本文選題：張力　切入點(diǎn)：張力美　出處：《東北師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】： 在審美活動(dòng)中,具有“張力”特征的審美對(duì)象會(huì)在主體心中引起一種特殊的審美感受,本文將其定義為“張力美感”,它與“張力”、“張力美”等范疇既相關(guān)聯(lián)又相互區(qū)別�！皬埩γ栏小庇兄N種獨(dú)特的美感特征,每一特征都有其深層的心理根源。根據(jù)不同對(duì)象引發(fā)“張力美感”途徑的不同,本文將“張力美感”的審美對(duì)象為“意義張力”對(duì)象和“形式張力”對(duì)象兩大類�！皬埩γ栏小迸c現(xiàn)有的優(yōu)美感、崇高感等美感形態(tài)相比,既有相似之處,也有著諸多的不同,它是一種獨(dú)特的美感形態(tài),值得我們進(jìn)行深入系統(tǒng)的研究。 “張力美感”作為審美主體的一種主觀審美經(jīng)驗(yàn),是立足于人的心靈世界的。所以,本文力圖以現(xiàn)代心理學(xué)、審美心理學(xué)及美感形態(tài)方面的研究成果為基礎(chǔ),將視角深入到審美主體的心靈深處,將其在審美活動(dòng)中復(fù)雜而微妙的心理狀態(tài)進(jìn)一步揭示出來,對(duì)“張力美感”種種美感特征的描述,就是本文論述的重點(diǎn)所在。而為了理清目前略顯混亂的“張力”研究現(xiàn)狀,更好地把握大量存在著的富有“張力美”的審美對(duì)象,本文也對(duì)“張力”的概念演變及“張力”對(duì)象進(jìn)行了梳理。此外,為了突顯“張力美感”的獨(dú)特性,將“張力美感”與“優(yōu)美感”、“崇高感”和中國(guó)古代的“勢(shì)”理論作以比較就顯得尤為重要。 總之,本文將“張力美感”作為一種獨(dú)特的美感形態(tài)加以提出,這是對(duì)現(xiàn)有美感形態(tài)理論的一種補(bǔ)充,意在引發(fā)理論界對(duì)人類的審美心理進(jìn)行更細(xì)致更深入的研究和思考。
[Abstract]:In aesthetic activities, the aesthetic objects with the characteristics of "tension" will cause a special aesthetic feeling in the mind of the subject. This paper defines it as "tension aesthetic feeling", which is related to and different from other categories, such as "tension" and "tension beauty". Each characteristic has its own deep psychological root. According to the different object cause "tension aesthetic" way different, The aesthetic objects of "tension aesthetic sense" are "meaning tension" object and "form tension" object. It is a unique form of aesthetic sense, worthy of our in-depth and systematic study. As a subjective aesthetic experience of the aesthetic subject, "tension Aesthetic sense" is based on the world of man's soul. Therefore, this paper tries to base on the research results of modern psychology, aesthetic psychology and aesthetic feeling form. The angle of view goes deep into the mind of the aesthetic subject, reveals its complex and delicate psychological state in the aesthetic activity, and describes the characteristics of the aesthetic sense of tension. In order to clear up the present confused research situation of "tension", and better grasp the large number of aesthetic objects rich in "tension beauty", In addition, in order to highlight the uniqueness of the aesthetic sense of tension, this paper also reviews the evolution of the concept of "tension" and the object of "tension". It is very important to compare the aesthetic sense of tension with the sense of beauty, the sense of sublime and the theory of potential in ancient China. In a word, this paper puts forward the "tension aesthetic feeling" as a unique aesthetic form, which is a supplement to the existing aesthetic form theory and is intended to trigger more detailed and in-depth research and reflection on the aesthetic psychology of human beings in the theoretical circle.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：I01

【引證文獻(xiàn)】

相關(guān)期刊論文 前3條

1 王昊寧;劉同為;;從審美心理的視角論武術(shù)套路運(yùn)動(dòng)的張力[J];首都體育學(xué)院學(xué)報(bào);2008年06期

2 張中偉;;文學(xué)張力形成之我見[J];金田(勵(lì)志);2012年07期

3 張中偉;;文學(xué)張力形成之我見[J];商場(chǎng)現(xiàn)代化;2012年23期

相關(guān)博士學(xué)位論文 前1條

1 金瓊;十七世紀(jì)歐洲巴洛克文學(xué)張力研究[D];暨南大學(xué);2010年

相關(guān)碩士學(xué)位論文 前2條

1 于履平;汽車造型中的張力和表現(xiàn)性研究[D];湖南大學(xué);2007年

2 賀俊丹;文學(xué)張力理論研究[D];廣西師范大學(xué);2010年

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本文編號(hào)：1633613