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解讀網(wǎng)絡(luò)交互狀態(tài)下的個性化審美體驗

發(fā)布時間:2018-04-04 23:34

  本文選題:網(wǎng)絡(luò) 切入點:交互性 出處:《江西師范大學(xué)》2008年碩士論文


【摘要】: 隨著科學(xué)技術(shù)的飛速發(fā)展,網(wǎng)絡(luò)這種新媒介的出現(xiàn)使繪畫,雕塑等傳統(tǒng)媒介的地位受到了挑戰(zhàn),網(wǎng)絡(luò)媒介具有的很多特性使藝術(shù)活動具有了交互性和參與性,藝術(shù)的易于參與使藝術(shù)的公共性更加突出,在這種群體參與的前提下,個性化審美就顯得尤為突出,這種個性化與審美糅合在一起,形成了一種特殊的審美體驗。 當(dāng)今世界,無論是在工作還是生活中,網(wǎng)絡(luò)已經(jīng)逐步從尖端的高科技產(chǎn)品進入到人們的日常生活中,構(gòu)成人們生存于其中的社會的必不可少的組成部分,人們與網(wǎng)絡(luò)的關(guān)系正由陌生、神秘走向親近和習(xí)以為常。從歷史的角度看,一種新的社會構(gòu)成是其成分和其間的相互關(guān)系由于新因素的出現(xiàn)而發(fā)生改變,有的成分消失了,更多的則響應(yīng)社會整體的變化,調(diào)整自身內(nèi)部各要素之間以及與其他構(gòu)成因素之間的關(guān)系,與新的成分一起構(gòu)造出一個新的社會存在,成為人們新的生存基礎(chǔ),在網(wǎng)絡(luò)的這種交互狀態(tài)下,審美沉迷于個性體驗,文中探討了網(wǎng)絡(luò)媒介的交互性、用戶體驗以及個性化的審美體驗。
[Abstract]:With the rapid development of science and technology, the status of traditional media such as painting and sculpture has been challenged by the emergence of new media, such as the network.The easy participation of art makes the publicness of art more prominent. Under the premise of this kind of group participation, individualized aesthetic is especially prominent. This kind of individuation and aesthetic blending together form a special aesthetic experience.In today's world, whether at work or in life, the Internet has gradually moved from cutting-edge high-tech products into people's daily lives, forming an essential part of the society in which people live.The relationship between people and the network is from strange, mysterious to close and accustomed.From the historical point of view, a new social composition is that its composition and its interrelationship are changed as a result of the emergence of new factors. Some elements disappear and more respond to the changes in the society as a whole.To adjust the relationship between the elements within themselves and other constituent factors, to construct a new social existence together with the new elements, and to become a new foundation of people's existence, in this interactive state of the network,The article discusses the interactivity of network media, user experience and individualized aesthetic experience.
【學(xué)位授予單位】:江西師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2008
【分類號】:J01

【參考文獻】

相關(guān)期刊論文 前1條

1 鄧曉芒;什么是藝術(shù)作品的本源?——海德格爾與馬克思美學(xué)思想的一個比較[J];哲學(xué)研究;2000年08期

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本文編號:1712228

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