發(fā)布時間：2019-01-09 15:52

【摘要】：現(xiàn)代關(guān)于文學(xué)的虛構(gòu)本質(zhì)說十分流行,這無形中縱容了作家們在虛構(gòu)與想象上的冒險甚至是胡編亂造,導(dǎo)致文學(xué)虛構(gòu)與想象的品質(zhì)有下滑之虞。對此,本文主張文學(xué)虛構(gòu)和想象應(yīng)該有一定的限度,有其方向和目標。因為作家創(chuàng)作會有意向性,讀者接受也會有"可能"和"可信"原則。嚴肅文學(xué)有其深度目標,不同的文學(xué)類型或創(chuàng)作方法也有各自的規(guī)則或慣例。為了進一步提升虛構(gòu)與想象之品質(zhì),作家們應(yīng)該有更高的標準或努力方向,比如審美性和獨創(chuàng)性。
[Abstract]:The modern theory of fictional essence of literature is very popular, which virtually connives at the writers' adventures in fiction and imagination, and even makes up nonsense, which may lead to the decline of the quality of literary fiction and imagination. Therefore, this paper argues that literary fiction and imagination should have certain limits, directions and goals. Because the writer's creation will be intentional, the reader's acceptance will have the principles of possibility and trustworthiness. Serious literature has its own depth goal, and different literary types or creative methods also have their own rules or conventions. In order to further improve the quality of fiction and imagination, writers should have higher standards or direction of effort, such as aesthetic and originality.
【作者單位】： 暨南大學(xué)文學(xué)院;
【基金】：暨南大學(xué)科研培育與創(chuàng)新基金項目“當代文學(xué)理論研究的范式危機與轉(zhuǎn)型”(12JNYH007)
【分類號】：I04

【參考文獻】

相關(guān)期刊論文 前3條

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本文編號：2405832