本文關(guān)鍵詞： 畫報 媒介科技 視覺現(xiàn)代性 連環(huán)畫敘事 紀實攝像　出處：《新聞與傳播研究》2017年03期 　論文類型：期刊論文

【摘要】：基于社會和科技等因素的共同推動,中國近現(xiàn)代畫報及其所構(gòu)建的視覺文化發(fā)生了現(xiàn)代性轉(zhuǎn)向。以西學東漸歷史語境下的獨特視覺經(jīng)驗為思維底色,以來自西方的想象作為觀照自我的合理借鑒,中國畫報在圖像的視覺表達上呈現(xiàn)出"點石齋式""良友式""真相式"等多種形態(tài)。通過印刷技術(shù)和攝影技術(shù)雙重機械復制術(shù)的合力推進,中國畫報實現(xiàn)了從圖像認知時代到圖像娛樂時代的視覺變革。西方思維導致的文化斷裂顛覆人們的傳統(tǒng)認知,機械復制術(shù)導致的書寫轉(zhuǎn)向變革了圖像的敘事邏輯和人們的傳播觀念。從《教會新報》的"看圖說書"和《點石齋畫報》的"以圖像為中心",至《真相畫報》的"連環(huán)畫"系列漫畫意識和《良友》的影像新聞敘事獨立,中國近現(xiàn)代畫報的敘事話語出現(xiàn)了從"連環(huán)畫"到"紀實攝影"的根本性改變,傳播觀念從"故事化"轉(zhuǎn)向現(xiàn)代獨立性,人們的視覺經(jīng)驗經(jīng)由視覺符號進行猛烈的文化交鋒進而影響視覺現(xiàn)代性的運行軌跡。
[Abstract]:Based on the common promotion of society and science and technology, the modern Chinese pictorial and its visual culture have turned to modernity. Taking the imagination from the West as a reasonable reference for self-reflection, In the visual expression of the image, the Chinese pictorial shows a variety of forms, such as "Dingshi Zhai", "good friend", "truth" and so on. Chinese pictorial has realized the visual transformation from the era of image cognition to the era of image entertainment. The rewriting caused by mechanical reproduction has changed the narrative logic of images and people's ideas of communication. From "reading picture books" in "the new church newspaper" and "taking the picture as the center" in "the picture of Dingshi Zhai pictorial", to the "truth pictorial" The comic consciousness of the comic book series and the independence of the video news narrative of Friends, The narrative discourse of Chinese modern pictorial has changed fundamentally from "comic book" to "documentary photography", and the concept of communication has changed from "story" to "modern independence". The visual experience of people through the fierce cultural confrontation of visual symbols, and then affect the movement of visual modernity.
【作者單位】： 湖南師范大學新聞與傳播學院;
【基金】：國家社科基金項目“中國近現(xiàn)代畫報研究”(項目編號:09BXW004)的階段性成果
【分類號】：G219.29;J120.9
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本文編號：1544248