體的關(guān)系,現(xiàn)實情感的接收者符號自我是現(xiàn)實人格,虛構(gòu)情感的接收者符號自我是約定的可能人格。兩種情感都要求真實,現(xiàn)實情感不真實源于精神病態(tài),虛構(gòu)情感的真實源于文本邏輯。在不同的視角下觀察,兩種情感都與事實相關(guān),但是關(guān)聯(lián)的方式有差異。虛構(gòu)情感是一種可能情感,只有落實在現(xiàn)實之中,才具有實在性的意義,這在現(xiàn)代社會已經(jīng)成為一個緊迫的課題。
[Abstract]:Emotion is the additional code of narrative text. Because the narrative text has the distinction between reality and fictitious, the emotion attached to it can be divided into two types: realistic emotion and fictional emotion. The main points of the distinction lie in the possibility of materialization of the object of emotional narration. Emotion reflects the relationship between the subject and object of symbolization, and the receiver of real emotion is the real personality. The receiver symbol ego of fictional emotion is the possible personality of agreement. Both emotions require truthfulness, realistic emotion is untrue from psychopathic state, fictional emotion originates from textual logic, and it is observed from different angles of view. The two emotions are both related to facts, but the way of connection is different. Fictional emotion is a kind of possible emotion, only when it is implemented in reality, can it have the meaning of reality, which has become an urgent subject in modern society.
【作者單位】： 四川師范大學(xué)文學(xué)院;
【基金】：國家社會科學(xué)基金項目“文學(xué)作品情感表現(xiàn)與接受的符號現(xiàn)象學(xué)研究”(16XZW007)階段性成果
【分類號】：I01
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本文編號：1596033