發(fā)布時間：2018-01-11 14:08

  本文關(guān)鍵詞：藝術(shù)公共性的建構(gòu)：上海城市公共藝術(shù)史論　出處：《復(fù)旦大學(xué)》2009年博士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 公共藝術(shù) 公共性 公共空間 歷史建構(gòu) 交流

【摘要】： 本文以上海城市公共藝術(shù)作為主要研究對象，著重探討城市公共藝術(shù)之公共性的歷史性建構(gòu)問題。 城市公共藝術(shù)的“公共性”并非是個一成不變的抽象概念，其具體內(nèi)涵始終處于一種不斷變化的歷史性建構(gòu)和生成過程之中。論文按照“近代開埠的初創(chuàng)期——建國十七年重建期——‘文革’十年動亂——新時期的繁榮發(fā)展期”的歷史發(fā)展序列，在對上海城市公共藝術(shù)進行基本歷史梳理和各期主要作品進行案例分析的基礎(chǔ)上，探討上海的城市公共藝術(shù)在特定歷史語境中的公共性功能和公共意義指向，以及各方力量和社會公眾群體在圍繞作品展開的公共交流和對話中傳達出來的公共性訊息與表達的價值訴求等問題。以探求社會文化語境的歷史變遷中，上海的城市公共藝術(shù)在具體的公共性內(nèi)涵上發(fā)生了哪些變化，公共性的建構(gòu)過程又受到哪些群體、社會因素和意識形態(tài)的影響。 本文主要由緒論、作為主體的四章和結(jié)論三大部分組成： 緒論部分，在對城市公共藝術(shù)的研究緣起和研究現(xiàn)狀進行基本介紹的同時，對城市公共藝術(shù)當(dāng)中的公共性和公共交流功能等基本概念加以簡要的理論梳理，，并說明本研究的問題側(cè)重點、研究對象、敘述框架。 第一章分別論述上海近代開埠以后由殖民者、中國人建造的公共紀念碑和雕塑各自傳達了哪些政治訊息和價值觀念，以及它們具有何種公共性內(nèi)涵和功能。 第二章通過對建國十七年在上海城市公共空間中建造和設(shè)立的公共紀念碑雕塑的分析研究，探討這個時期上海城市公共藝術(shù)的公共性功能和公共性內(nèi)涵問題。 第三章結(jié)合“文革”的社會文化背景和意識形態(tài)語境對十年間上海建造的毛澤東塑像、塑造“工農(nóng)兵”和英雄人物形象的雕塑進行公共性的解讀，并探討特定的政治意識形態(tài)是如何建構(gòu)和賦予這一時期公共藝術(shù)公共特性的。 第四章涉及的主要是新時期以來的上海城市公共藝術(shù)的公共性問題，通過對不同空間區(qū)域中的作品分析，說明在城市空間區(qū)域化和城市文化多元化的發(fā)展過程中，城市公共藝術(shù)的公共性體現(xiàn)出多元化的發(fā)展趨向。 結(jié)論部分，根據(jù)前面章節(jié)的分析論述得出，公共藝術(shù)的公共性是一個受歷史變遷影響，且始終處于一種歷史性建構(gòu)過程中的變化的概念。而且，無論公共藝術(shù)的公共性內(nèi)涵怎樣變化，它都始終以藝術(shù)的方式介入到了社會“公共領(lǐng)域”——無論是政治公共領(lǐng)域，還是公共生活領(lǐng)域——當(dāng)中，并作為一種社會群體在“公共領(lǐng)域”中進行自我表達和表現(xiàn)的媒介，與社會現(xiàn)實保持著密切的互動，從而才實現(xiàn)了其公共性的價值，發(fā)揮了社會認同和社會整合的公共功能。
[Abstract]:This paper, taking the urban public art of Shanghai as the main research object, focuses on the historical construction of the public art of urban public art.
City Public Art "public" is not immutable and frozen abstract concept, its connotation is always in a constantly changing history of the generation and construction process. The historical development of sequence5 in accordance with the "start-up period in modern times -- the seventeen years reconstruction period -- the" Cultural Revolution "in the ten years of turmoil, the prosperity of the new period of development during the period, in the city of Shanghai public art of history and the main works are based on the analysis of the case study, pointing to the city public art in Shanghai public function in the specific historical context and significance of the public, and all forces and public groups in public exchanges and dialogue around the works of communication and the expression of public messages out of the pursuit of value and other issues. To explore the historical changes of the social and cultural context, Shanghai City Public Art What changes have taken place in the concrete connotations of public nature and the influence of which groups, social factors and ideology are influenced by the construction process of the public nature.
This article is mainly made up of the introduction, which is composed of four chapters and three main parts of the main body:
The introduction part gives a basic introduction in the study of the origin and research status of city public art at the same time, the basic concept of city public art among the public and public communication function to theories briefly, and explains the problem of this study focus, research object, narrative framework.
In the first chapter, what political messages and values are conveyed by the public monuments and sculptures built by the settlers and the Chinese after the opening of Shanghai's modern ports, and their public connotations and functions?
In the second chapter, through the analysis and research of the public monument sculpture built and set up in the urban public space of Shanghai during the seventeen years after the founding of the people's Republic of China, we discuss the public function and public connotation of Shanghai's public art in this period.
The third chapter of the "Cultural Revolution" of the social and cultural background and ideology context building for ten years in Shanghai Mao Zedong statue, shaping the "peasants and soldiers" and the hero image of the sculpture of the public, and to explore the specific political ideology is how to construct and give this period of public art characteristics of the public.
The fourth chapter mainly involves the public problems of Shanghai city public art since the new period, according to the different spatial regions in the analysis of works, in the city space and city regional cultural diversity in the development process of city public art public reflect the development trend of diversification.
The conclusion part, according to the analysis on the front section of the draw, public art is a historical change, and always in a concept of historical changes in the process of construction. Moreover, whether the public connotation of public art to change, it is always in an artistic way involved in social public "the field" -- whether in politics or public life, public domain, domain, and as a social group in the "public domain" self expression and the performance of the media, to maintain a close interaction with the social reality, thus has realized its public value, play a public function of social identity and social integration.

【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2009
【分類號】：J120.9

【參考文獻】

相關(guān)期刊論文 前3條

1 約翰·揚,蔣大可譯;中國的現(xiàn)代公共藝術(shù)[J];世界美術(shù);1997年01期

2 蔡繼福;;陳英士在上海的史跡[J];上海師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);1988年03期

3 里斯·洛萬,孫虹,孫立新;紀念碑——作為歷史研究的史料[J];史學(xué)理論研究;1997年03期

本文編號：1409841