本文選題：大眾文化批評(píng) + 批評(píng)實(shí)踐　； 參考：《四川省社會(huì)科學(xué)院》2008年碩士論文

【摘要】： 自上世紀(jì)九十年代中期以來(lái),大眾文化在中國(guó)社會(huì)迅速勃興,對(duì)大眾文化的研究和大眾文化批評(píng)正是對(duì)其發(fā)展現(xiàn)狀及未來(lái)趨勢(shì)的全面分析。本文試從大眾文化理論發(fā)展脈絡(luò)、生存現(xiàn)狀的角度,通過(guò)對(duì)我國(guó)大眾文化批評(píng)理論的梳理,以及對(duì)目前大眾文化批評(píng)的實(shí)踐活動(dòng)、我國(guó)大眾文化批評(píng)的功能和意義等的剖析,來(lái)探詢我國(guó)大眾文化批評(píng)所存在的問(wèn)題和走勢(shì)。本文由四部分組成。 第一部分:大眾文化批評(píng)的理論背景。這一部分主要對(duì)阿諾德的精英文化理論、法蘭克福學(xué)派“文化工業(yè)”理論、葛蘭西“文化霸權(quán)”理論和菲斯克的能動(dòng)大眾與生產(chǎn)性文本理論等四個(gè)重要階段和代表人物的觀點(diǎn)作一個(gè)理論的梳理和廓清。尋找大眾文化批評(píng)理論從全面批判大眾文化到多視角、跨邊界的批評(píng)實(shí)踐軌跡,為下文探求我國(guó)大眾文化批評(píng)的理論借鑒和發(fā)展實(shí)踐提供一個(gè)理論背景和原則立場(chǎng)。 第二部分:我國(guó)大眾文化批評(píng)的發(fā)展歷程。主要從我國(guó)大眾文化的產(chǎn)生發(fā)展、特征與功能、我國(guó)大眾文化批評(píng)的產(chǎn)生發(fā)展以及我國(guó)大眾文化批評(píng)的權(quán)力訴求四個(gè)方面作一些基本分析,探討我國(guó)大眾文化的出現(xiàn)及大眾文化批評(píng)的出現(xiàn)對(duì)社會(huì)文化生活產(chǎn)生的影響和作用。 第三部分:大眾文化批評(píng)的實(shí)踐及其意義。從目前大眾文化批評(píng)與后現(xiàn)代主文化的融合、后現(xiàn)代實(shí)踐----電影和文本中的戲仿、大眾文化批評(píng)所呈現(xiàn)的批評(píng)功能及批評(píng)意義等方面深入探討我國(guó)大眾文化批評(píng)實(shí)踐中的情況和積極效果。這部分內(nèi)容注重從批評(píng)實(shí)例出發(fā),如對(duì)文學(xué)和電影批評(píng)實(shí)踐活動(dòng)的分析等,旨在于突出大眾文化批評(píng)在大眾文化泛化的當(dāng)下存在的積極意義。大眾文化批評(píng)能調(diào)節(jié)大眾文化生產(chǎn)者、大眾文化產(chǎn)品、大眾文化消費(fèi)者這三個(gè)環(huán)節(jié)的關(guān)系,還能調(diào)節(jié)大眾文化與整個(gè)社會(huì)的關(guān)系。 第四部分:大眾文化批評(píng)的問(wèn)題和走勢(shì)。本文認(rèn)為,大眾文化批評(píng)的存在有兩面性,在擔(dān)當(dāng)著引導(dǎo)大眾文化發(fā)展方向的責(zé)任同時(shí),也存在著一定的局限性。例如:揮之不去的精英主義立場(chǎng);“移植”理論的他者語(yǔ)境;大眾文化批評(píng)對(duì)象的擴(kuò)張等問(wèn)題使大眾文化批評(píng)的消極性彰顯。大眾文化批評(píng)依然擔(dān)負(fù)著人文精神導(dǎo)向性的任務(wù),在進(jìn)行批評(píng)媒介多元整合的情況下,最終成為關(guān)注社會(huì)文化發(fā)展的監(jiān)督者。
[Abstract]:Since the middle of 1990s, popular culture has flourished rapidly in Chinese society. The study of popular culture and popular culture criticism is a comprehensive analysis of its development status and future trend.From the perspective of the development of popular culture theory and the present situation of existence, this paper tries to analyze the theory of mass culture criticism in our country, as well as the practical activities of mass culture criticism, the function and significance of mass culture criticism in our country, and so on.To explore the problems and trends of popular cultural criticism in China.This paper consists of four parts.The first part: the theoretical background of popular cultural criticism.This part mainly deals with Arnold's theory of elite culture, the Frankfurt school's theory of "cultural industry",Gramsci's theory of "cultural hegemony" and Fiske's theory of active mass and productive text are four important stages and the viewpoints of representative figures are combed out and clarified theoretically.In order to provide a theoretical background and a principled stand for exploring the theoretical reference and development practice of mass cultural criticism in China, this paper explores the practical track of criticism of mass culture from comprehensive criticism to multi-perspective and across the border in order to explore the theoretical reference and development of the theory of mass cultural criticism in our country.The second part: the development course of mass culture criticism in our country.Some basic analyses are made mainly from four aspects: the emergence, development, characteristics and functions of mass culture in China, the emergence and development of mass cultural criticism in our country, and the power demands of mass cultural criticism in our country.This paper probes into the influence and function of the emergence of mass culture and the emergence of popular culture criticism on the social and cultural life.The third part: the practice and significance of popular cultural criticism.From the current integration of popular cultural criticism and postmodern main culture, post-modern practice--parody in films and texts,This paper probes into the situation and positive effects of popular cultural criticism in our country from the aspects of its function and significance.This part focuses on the examples of criticism, such as the analysis of literary and film criticism practice activities, aiming at highlighting the positive significance of popular cultural criticism in the current period of popular culture generalization.Popular culture criticism can regulate the relations among the producers, products and consumers of mass culture, and the relationship between mass culture and the society as a whole.The fourth part: the problem and trend of popular culture criticism.This paper holds that there are two sides to the mass culture criticism, and there are some limitations in the responsibility of guiding the development direction of the mass culture.For example, the persistent elitism position, the other context of "transplant" theory, and the expansion of the object of popular culture criticism make the negativity of popular cultural criticism manifest.Mass cultural criticism still bears the task of guiding humanistic spirit, and finally becomes the supervisor of social and cultural development under the condition of pluralistic integration of critical media.
【學(xué)位授予單位】：四川省社會(huì)科學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：I06

【引證文獻(xiàn)】

相關(guān)會(huì)議論文 前1條

1 朱林國(guó);;論新世紀(jì)以來(lái)中國(guó)散文詩(shī)創(chuàng)作中的生態(tài)美學(xué)意識(shí)——以新世紀(jì)散文詩(shī)群“我們”為個(gè)案[A];新世紀(jì)以來(lái)散文詩(shī)的創(chuàng)作與發(fā)展學(xué)術(shù)研討會(huì)論文集[C];2013年

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