本文選題：紫式部 + 《源氏物語》�。� 參考：《華中師范大學(xué)》2007年碩士論文

【摘要】： 《源氏物語》自問世以來，有關(guān)它的研究角度主要有文本論、成立論、構(gòu)思論、主題論和人物論，最近還出現(xiàn)了從哲學(xué)、社會學(xué)、文化人類學(xué)等角度進(jìn)行研究的傾向。其中，有關(guān)人物形象的研究，既有對男性人物的研究，也有對女性人物的研究。在男性人物形象研究中以主人公源氏和薰君為主，其中既有對他們的單個分析，也有對他們與女性之間關(guān)系的研究，源氏與我國的《紅樓夢》主人公賈寶玉的比較研究。還有一些研究涉及到了源氏和薰君兩位主人公的比較，但它們多不是單篇的比較研究，而僅僅是在作品的字里行間提及到兩個人物形象的異同。因此這些比較都不很全面，或比較兩者性格的差異，或比較兩者的道心與出家的不同等等。 本文對源氏和薰君形象進(jìn)行了全面深入的比較研究，彌補了國內(nèi)外對這兩個人物形象研究之不足。本文主要運用文本細(xì)讀的方法，并結(jié)合社會一歷史批評、精神分析學(xué)批評等方法，從兩位主人公的出生、官場、情場與道心等方面進(jìn)行了深入的比較研究，同時，對作者的創(chuàng)作意圖也做一次嘗試性的探索，為更多的讀者提供一個較深層次的解讀可能。 全文分為四個部分： 第一部分：不幸童年與亂倫情結(jié)。兩位主人公都經(jīng)歷了不幸的童年，，主要都表現(xiàn)為缺少母愛。但在不幸之中兩者所獲得的補償不一樣，前者得到了外祖母給予的家庭關(guān)愛，后者更多的是在宮廷里獲得了冷泉院給予的庇護。不管怎樣，童年的不幸對他們?nèi)蘸蟮娜松籍a(chǎn)生了極大的影響。他們一生都生活在亂倫的陰影和痛苦中。 第二部分：性格與才能。兩者在性格上的差異較大。源氏性格較豐富、復(fù)雜，既有堅強、仁慈、同情的一面，也有柔弱、哀傷、煩悶的一面；薰君則主要表現(xiàn)為陰郁、冷峻和老成持重。才能方面，后者顯然不能和“與日月同輝”的前者相比，前者才華卓越，后者并無異常優(yōu)越之處。 第三部分：情場與官場。兩者在情場上的差異主要表現(xiàn)為得意與失意。在官場上，源氏具備卓越的政治才能，中途雖有波折，但波折之后，逐步登上了無以復(fù)加的權(quán)力頂峰。薰君由于有冷泉院等的庇護，因此，他雖然沒有過人的才華，卻也逐步高升。 第四部分：道心與向佛。源氏和薰君都有道心和向佛的意志和表現(xiàn)。但兩者的軌跡恰恰相反。源氏在經(jīng)歷了幾十年的風(fēng)花雪月，經(jīng)過了入世、出世的多次徘徊之后，最終放棄一切世俗的羈絆，實現(xiàn)了出家的夙愿。薰君年輕時即有道心，有向佛之意，但在追求的過程中，反而道心逐漸淡薄，最終違背初愿沉淪下去。 作者創(chuàng)作源氏和薰君兩位人物形象的主要意圖在于對歷史人物進(jìn)行文學(xué)升華，塑造作者心中的理想貴族男性形象，并借此宣揚佛教因果報應(yīng)思想。
[Abstract]:Since its inception, the study of Genji has mainly focused on text theory, establishment theory, conception theory, theme theory and character theory. Recently, there has been a tendency to study it from the perspectives of philosophy, sociology, cultural anthropology and so on.Among them, the study of character image, not only the study of male characters, but also the study of female characters.In the study of male characters, the main characters are the protagonists Genji and Kaoru, including their individual analysis, their relationship with women, and the comparative study between Genji and Jia Baoyu, the protagonist of A Dream of Red Mansions in China.Therefore, these comparisons are not very comprehensive, or compare the differences between the two personality, or compare the Taoism and the difference between the monastic and so on.This paper makes a comprehensive and deep comparative study on the images of Genji and Kaoru, and makes up for the deficiency in the study of these two characters at home and abroad.This paper mainly uses the method of text reading, combined with the methods of social-historical criticism, psychoanalysis criticism, etc., from the aspects of the birth of the two protagonists, the officialdom, the love field and the Taoism and so on. At the same time, it makes a deep comparative study.The author also makes a tentative exploration of the author's creative intention, which provides a deeper interpretation possibility for more readers.The full text is divided into four parts:Part one: unhappy childhood and incest complex.Both protagonists have experienced an unfortunate childhood, mainly due to the lack of maternal love.Unfortunately, however, compensation was not the same as that of grandmother's family care, and the latter was more of a refuge in a cold spring court.In any case, the misfortune of childhood had a great impact on their future life.They lived their whole lives in the shadow and pain of incest.Part two: character and ability.There is a big difference in character between the two.Genji's character is rich and complex, both strong, benevolent, sympathetic, but also weak, sad, bored side.Talent, the latter obviously can not be compared with the former, the former brilliant, the latter is not exceptionally superior.The difference between the two in the love field is mainly for pride and frustration.In the officialdom, Genji had outstanding political talent, although there were twists and turns, but after twists and turns, he gradually reached the summit of power.Because of the shelter of cold spring, Hyun-Jun, although he has no superior talent, but also gradually ascended.The fourth part: Taoism and Buddha.Both Genji and Kaoru have Taoist hearts and the will and expression to the Buddha.But the trajectory is the opposite.After several decades of history, after entering WTO and after many times of wandering, Genji finally gave up all worldly fetters and realized the long-cherished wish of becoming a monk.When Kaoru was young, he had a Taoist heart and a will to the Buddha, but in the process of pursuing it, the Taoist heart gradually faded and eventually went down against his initial wish.The author's main intention in creating the images of Genji and Kaoru is to sublimate the historical characters, to shape the ideal male image of nobility in the author's mind, and to propagate the thought of Buddhist karma and retribution.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2007
【分類號】：I0-03;I106.4

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 李光澤;《源氏物語》在中國的傳播與接受[D];吉林大學(xué);2013年

本文編號：1731961