本文關(guān)鍵詞： 藝術(shù)真實(shí) 現(xiàn)實(shí)主義 哲學(xué)觀 精神真實(shí) 網(wǎng)絡(luò)文學(xué)　出處：《吉林大學(xué)》2010年博士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 現(xiàn)實(shí)主義藝術(shù)真實(shí)論是我國(guó)當(dāng)代文藝批評(píng)的核心理論。這個(gè)理論內(nèi)部存在著四個(gè)問(wèn)題:首先,學(xué)者們對(duì)“生活真實(shí)”概念理解的不一致造成了“藝術(shù)真實(shí)”概念的不明晰;其次,藝術(shù)是主觀的,生活是客觀的,二者無(wú)法進(jìn)行比較,因此不能說(shuō)“藝術(shù)高于生活”;再次,藝術(shù)真實(shí)論的局限性日益暴露,它無(wú)法解釋現(xiàn)有的文學(xué)現(xiàn)象;最后,“藝術(shù)真實(shí)”是一個(gè)主觀的、不可驗(yàn)證的概念。盡管存在這樣的理論缺陷,仍有很多學(xué)者深受現(xiàn)實(shí)主義藝術(shù)真實(shí)論的影響,把它當(dāng)作評(píng)判作品優(yōu)劣的唯一標(biāo)準(zhǔn)。上世紀(jì)末,網(wǎng)絡(luò)這種新興媒體為我們帶來(lái)了文學(xué)活動(dòng)的巨大變革,讀者成為文學(xué)活動(dòng)的中心,作者可以隨時(shí)發(fā)表自己的作品,作品不再是封閉的文本。文學(xué)在“后文學(xué)時(shí)代”里不再神圣,它成為了人們的消遣品。文學(xué)活動(dòng)中的要素都在發(fā)生“質(zhì)變”,而文藝批評(píng)家們?nèi)绻廊还淌嘏f有的批評(píng)標(biāo)準(zhǔn)和思想,還用現(xiàn)實(shí)主義藝術(shù)真實(shí)論來(lái)評(píng)價(jià)這些作品,不去發(fā)展新的文學(xué)理論,研究新的文學(xué)現(xiàn)象,那么他們的命運(yùn)就只能是被人民所拋棄,并繼續(xù)被邊緣化。文藝?yán)碚摫緛?lái)就是從文學(xué)作品中發(fā)展而來(lái)的,它不能也不應(yīng)該成為限制文學(xué)發(fā)展的桎梏。
[Abstract]:Realism art truth theory is the core theory of contemporary literary criticism in China. There are four problems in this theory: firstly, the inconsistency of scholars' understanding of the concept of "real life" leads to the lack of clarity of the concept of "artistic reality"; Secondly, art is subjective, life is objective, the two cannot be compared, so it can not be said that "art is higher than life". Finally, "artistic reality" is a subjective, unverifiable concept. Despite such theoretical flaws, many scholars are deeply influenced by the realism theory of artistic truth and regard it as the only criterion for judging the merits and demerits of a work. The new media such as the Internet has brought us a great change in literary activities. Readers become the center of literary activities. Authors can publish their works at any time, and their works are no longer closed texts. Literature is no longer sacred in the "post-literary era". It has become a pastime for people. The elements of literary activity are undergoing "qualitative changes," and if literary critics still cling to the old standards and ideas of criticism, they also evaluate these works with realistic artistic truthfulness. If they do not develop new literary theories and study new literary phenomena, then their fate can only be abandoned by the people and continue to be marginalized. Literary theories are originally developed from literary works. It cannot and should not be a shackle restricting the development of literature.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：I06

【引證文獻(xiàn)】

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1 任艷;新世紀(jì)以來(lái)中國(guó)電影現(xiàn)實(shí)主義研究[D];遼寧大學(xué);2013年

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1 田楠;20世紀(jì)90年代以來(lái)新歷史主義視野下中國(guó)歷史題材電視劇的創(chuàng)作研究[D];陜西師范大學(xué);2012年

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