【摘要】：人的世界可以分為物質(zhì)世界與精神世界兩個部分，物質(zhì)世界既是人的物質(zhì)感官所感知到的部分。邏輯性,道德感和想象力恰是個人精神世界的三種維度,它們分別對應(yīng)了認(rèn)識客觀世界的知性,信仰理想追求和藝術(shù)審美三個截然不同的領(lǐng)域。人類的全部藝術(shù)行為幾乎都是在解析和再現(xiàn)這兩種人類世界。 在物質(zhì)層面當(dāng)中，人們通過對視覺、聽覺、嗅覺、味覺以及觸覺等感官的模擬，以錯覺的形式達(dá)到再現(xiàn)的目的。比如視覺上，隨著科技的不斷發(fā)展創(chuàng)新，從遠(yuǎn)古巖畫到架上繪畫，到攝影、電影，再到三維影像，模擬的質(zhì)量越來越高。而且模擬技法，從最早的單感官的單元模擬發(fā)展到現(xiàn)今的多感官的全系模擬。可以預(yù)測，在不遠(yuǎn)的未來，人類的感覺可以逾越肉體的媒介，而直接通過腦電波與大腦感知神經(jīng)產(chǎn)生關(guān)系。介質(zhì)的變化，將會導(dǎo)致人類對物質(zhì)自然界的依賴方式發(fā)生變化。物質(zhì)自然可以只需要提供維生的能量，而對感官享受的需求層面，我們可以通過模擬感官去體驗(yàn)。到那時我們不再會為轉(zhuǎn)基因食物的索然無味，亦或是無法領(lǐng)略昔日美麗的風(fēng)景而感傷。 精神世界是人類特有的，它不僅是人類對自然世界的反映，更是一種超越感官所及的范圍之外的，預(yù)先設(shè)定的一個超感官的無形的世界，而且似乎那個看不見的超感官的無形世界要比感官所及的世界更加真實(shí)，更具有吸引力。藝術(shù)便是人類創(chuàng)造性的開創(chuàng)這一精神世界意識形態(tài)過程的實(shí)踐活動。然而，精神世界的活動是以物質(zhì)世界為客觀基礎(chǔ)的。他不像物質(zhì)感官是恒定不變的，，隨著物質(zhì)世界的進(jìn)化，人類的道德觀，信仰和意識形態(tài)都隨之發(fā)生變革，那么精神層面要如何來虛擬的呢。其實(shí)從語言產(chǎn)生之時開始，人類就可以用之來描述精神世界的活動。抽象符號化使這種虛擬再現(xiàn)成為可能。當(dāng)符號被抽象到原點(diǎn)——0和1，即是或不是，人類編寫出了可以讓描述脫離人腦而獨(dú)立執(zhí)行的語言，即程序。人工智能的歷史由此開始。從早期的電子游戲到因特網(wǎng)，再到網(wǎng)絡(luò)游戲和暢想王國，人類的精神世界被越來越充分，越來越具體生動的解讀并再現(xiàn)出來。 于是，虛擬世界的探討也可以從兩方面進(jìn)行，一是全新的視覺體驗(yàn)與感知模式，二是虛擬現(xiàn)實(shí)引發(fā)的社會問題與集體經(jīng)驗(yàn)。虛擬世界中，年輕一代宣泄情感和尋找心理滿足，所產(chǎn)生的刺激又成為他們返回現(xiàn)實(shí)情感體驗(yàn)的動力，以至虛擬世界的經(jīng)驗(yàn)廣泛地存在于現(xiàn)實(shí)場景中，現(xiàn)實(shí)狀況成為新一輪的虛擬鏡像，達(dá)到了虛擬藝術(shù)的廣義闡釋。 虛擬藝術(shù)呈現(xiàn)的正是一種自我認(rèn)證結(jié)構(gòu)，年輕一代藝術(shù)工作者們充分體驗(yàn)著虛擬空間與現(xiàn)實(shí)社會的雙重快感，虛擬與現(xiàn)實(shí)對他們而言已經(jīng)不是對立的兩極，而是同一篇小說的兩條線索，可以游刃于兩者之中又達(dá)到轉(zhuǎn)換的制衡，并且不打亂自我認(rèn)證的秩序。更為重要的是，年輕藝術(shù)工作者在表達(dá)所謂“自我一代”的彷徨、孤獨(dú)、迷茫、自閉等生存體驗(yàn)之時，找到了最行之有效的切入點(diǎn)，這一點(diǎn)也是當(dāng)今時代語境導(dǎo)向的風(fēng)向標(biāo)——游戲性。因而，“自我”一代所持有的冷眼旁觀和自我意識膨脹的態(tài)度得到了逐步消解，他們積極地介入虛擬與現(xiàn)實(shí)的輸入與輸出之間，致力于將“自我解析式”的藝術(shù)效應(yīng)，空前快速地傳播并到達(dá)為大眾的共有經(jīng)驗(yàn)。
[Abstract]:The world of people can be divided into two parts of the material world and the spiritual world, and the material world is not only the part of the human's material senses. The logic, the sense of morality and the imagination are the three dimensions of the individual's spiritual world, which respectively correspond to the three distinct areas of the understanding of the objective world, the ideal of the belief and the art of the art. The whole art of human beings is almost all in the analysis and reproduction of the two human world. in that material lay, people achieve the purpose of reproduction in the form of an illusion by simulating the senses such as vision, hearing, smell, taste, and touch. such as vision, with the development and innovation of science and technology, from ancient rock to frame painting, to photography, film, to three-dimensional image, the quality of the simulation is more and more High. And the simulation technique, from the earliest single-sensory cell simulation to the present multi-sense full-system model It is to be predicted that, in the near future, human feelings can pass through the body's media, directly through