本文選題：烏托邦 + 永恒�。� 參考：《北京大學(xué)》2006年碩士論文

【摘要】： 鮑曼的文藝美學(xué)思想可以概括為“后現(xiàn)代時(shí)空體驗(yàn)論”,后現(xiàn)代社會(huì)時(shí)空體驗(yàn)的變化是理解鮑曼思想的重要脈絡(luò)。 鮑曼對(duì)于現(xiàn)代性和后現(xiàn)代性的理解和表述方式比較獨(dú)特,現(xiàn)代性是時(shí)間在空間中穿行的歷史,作為個(gè)體感性形式的時(shí)間和空間,無(wú)論在現(xiàn)代社會(huì)還是后現(xiàn)代社會(huì)都具有至關(guān)重要的意義�，F(xiàn)代性時(shí)間的突出特征是線(xiàn)性上升,不斷進(jìn)步直到終點(diǎn),現(xiàn)代性的空間則是理想化的空間,以空間純凈為原則,營(yíng)造幾何學(xué)式詞物對(duì)應(yīng)的格網(wǎng)。烏托邦貫穿了鮑曼思想的路程,其非現(xiàn)實(shí)化品格、地域性和終極性集中代表了現(xiàn)代時(shí)空的特征。 鮑曼從權(quán)力關(guān)系入手分析自由,將社會(huì)視為金字塔層級(jí),監(jiān)獄則是時(shí)間和空間交鋒的場(chǎng)所。隨著后現(xiàn)代社會(huì)的到來(lái),現(xiàn)代性由固態(tài)轉(zhuǎn)入液態(tài),地理終結(jié)后時(shí)間和速度成為權(quán)力的標(biāo)志,而空間則喪失了意義。全球化的同時(shí)加劇了地方化,政治失去了控制經(jīng)濟(jì)資本的能力,私域不斷侵占公域,共同體被打破,多元文化主義開(kāi)始建造新的隔離區(qū)。 后現(xiàn)代時(shí)間戰(zhàn)勝了空間的同時(shí)也從空間義務(wù)中擺脫,不再指向永恒,伴隨著空間的碎片化,時(shí)間也瞬間化,對(duì)技術(shù)和速度的迷戀成為時(shí)尚,消費(fèi)時(shí)間取代了生產(chǎn)時(shí)間,快樂(lè)原則與現(xiàn)實(shí)原則達(dá)成一致,人類(lèi)對(duì)身體、愛(ài)情、藝術(shù)和幸福的認(rèn)識(shí)也隨之發(fā)生了改變。 美學(xué)的研究對(duì)象是主體的感性體驗(yàn),時(shí)空則是人類(lèi)兩種感官的純形式,社會(huì)轉(zhuǎn)型期的時(shí)空裂變必然影響人類(lèi)的感性體驗(yàn)。鮑曼對(duì)于自由、權(quán)力、道德、共同體等問(wèn)題的思考,是以時(shí)空體驗(yàn)的變化為線(xiàn)索的,并含有強(qiáng)烈的社會(huì)批判意識(shí),這為社會(huì)理論與美學(xué)理論的溝通提供了新的可能性。后現(xiàn)代時(shí)空裂變?yōu)閷徝篮退囆g(shù)體驗(yàn)帶來(lái)了新的挑戰(zhàn),也引發(fā)了知識(shí)分子身份和命運(yùn)的問(wèn)題,鮑曼對(duì)文學(xué)藝術(shù)的讀解和體驗(yàn)方式具有鮮明的社會(huì)學(xué)特征,他提出的寫(xiě)作社會(huì)學(xué)策略體現(xiàn)了社會(huì)學(xué)家的介入和反思精神。鮑曼思想淵源復(fù)雜,其語(yǔ)言形式和問(wèn)題意識(shí)類(lèi)似于西美爾,“非連續(xù)性”和“非體系性”的寫(xiě)作風(fēng)格則引發(fā)了較大爭(zhēng)議。
[Abstract]:Bauman ' s thoughts of literature and art can be summarized as " post - modern time - space experience theory " , and the change of post - modern social space - time experience is an important vein to understand Baumann ' s thought .


Bauman ' s understanding and expression way of modernity and post - modernity is unique , modernity is the time and space of time in space , as the time and space of the individual perceptual form , whether in modern society or post - modern society has the vital significance .


With the arrival of the post - modern society , modernity is transformed from the solid state to the liquid state , the time and speed of geographical termination becomes the symbol of power , and the space loses its meaning . At the same time , globalization increases localization , politics loses its ability to control the economic capital , the private domain continues to occupy the public domain , the community is broken , and the multi - cultural doctrine begins to build a new isolation region .


At the same time , the post - modern time has overcome the space , also from the space obligation , no longer pointing to eternity , with the fragmentation of the space , the time is also instantaneous , the obsession with technology and speed becomes fashion , the consumption time replaces the production time , the happy principle and the realistic principle agree , the human understanding of the body , love , art and happiness has also changed .


The study object of aesthetics is the perceptual experience of the subject , the space - time is the pure form of the two senses of human , the space - time fission of the transition of society inevitably affects the human perceptual experience .
【學(xué)位授予單位】：北京大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類(lèi)號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 郝濤濤;齊格蒙特·鮑曼個(gè)體關(guān)懷思想評(píng)析[D];大連理工大學(xué);2010年

2 呼曉瓊;困境與出路：鮑曼后現(xiàn)代倫理建構(gòu)[D];西北大學(xué);2011年

3 李開(kāi);理性法與社會(huì)自治[D];西南政法大學(xué);2011年

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本文編號(hào)：2052208