本文關(guān)鍵詞：新批評(píng)派美學(xué)批評(píng)方法研究　出處：《黑龍江大學(xué)》2009年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 新批評(píng) 作品中心論 本體論批評(píng) 細(xì)讀法

【摘要】： 新批評(píng)派是在批評(píng)發(fā)展的轉(zhuǎn)折時(shí)期出現(xiàn)的一種重要理論現(xiàn)象,他們是在對(duì)他們之前的種種文藝批評(píng)進(jìn)行審視和批判中建立起來的。新批評(píng)派把作品本身看作是一個(gè)獨(dú)立存在的自足體,認(rèn)為作品作為客體是獨(dú)立于創(chuàng)造者和欣賞者之外的,其本體即作品,作品本身才是文藝活動(dòng)的本源與目的,因此美學(xué)批評(píng)方法的側(cè)重點(diǎn)應(yīng)在作品。為證明文學(xué)作品本身的獨(dú)特美學(xué)價(jià)值,新批評(píng)派將批評(píng)對(duì)象鎖定在文本,建立起了一套操作性極強(qiáng)的美學(xué)批評(píng)方法理論。這套方法大致可分為兩個(gè)層次,第一個(gè)層次是批評(píng)的基本原則,即文本細(xì)讀法;第二個(gè)層次是批評(píng)的角度和切入點(diǎn),新批評(píng)派認(rèn)為應(yīng)從語言藝術(shù)的角度入手對(duì)作品展開批評(píng),并在此基礎(chǔ)上提出了“語義分析法”、“語境”等理論,從不同角度切入文學(xué)作品,通過具體的步驟實(shí)現(xiàn)對(duì)文學(xué)作品的細(xì)讀,探求語言藝術(shù)的美之所在。 雖然囿于形式主義批評(píng)的局限,新批評(píng)派的作品本體論追求不斷承載著理論偏狹性的指責(zé),但是其以作品中心論的本體論批評(píng)為原則,深入作品文本內(nèi)部進(jìn)行語義闡釋的美學(xué)批評(píng)方法,確已經(jīng)留下無法磨滅的影響,對(duì)于這樣一種形式主義批評(píng)留下的遺產(chǎn),我們有必要繼承并進(jìn)一步地加以傳播。
[Abstract]:The new criticism is an important phenomenon in the transitional period of criticism theory development, they are set up to examine and criticize criticism in a variety of literature on the new criticism before them. The work itself is regarded as an independent existence of self-sufficiency, that works as the object is independent of the creator and appreciate otherwise, the body that works, works itself is the origin and purpose of literary activities, so the emphasis should be on aesthetic criticism works. To prove the unique aesthetic value of literary works, new criticism criticism target text, the establishment of a strong practical aesthetics criticism theory. This method can be divided into two levels, the first level is the basic principle of criticism, the detailed reading of the text; the second level is the critical point and the starting point of the new criticism should be considered from the language arts From the perspective of operation, we criticize the works and put forward the theories of "semantic analysis" and "context" on this basis. We should cut through the literary works from different angles, and achieve detailed reading of literary works through specific steps to find the beauty of language art.
Although due to the limitation of the criticism of formalism, the works of New Criticism on the pursuit of continuous carrying the narrow theory of criticism, but in the center of the works on Ontology criticism principle, semantic interpretation of text, in-depth internal aesthetic criticism, indeed has left an indelible impact, for such a form the legacy of criticism, it is necessary for us to inherit and further spread.

【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 李自然;新批評(píng)理論視域中的朦朧詩(shī)研究[D];廣西師范大學(xué);2010年

2 唐紅梅;基于英美“新批評(píng)”視野的高中文學(xué)文本解讀研究[D];四川師范大學(xué);2012年

3 周娟;文本理論指導(dǎo)下的高中語文現(xiàn)代詩(shī)歌細(xì)讀方法研究[D];四川師范大學(xué);2012年

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本文編號(hào)：1409943