本文選題：女性藝術(shù)　切入點(diǎn)：女權(quán)主義　出處：《華東師范大學(xué)》2006年碩士論文　論文類型：學(xué)位論文

【摘要】：1990年代以來(lái)，中國(guó)當(dāng)代藝術(shù)中一個(gè)令人矚目的現(xiàn)象是女性主義藝術(shù)的真正崛起。在目睹中國(guó)幾千年父權(quán)制統(tǒng)治以及由此帶來(lái)的男性主導(dǎo)的文化專權(quán)后，人們也質(zhì)疑：中國(guó)是否存在真正意義上的“女性藝術(shù)”?本文旨在通過(guò)剖析女性藝術(shù)形式與女性性別特征所主導(dǎo)衍生的心理、情感、文化偏好等因素的聯(lián)系，進(jìn)一步說(shuō)明其之所以存在的依據(jù)。她是人類文化中不可或缺的一部分，是時(shí)代生動(dòng)、鮮活又細(xì)膩的描述者�，F(xiàn)代意義上的中國(guó)女性藝術(shù)是二十世紀(jì)九十年代的新生物。它既區(qū)別于中國(guó)以往女性藝術(shù)而凸現(xiàn)出鮮明的女性特征，且在思想和形式上也區(qū)別于西方女權(quán)運(yùn)動(dòng)藝術(shù)而飽含中國(guó)文化特色。她們的作品風(fēng)格各異，但都具有一個(gè)最大的共同點(diǎn)——從女性的角度來(lái)闡釋世界，因此當(dāng)代女性藝術(shù)家們愈益顯現(xiàn)出一種不同于男性藝術(shù)家的獨(dú)特視角。她們不再用男人的標(biāo)準(zhǔn)和男人創(chuàng)造的程式去畫畫。她們開始建立起一種對(duì)自身性別認(rèn)同的自覺意識(shí)，開始從性別差異中發(fā)現(xiàn)自己的價(jià)值。當(dāng)她們嘗試從自身經(jīng)驗(yàn)出發(fā)，用“女性視角”去詮釋這個(gè)世界時(shí)，她們的作品不僅與男性藝術(shù)家不同，也與以往任何時(shí)代的女性藝術(shù)家的作品拉開了距離。也正是這一實(shí)踐，才使“女性藝術(shù)”這一概念的提出成為可能，，才使“女性藝術(shù)”這一話題具有了全新的內(nèi)容和“后現(xiàn)代”色彩。
[Abstract]:Since the 1990s, a remarkable phenomenon in Chinese contemporary art has been the real rise of feminist art. After witnessing thousands of years of patriarchal rule in China and the resulting male-dominated cultural dictatorship, People also question whether there is a real "female art" in China? The purpose of this paper is to analyze the relationship between female art form and psychological, emotional and cultural preferences, which are derived from female gender characteristics, and to further explain the basis for its existence. It is an indispensable part of human culture. Chinese women's art in the modern sense is a new creature in 1990s. It is different from the Chinese women's art in the past and shows its distinctive female characteristics. And they are different in thought and form from the Western feminist arts and are full of Chinese cultural characteristics. Their works have different styles, but they all have one of the most common points-to explain the world from the perspective of women. As a result, contemporary female artists are increasingly showing a unique perspective that is different from that of male artists. They are no longer drawing by the standards of men and the programs created by men. They are beginning to develop a sense of self-awareness of their own gender identity. When they try to interpret the world from a "female perspective," their work is not just different from that of male artists. It is this practice that has made it possible to put forward the concept of "female art". So that the topic of "female art" has a brand-new content and "post-modern" color.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2006
【分類號(hào)】：J120.9

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相關(guān)期刊論文 前2條

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