brain waves and the brain-aware nerves. The change of the medium will lead to a change in the human's dependence on the nature of the substance. The physical nature of the substance can only provide the energy of the sustenance, and at the demand level of the sensual pleasure, we can go through the simulated sense of the body. At that time, we will no longer feel the smell of the transgenic food, or can't appreciate the beautiful scenery of the past. The spiritual world is human-specific, not only a reflection of the natural world, but also a pre-set, super-sensory, intangible, beyond the senses and the scope of the senses. The world of the world, and it seems that the invisible world of the invisible super-sense is more real than the world of the senses and the world, and more The attraction of art is the creation of human creativity and the reality of the ideological process of the spiritual world. The activity of the spiritual world, however, is the objective of the material world. On the other hand, with the evolution of the material world, the human's moral view, the belief and the ideology have changed, so how to come to the spirit level In fact, when it comes from the language, humans can use it to describe the spiritual world. Activity. Abstract Symbolization makes this virtual off-the-shelf It is possible. When the symbol is abstracted to the origin _ 0 and 1, that is, or not, the human has written a language that can let the description be executed independently of the human brain, That is, the process. The history of artificial intelligence is From the early video games to the Internet, to online games and to the realm of the realm, the spiritual world of the human world is becoming more and more fully, more and more specific and vivid, and Now, the discussion of the virtual world can be carried out from two aspects, one is the brand-new visual experience and the perception mode, and the second is the social problem caused by the virtual reality In the virtual world, the generation of the younger generation's emotion and the search for the psychological satisfaction, the stimulus generated again becomes the power of their return to the real emotional experience, so that the experience of the virtual world is widely present in the real scene, and the reality has become a new round The virtual image of the virtual art is achieved. The virtual art presents a kind of self-authentication structure, and the young artists of the younger generation have full experience of the double pleasure of the virtual space and the real society, and the virtual and the reality are not the opposite poles for them, but the same The two clues of the novel can be found in the two of the two, and the balance of the transformation is reached, and it is not disturbed. The order of self-certification. More importantly, young art workers have found the most effective entry point in expressing so-called 鈥渟elf-generation鈥

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