本文關(guān)鍵詞： 信息時(shí)代 屏性媒介 像素化 公共藝術(shù)　出處：《東北師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：從拉斯科的洞穴壁畫到蘇美爾的楔形文字,從帕特農(nóng)神廟的多立克柱式到米蘭大教堂的哥特尖頂,從文藝復(fù)興的藝術(shù)革命到巴洛克洛可可的宮廷奢華,從新古典主義的復(fù)古潮流到工藝美術(shù)運(yùn)動(dòng)的機(jī)器革命,從或?qū)憣?shí)或抽象的裝飾運(yùn)動(dòng)到現(xiàn)代主義的減少風(fēng)格,再到無拘無束,戲虐挑釁的后現(xiàn)代主義。藝術(shù)的每一次蛻變都是以技術(shù)革新、社會(huì)需求為背景,以藝術(shù)家、理論家的意識(shí)形態(tài)為促進(jìn),呈現(xiàn)出全新的當(dāng)下的時(shí)代色彩。在新媒體革命沖刷著生活各個(gè)角落的今天,傳統(tǒng)對(duì)物的抽象化探討已逐漸演變成屏性媒介下的像素符號(hào)。人類正在經(jīng)歷著數(shù)字化的全新時(shí)代,無論學(xué)習(xí)、工作還是生活,都棲身于數(shù)字空間之下,我們已經(jīng)習(xí)慣用屏性媒介去認(rèn)識(shí)和了解世界,通過像素符號(hào)解碼現(xiàn)實(shí)存在。在這個(gè)時(shí)代,我們把科技作為工具,同時(shí)也被科技和媒介所主宰。每一場新的變革,都伴隨著強(qiáng)大的力量,改變著我們的思想和生活。本文以數(shù)字化信息時(shí)代為背景,以像素為媒介,以公共藝術(shù)為例,探討新時(shí)代下藝術(shù)形式新的可能和演變。通過對(duì)像素相關(guān)概念的解讀和分析,發(fā)現(xiàn)像素藝術(shù)語言在不同時(shí)代的狀態(tài)和表現(xiàn)。探討科學(xué)技術(shù)和藝術(shù)相結(jié)合創(chuàng)造的新的藝術(shù)表現(xiàn)形式的可能,列舉了大量以像素為基本呈現(xiàn)單位,用像素化的方式進(jìn)行的新時(shí)代的藝術(shù)表現(xiàn)。并通過探討像素化這種新時(shí)代的藝術(shù)呈現(xiàn)手段,在物質(zhì)空間組成和感知空間體驗(yàn)的共同分析作用下,所呈現(xiàn)出的更加細(xì)膩、多彩、充滿無盡可能的像素化藝術(shù)形式。最終通過對(duì)傳統(tǒng)雕塑形象和傳統(tǒng)雕塑手法的分析,思考了像素化手段在未來雕塑發(fā)展中可帶來的全新的狀態(tài)和對(duì)新時(shí)代的呼應(yīng)。并在之后的創(chuàng)作中,以實(shí)踐的形式,感受像素化手段在公共藝術(shù)創(chuàng)作中的新的體驗(yàn)和呈現(xiàn)。
[Abstract]:From Rasco's cave murals to Sumerian cuneiform, from the Doric pillar of the Parthenon to the Gothic spires of the Milan Cathedral, from the Renaissance art revolution to the luxury of Baroc Rococo's palace. From the retro trend of neoclassicism to the machine revolution of arts and crafts movement, from realistic or abstract decorative movement to the reduced style of modernism, to unfettered. Every transformation of art is based on technological innovation, social needs, and the ideology of artists and theorists. In the new media revolution is scouring every corner of life today. The traditional abstract discussion of objects has gradually evolved into pixel symbols under the screen medium. Human beings are experiencing a new era of digitization. No matter study, work or life, they all live under the digital space. We have become accustomed to using screen media to understand and understand the world, decode reality through pixel symbols. In this era, we use technology as a tool, but also dominated by technology and media. Every new change. Accompanied by a powerful force, changing our thinking and life. This paper takes the digital information age as the background, pixels as the medium, and public art as an example. To explore the new possibility and evolution of art form in the new era. Through the interpretation and analysis of pixel related concepts. Find out the state and expression of pixel art language in different times. Discuss the possibility of creating new artistic expression by combining science and technology with art, and enumerate a large number of pixel as basic presentation units. Through discussing the artistic presentation means of the new era, under the common analysis of the composition of material space and the experience of perceptual space, this paper discusses the artistic expression of the new era in the way of Pixelization, and through discussing the means of artistic presentation of the new era of Pixelization. The present is more delicate, colorful, filled with no pixel art form as far as possible. Finally, through the analysis of the traditional sculpture image and traditional sculpture techniques. Pondering over the pixel means in the future development of sculpture can bring a new state and echo the new era, and in the later creation, in the form of practice. Feel the new experience and presentation of Pixelization in public art creation.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J0

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