發(fā)布時(shí)間：2018-04-04 23:29

  本文選題：敘事聚焦　切入點(diǎn)：小說(shuō)的敘事聚焦　出處：《揚(yáng)州大學(xué)》2008年碩士論文

【摘要】： 敘事聚焦是敘事學(xué)當(dāng)中的一個(gè)倍受關(guān)注的論題。本文吸收了前人關(guān)于小說(shuō)敘事聚焦和電影敘事聚焦眾多理論當(dāng)中的合理論述,在此基礎(chǔ)上進(jìn)行梳理整合,試圖為聚焦的涵義、分類(lèi)、效果和意義做出新的解釋與界定,并對(duì)小說(shuō)聚焦和電影聚焦的異同之處進(jìn)行了深入分析。同時(shí),本文還注意到了小說(shuō)和電影在敘事聚焦范疇內(nèi)的互相借鑒,特別是小說(shuō)在敘事聚焦手法上向電影的借鑒。 引言部分:簡(jiǎn)要介紹敘事聚焦研究中出現(xiàn)的種種問(wèn)題,指出本文寫(xiě)作目的、寫(xiě)作思路,要解決的問(wèn)題,以及該選題的研究意義。 第一部分:回溯敘事聚焦研究的歷史,概述敘事聚焦在小說(shuō)敘事學(xué)范疇內(nèi)的發(fā)展和研究成果,以及目前關(guān)于敘事聚焦研究的復(fù)雜的狀況,介紹它在電影敘事學(xué)中得到的更為廣闊的發(fā)展和研究。 第二部分:在前人研究的基礎(chǔ)上為敘事聚焦的涵義、分類(lèi)做出自己的界定,論述敘事聚焦的作用、效果和深層意義,指出在小說(shuō)和電影這兩種不同敘事藝術(shù)中敘事聚焦的細(xì)微差別,并從深層上揭示造成兩者同中有異的原因。 第三部分:指出電影和小說(shuō)在敘事聚焦問(wèn)題上的互鑒,簡(jiǎn)略介紹兩者在敘事聚焦理論上的互鑒,主要介紹兩者在敘事聚焦手法上的互鑒,并以新小說(shuō)派的領(lǐng)軍人物羅伯-格里耶的小說(shuō)為例,對(duì)小說(shuō)向電影借鑒的聚焦手法進(jìn)行了詳細(xì)研究。結(jié)語(yǔ)部分:進(jìn)一步思考敘事聚焦研究對(duì)于敘事學(xué)發(fā)展以及敘事藝術(shù)本身發(fā)展的重要性和深遠(yuǎn)意義。
[Abstract]:Narrative focus is a subject of great concern in narratology.This article absorbs the reasonable exposition of the previous theories about the novel narrative focus and the film narrative focus, on the basis of which, it tries to make a new explanation and definition for the meaning, classification, effect and significance of the focus.The similarities and differences between the novel focus and the film focus are analyzed in depth.At the same time, the thesis also pays attention to the mutual reference of novel and film in the category of narrative focus, especially the reference from the narrative focusing technique to the film.Introduction: briefly introduces the problems in the study of narrative focus, points out the purpose of this paper, writing ideas, problems to be solved, as well as the significance of this topic.The first part: the history of narrative focus research, the development and research results of narrative focus in the field of narratology, and the complex situation of narrative focus research at present.This paper introduces its broader development and research in the field of film narratology.The second part: on the basis of previous studies, it defines the meaning of narrative focus, classifies it, and discusses the function, effect and deep meaning of narrative focus.This paper points out the nuances of narrative focus in the two different narrative arts, novel and film, and reveals the reasons for the differences between the two.The third part points out the mutual learning of narrative focus between film and novel, briefly introduces their mutual learning in narrative focusing theory, and mainly introduces their mutual learning in narrative focusing techniques.Taking the novel of Roberto Greyer, the leader of the New Fiction School, as an example, this paper makes a detailed study on the focus of the novel to the film.Conclusion: further thinking about the importance and far-reaching significance of narrative focus on the development of narratology and the development of narrative art itself.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類(lèi)號(hào)】：I054;J904

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 舒慧香;;從敘事學(xué)角度看《八月迷情》[J];考試周刊;2012年49期

相關(guān)碩士學(xué)位論文 前1條

1 劉澎珊;從小說(shuō)到影視�。弘p重文本的對(duì)話(huà)[D];廣西民族大學(xué);2012年

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本文編號(hào)：1712203